The ancestral hall was built in the first year of Guangxu in Qing Dynasty, covering an area of 736 square meters. It is a quadrangle with civil structure. The main building is divided into hall, pavilion and main hall.
There are three halls where people meet and eat. There is a memorial tablet niche of Yan's ancestors in Daxiong Hall, with a gold plaque of "honoring the ancestors" hanging on it, which is a sacrificial hall.
There are two stone tablets on the left side of the temple, neatly written and beautifully carved. On both sides, there are reliefs of "riding a thousand miles" and "three halls in one".
The pavilion is placed in the patio, 6.7 meters high, with two floors, upturned cornices and elegant decoration. The roof is a colorful pattern inlaid with glazed tiles.
The two pillars in the pavilion are carved with green stone lions. On the left is a lion rolling hydrangea, and on the right is a big lion playing with a little lion. On the stone platform under the lion, eight stories and pictures are engraved, such as Dream of Crying Bamboo, Fighting Tiger, Going to the Meeting with a Single Knife, and Cutting the Son at Yuanmen. The lines are natural and smooth, and the knife method is delicate and realistic.
In front of the pavilion, there is a hollow carved dragon stone1.07m long and1.63m wide, with carp yue longmen at the lower end and "Three Dragons Playing in the Water" at the upper end, which is vigorous and powerful, galloping in the sea of clouds and waves with vivid images. Near Longpanshi, there is a semicircular fish pond with a height of 0.67 meters, which consists of eight stone tablets engraved with "Sixteen Family Instructions" and surrounded by moire patterns, which is beautiful and exquisite.
It is a key cultural relic protection unit in Hubei Province. Wu Liping Folk Houses: Located in the middle of Wu Liping Old Street in Hefeng County, the layout is neat and well preserved. The total length of the street is 150m, all of which are wooden houses with hanging mountain structure, with * * * 17 rooms, covering an area of 2,300 square meters.
This is the former site of the Wu Liping Revolution. The former site was arranged in two streets, namely * * in Lian County, * * in the Communist Youth League Committee of Hunan and Hubei, and the Soviet Union, cooperative, assembly place, detention center, hospital and garrison area in * * *.
Among them, Lianxian * * * is located on the south side of the middle section of Wu Liping Old Street, with six big rooms and three big rooms, which are divided into two floors, basically keeping the original appearance. Yumuzhai: Yumuzhai, Moudao Town, Lichuan City.
It was an ancient fortress built to defend Anbailism during Jiaqing period of Qing Dynasty. It is said that breaking through it is like looking for fish from the edge of a tree, hence the name.
There are village buildings 1 block, 4 village cards, 2 village walls, 3 plank roads, more than 0 tombs1block from Qing Dynasty to Republic of China, ancient dwellings and stone carvings. Historic sites are generally more than 5 meters, the largest of which was built in the fifth year of Tongzhi in the Qing Dynasty (1866). It has three gates and two entrances, covering an area of 100. The "Sanyangguan" Carmen and the "Ming Ladder" stone plank road are precipitous and the terrain is dangerous.
It is a physical witness to the study of Tujia history and architecture. Dashuijing Ancient Buildings Ancient Architecture Complex: Located in Shuijing Village, Baiyang Town, Lichuan City, it was built in the late Ming and early Qing Dynasties.
It consists of two buildings, the Li Ancestral Hall and the Li Manor. The ancestral hall is 200 meters away from the manor. Pastoral feeding was built in the 26th year of Qing Daoguang (1846).
Covers an area of 3800 square meters. There are 3 halls, 4 rows of wings, 6 patios and 69 houses.
All three halls are17m wide and10.5m deep. The four rooms are equipped with lecture hall, warehouse, treasury, finance room, house of the patriarch and guest room respectively. There is a small well on the east side of the front of the ancestral hall, surrounded by stone walls and Tangke.
