The wind and the sun on spring outing in the shore of Surabaya, the endless scenery is a new.

Everyone can see the face of spring, the spring breeze blowing flowers open, thousands of purple, everywhere is the scene of spring.

It's sunny and sunny to swim in the spring, and the endless scenery is completely new on the shore of Surabaya. Anyone can see the face of spring. The spring breeze makes flowers bloom and colorful, and the scenery of spring is everywhere.

Extended data

1, the creative background of Spring Day

Literally, this poem is the author's impression of traveling in spring when he was on an outing in spring. According to the age of the author's life, it is inferred that when this poem was created, Surabaya had already been occupied by the Jin people, and it was not a practical thing to swim in Surabaya, but a virtual one. The author has never been to Surabaya, but this poem is written in Surabaya. The reason is that Zhu Xi's psychology is latent, and he is fond of Confucius, and he yearns for Confucius to live on our Si, so he hopes to wander in search of fragrance.

2. Appreciation of Spring Day

People generally think that this is a poem about spring. Judging from the scenery written in the poem, it is also very similar. Here, we don't describe it in detail, we don't cut and paste it on every grass, tree and stone, but we put pen to paper from a vast space.

Literally, this poem seems to write about the impressions of a spring outing, but the place to look for fragrance is the shore of Surabaya, which was occupied by the Jin people during the Song Dynasty. Zhu Xi did not go north, of course, it is impossible to swim in the spring of Surabaya. In fact, the word "Surabaya" in the poem alludes to Confucius, because in the Spring and Autumn Period, Confucius used to string songs between Zhu and Si to give lectures and teach disciples. Therefore, the so-called "seeking fragrance" refers to the way to seek saints.

"Boundless Scenery" shows that the space is extremely vast, which reveals the poet's original intention of seeking the Holy Way through film. "Dongfeng" is a metaphor for enlightenment, and "colorful" is a metaphor for the richness of Confucianism. The poet compares the sage's way to the spring breeze that urges the machine and ignites everything. This is actually a philosophical poem with reason and interest in the image. It is Zhu Xi's genius to write philosophical poems without revealing the traces of reasoning.