The words "Ancient Buildings in Dashuijing Ancient Buildings" are engraved on the front of the shaft wall. The walls around the ancestral hall are towering, and there are stone walls piled up on the left, right and back sides, which are 6-7 meters high, 3 meters thick and 390 meters long, all made of hemp stone.
There are "Chengen Gate" and "Wanghuamen" on the east and west sides respectively for access. The manor was built in 1924.
Covers an area of more than 4000 square meters. * * * Houses with 24 patios and 2-3 floors, including hall, suite, living room, guest room, ladies' building, accounting room and warehouse.
Li Zongci and manor buildings are resplendent and luxuriously decorated. Stigmas and beams are carved, cornices and roofs are inlaid with blue and white porcelain bowls with various patterns, colorful buildings, doors and windows are carved with exquisite patterns such as flowers, birds, insects and fish, and there are pools and exquisite flower beds in the patio. In addition, there are various reliefs and couplets.
Well preserved. Tang Ya Tusi City: Located in Sizhen, Tang Ya, Xianfeng County.
Tusi City was built in the Yuan Dynasty to the sixth year (A.D. 1346) and expanded in the early Ming Dynasty (A.D. 162 1). There are 36 courtyards in Sanjie 18 Lane, including Shuaifu, guanyin temple, Academy, Treasury, left and right barracks, racecourse, garden and zoo. Inside and outside Tusi City, there are temples such as Dasitang, Huanhou Temple and Xuanwu Temple.
In the thirteenth year of Yongzheng in Qing Dynasty, the land was changed to flow and the Tang Cliff Division was abolished. At present, the most complete stone archway in Tusi Cultural Relics City will be built in the next three years (AD 1623). On the front, it is engraved with Xiongzhen in the south of Beijing, on the back, it is engraved with the words "Chu Shu Ping Han", and on both sides, it is engraved with the words "The king makes a patrol", "Fishing in the south for farming", "Swallowing rain and fog" and "What's the trouble at sea"
There are two sarcophagus and two stone horses on the Tangya River in front of the memorial archway, and the stone man is solemn. Lion Castle Ancient Building Complex: Located in Yuntuo Community, Xinling Town, Badong County.
Covering an area of 37 mu, 13 ancient buildings, including Qiu Feng Pavilion, a provincial cultural relics protection unit, have been rebuilt. Among them, Qiu Feng Pavilion was built in the third year of Taiping and the third year of Xingguo (978) when Kou Zhun was appointed as the order of Badong County, and it was restored many times in the early years of Kangxi, Jiaqing, Jiaqing 2 1, Tongzhi 5 years and Guangxu 24 years (A.D. 1898).
199 1 year. Moved here in 2004.
Qiu Feng Pavilion is a wooden frame structure, divided into two floors, with Stanley painted tiles, carved beams and painted buildings, and pyramid-shaped roofs at the four corners. It is a key cultural relic protection unit in Hubei Province.
Yichang Fenghuang Mountain Ancient Architecture Complex: Located in Fenghuang Mountain, Zigui County, it is the largest ground cultural relic reconstruction project in the Three Gorges reservoir area. Including Qingtan Shuifu Temple, Jiangdu Temple, Ziguangge 24 ancient dwellings, Guizhou Ancient City Gate, Qu Yuan's hometown archway, Quzi Bridge and so on.
Known as the China Museum of Ground Cultural Relics Reconstruction. It is a key cultural relic protection unit in Hubei Province.
Yangjiawan Old House: Located in Dongyuemiao Village, Sandouping Town, Yiling District, Yichang. Also known as the old house in Li Yongzhi.
It was built during the reign of Dinglong in Qing Dynasty (1787). Covering an area of 9 16 square meters and building area of 1585 square meters.
The total width is 46.24m and the penetration depth is19.8m.. It has a horizontal rectangular layout, two deep entrances and eleven houses connected horizontally. * * * There are seven patios, the main parts of which are symmetrically arranged, with a mixed structure of brick and wood. The entrance doors are wooden partition, left and right doors, front hall, patio, main hall and back room in turn.
The beam frames of Ming and main halls are bucket-type wooden frames, which are exquisitely made. Purlins, purlins, columns and other materials are exquisite and exquisite in workmanship.
2. My hometown is in Henan Province, where there are no mountains surrounded by Hakka houses. Dai bamboo house has no fragrance of flowers and fruits; There is no elegance and chic of Tujia diaojiao building; It lives without water, but it has its own unique charm. Of course, the place that best reflects the folk houses is the countryside! When I came to my grandmother's house, the mottled iron gate recorded the historical changes. When I entered the house, the first thing I saw was a hall. In the middle is an eighteen immortals table with a portrait of Chairman Mao and many offerings and incense burners. The two rooms are connected to the hall, and the east of the hall is the master's bedroom, which ordinary people can't enter. In the west, there is a storage box for labor tools and food. In the east of the yard, there is a kitchen. Although electrical appliances have entered thousands of households, the custom of cooking with fire is still maintained in rural areas. Especially the big pot steamed bread, crispy and delicious. On the west side of the yard, there is a barn, a chicken coop, a duck coop and a pigsty. There is a well in the southeast corner, from which water is squeezed out. The southwest corner of the yard is a vegetable field. In spring, there are: leeks and lettuce; Summer: cucumber, loofah; Autumn: eggplant, pepper; In winter, there are carrots and cabbages. In the harvest season, there are strings of peppers, chestnuts, corn and garlic cloves hanging in the yard. Corn kernels are hung on the ground, fried rice flowers are put in the jar, and children wear them in the middle. When you are hungry, grab a handful of rice flowers and put them in your mouth, not to mention how happy you are! Ah! The folk houses in my hometown, you are so unpretentious and unknown. But you are so selfless. You are the most beautiful flower in my little heart.
3. Composition describing the characteristics of various folk houses, 400 words, thanking the beautiful Hani mushroom house and seeing the dignified and steady Tibetan bunker. But what impressed me the most was the caves and Qiang Pagoda in northern Shaanxi.
Cave in northern Shaanxi
A long time ago, strong winds brought loess from far away to northern Shaanxi, creating this vast golden land. In this land, there are simple people, and the house they live in is the cave in northern Shaanxi that I want to introduce to you today.
This kind of cave is usually built on a hillside facing south. Xiangyang, with its back to the mountains. The door faces the clearing, and few trees cover it. Generally, only three to five caves are built in a hospital. In the middle is the main kiln, where sundries or small rooms are often placed on both sides, and food can also be stored.
Into the cave, there are stoves, pots and so on. There is a heatable adobe sleeping platform at the entrance of the cave. There is a fire hole in the middle of the heatable adobe sleeping platform, so that it won't feel cold in winter. This kind of cave is also very cool in summer, which is really warm in winter and cool in summer!
4. You need an essay of about 600 words to describe the characteristic houses. The main topic is unique folk houses. The most representative folk house in Tibet is the bunker. Bunkers are mostly stone and wood structures, with dignified and steady appearance and simple and rough style; The outer wall shrinks upward, and if it is built on a mountain, the inner slope is still vertical. Bunkers are generally divided into upper and lower floors, and the number of rooms is calculated by columns. The bottom floor is a barn and a storage room, and the floor height is low; The second floor is the residential floor, and the large suite, bedroom, kitchen and small room are storage rooms or stairwells. If there is a third floor, it will be used as a lecture hall and terrace.
The bunker has the characteristics of firmness, tight structure and neat corners, which is not only beneficial to wind and cold protection, but also convenient to prevent the enemy from stealing.
Tents are very different from bunkers, which are a special architectural form adopted by Tibetans in pastoral areas to adapt to the mobile lifestyle of living on weeds. Ordinary financial offices are generally short, square or rectangular in plane, supported by wooden sticks, and the frame is about 2 meters high; Spread a black yak carpet with a width of about 15 cm and a length of about 1. 5 meters gap for ventilation and lighting; Pull it left and right with yak rope and fix it on the ground; Around the inside of the tent, a low wall with a height of about 50 cm is built with grass mud blocks, adobe or pebbles, and highland barley, ghee bags and dried cow dung (for fuel) are piled on it. The tent is simply furnished, with a fire stove in the middle and a Buddha statue behind it, and the ground around it is covered with sheepskin for sitting, lying and resting. The tent has the characteristics of simple structure, easy support, flexible disassembly and easy relocation.
Tibetans are a nation that loves beauty and is good at expressing beauty, so they are also very particular about the decoration of their homes. People usually draw auspicious patterns on the indoor walls and blue, green and red ribbons on the interior walls of the living room to symbolize the blue sky, land and sea. The houses in Shigatse are painted with auspicious clouds of the sun, the moon, the wind and the horse, while the houses in Mangkang, Qamdo, try their best to render the external walls, doors and windows, with colorful decorations and extraordinary momentum.
The strong religious color is the most obvious sign that Tibetan dwellings are different from other ethnic dwellings.
The indoor and outdoor furnishings of the houses show the lofty status of the gods and buddhas. Whether it is the residence of farmers and herdsmen or the upper mansion of the nobility, there are facilities for offering Buddha. The simplest one also set up a confession of worshipping bodhisattva.
Decoration with religious significance is the most prominent symbol of Tibetan folk houses. Red, blue and white striped curtains are hung under the eaves picked out from the exterior doors and windows, and the surrounding window covers are black. The skirting line of the roof parapet and its corner are "buildings" composed of red, white, blue, yellow and green stripes. In the Tibetan religious color view, these five colors are fire, cloud, sky, earth and water to express auspicious wishes.
5. Essay on Jiangnan Dwellings
The moment I set foot on Wuzhen, a water town, my heart began to ripple. From a distance, criss-crossing rivers, houses with black tiles and white walls, and mulberry trees with green borders flow gently in the line of sight. The long-standing nostalgia has quietly spread in the light smoke and drizzle.
In this way, I fell into a dreamy water town, a dreamy Jiangnan. Jiangnan, these two words make people think. Those apricot blossoms and spring rains, small bridges and flowing water, those talented people and beautiful women, who sang poems against each other and sang songs every night ... The past in Jiangnan is always so long and gentle, always so elegant and charming. In the afterglow of the sunset, I sank into the dream of Jiangnan water town ...
Rivers, wide or narrow, flow quietly, like the soft and slender waist of Jiangnan women. The water is green, the wind and lotus are standing idle, the weeping willows are blowing gently, the original boat is light, the reflection is light, the fishing boat sings late, and the string sound of silk and bamboo flows out from the half-opened window, as if it were a ballad coming from the depths of the years. Ay, some are happy, some are sad.
The ancient houses along the river are all buildings in the late Qing Dynasty. Opening the door and walking down a few stone steps is the beginning of the day for the people in the water town. In the river of Qinglingling, women in Shuicun wash, carry water and nurse, talk about daily necessities and short parents; Or take a man's boat to drift on the water in the early morning, make a fire, cook, fish, and work on the boat to recuperate. The boat is a floating home on the water. How many love lingering, daily chores, family planning and business, quietly passed away in the ripples of water waves.
The ancient houses quietly interpret the story of the water town. Old wooden walls, wooden doors and windows, dignified black ripples, like a weather-beaten old man, silent and speechless, warm and mellow, under the eaves, red gauze palace lanterns sway gently in the evening breeze, swaying how many prosperous scenes, how many times have passed, how many joys and sorrows.
You see, ordinary people's narrow courtyard, simple furnishings, big people's deep house compound, carved beams and painted buildings, in the shadow of underwater paddle perfect harmony. The warmth and charm of the water town are still faintly visible in the wear and tear of the years.
Look, the old woman with frosted flowers is sitting by the window. Take the soles and pull them home. Occasionally, I will inadvertently glance at tourists from other places. Grandma's indifferent expression seems to say that you can't read the vicissitudes of these years and the charm of the water town. But it doesn't matter if you don't understand. Everyone has a water town in his heart. Perhaps, in this old age, grandma will also recall the past when she was young. But the years are getting older, the beauty is getting older, but the memory is not getting older. You see, in grandma's deep wrinkles, the amorous feelings inadvertently revealed between her eyebrows and eyes still have the roundness and delicacy of Jiangnan women. Water is the soul of Jiangnan, and the bridge is the backbone of Jiangnan. Bridges depend on water, rivers are connected, and bridges are opposite. These bridges vary in size and shape, but they are as exquisite and unique as water towns. The stone arch bridge in the sunset has a faint metallic luster. Occasionally, ships in twos and threes pass under the bridge, and tourists in twos and threes pass by the bridge. I stood on the bridge, stroking the smooth stone guardrail. I found that this stone is also contaminated with the spirituality of water, and it seems to know everything. The joys and sorrows of the house and the ship, which one does it not remember? Travellers are rushing from south to north. Where do they come from, where are they going, and what kind of state of mind are they in? Only this stone bridge and this flowing water can understand the worries of tired guests at the end of the world.
I stood on the stone bridge in the water town, and my heart was full of unspeakable emotions. I was so excited that tears came out. What made me cry with excitement? I don't know. I just feel my chest boiling and my eyes burning. I thought: Maybe, in a previous life, I was a Jiangnan woman. Today, I came here, but I revisited my old place. Those long-hidden memories were suddenly awakened and warmly awakened at the moment I set foot in the water town.
I wandered in the alley to pursue you, Jiangnan in my dream. Ancient dwellings, simple customs and primitive workshops all present the beauty of harmony and tranquility in the original ecology.
I set foot in my house to visit your dream water town. Textile, embroidery, printing and dyeing, wine-making, river fishing, the life of people in water towns is full of tenderness. I know you call me in the depths of distant years. I came, saw the old scenery and saw you. You have melted into this small bridge, weeping willows on the shore, narrow lanes and deep houses. Wherever I go, you smile at me. Jiangnan water town, I have you in my dream, and you must have me in your dream.
6. I love my family's composition. I wrote about the characteristics of Jiangling, Hubei Province, imitating the Hakka dwellings with their own characteristics. I love my family.
Level 6 | Writer | 7 17 When the last sunset is covered by night, when the storm comes, we all have the same wish in our hearts-to go home. Yes, not far away, a bright light is calling you, and how warm that magical light is. Home, it guides you when you are in trouble; Home, it comforts you when you are hurt. "Go home", a simple sentence, is so attractive when you are desperate, as if it can help you calm your broken heart at once. "It's cold, pay attention to the body. Saying things that will not change over and over again, this is my mother. Her eyes and movements are so great in my eyes. She is the flame of the family lamp because her home is warm. " Son, believe in yourself. You are the best. This is what my father always encourages me to say. Dad is the pillar of the family, and only with him can the family be happy. Dad is the wick of the family, because he is happy. "Mom and Dad, I love you. I threw myself into their arms. Yes, the home lamp will eventually radiate endless brilliance, and this brilliance is my embodiment. Because of me, home is more vivid. I am the crystallization of my parents' love. The fallen leaves were blown by the wind and danced seductively. Flowers hang their heads, telling the ruthlessness of the season. On such a day, we are so happy walking on the path. Eating the same ice cream and telling the story of the day. A gust of wind blew and I couldn't help shivering. When mom and dad met, they quickly took off their coats and put them on for me. I looked at them with happy pink eyes. Yuyang regrets our happiness, and the night envies our warmth. Such a loving family is not touching. Love is a gift from heaven, and love is our most precious wealth. The wind stopped and it began to rain. The three of us hugged each other, holding umbrellas, humming to let love live in my house and rush to that warm place ... Postscript; We hugged each other when we saw the birds fly back to their nests. It's the surge of love. When our home comes, like a bird flying back to its nest, it will feel kind and satisfied. It's raining, please go back to the harbor of love, which is the place you should go most.
7. Yichang residential composition My hometown Yichang is a beautiful place and a world-famous hydropower capital. Yichang, with the famous Three Gorges Dam and the beautiful Yiling Square, is a good place to travel.
Yiling Square opens a music fountain every day to play the music of world famous musicians, and the fountain dances with the change of music rhythm. If you get close, sometimes water mist will spray on you and you will get soaked. There are many old people dancing some ballroom dances and Bashan dances in the square. I think it is better for our children to dance, hehe!
The Three Gorges Dam is the most famous and highest dam in the world. Whenever the dam releases water, it will spew out a large water column, which is magnificent and spectacular, which makes me respect at first sight. Thousands of tourists come to visit every holiday.
I love my hometown, a place with beautiful scenery and flowers. I love my hometown, I am proud of my hometown, proud!
8. Write a 400-word composition for various houses. Chongqing is built on the mountain and surrounded by two rivers. Because of the terrain, all buildings need to be built along the hillside in turn. When it comes to Chongqing people's "houses", we can't help but mention the famous characteristic building-Diaojiaolou.
Because the Yangtze River and Jialing River span the urban area, they have created two rivers and four banks. So on the hillside along the river in Chongqing, there are square wooden buildings supported by several Chinese fir poles everywhere, which is the diaojiao building. Diaojiaolou, as a unique traditional residential form in Chongqing, can be traced back to before the Eastern Han Dynasty. At present, most of the diaojiao buildings in Chongqing were built after the 1930s and 40s. Old Chongqing people will never forget the diaojiao buildings with the characteristics of southwest residential buildings such as Linjiangmen, Shibanpo, Hualong Bridge, Houci Street and Chuandaoguai.
The diaojiao building in Chongqing is very distinctive, just like Li Diaoyuan, a famous scholar in central Sichuan, famously said, "Two ends get lost and wear a heart shop, and three faces the diaojiao building on the river." Facing the mountain and the water, Chongqing Diaojiao Building is unique and the most beautiful place. I remember the diaojiao building in my childhood memory. In the evening, when the sun sets, the golden and soft sunshine is sprinkled on the undulating buildings. With a little light, I can see it from a distance: on the hillside, it is sometimes bright, sometimes dazzling, and sometimes faint, just like a flowing landscape with freehand brushwork and shades; The river is sparkling, like pearls, and groups of flashing lights connect the two banks and water the whole city.
The diaojiao building in Chongqing embodies the tenacious will of Chongqing people. Siheyuan embodies the atmosphere and stability of Beijingers, while Shikumen architecture embodies the exquisiteness and openness of Shanghainese. The diaojiao building in Chongqing can highlight the unique spiritual charm of Chongqing people. Because there are many mountains in Chongqing and the land is tight, our ancestors took advantage of the mountains and adapted to local conditions. They use wooden strips and bamboo squares to hang virtual houses, taking the trend of "uneven is flat", hanging steep walls, "borrowing the sky instead of borrowing the land", adding eaves, adding shuttle houses and building them on the mountain. These diaojiao buildings are either teasing structures or binding structures, which are very simple. From a distance, if it's a person, it's crooked and wobbly, as if the wind is about to fall down. If it is in rows, then you squeeze me and I rely on you, hand in hand, shoulder to shoulder, reflecting a team spirit. It is such a diaojiao building that Chongqing people have lived for two or three thousand years. In case of flood, flooding; In case of landslide, bury the soil; In case of wind and rain, wind and rain hit. Year after year, people always constantly resist nature and beat nature again and again, making the diaojiao building stronger and stronger. The crude diaojiao building is a refuge built by Chongqing people under the harsh economic conditions for thousands of years, which can best reflect Chongqing people's tenacious spirit and indomitable will.
The diaojiao building in Chongqing is the cultural heritage of Bayu. Nowadays, a large area of diaojiao building no longer exists. Diaojiaolou, as a typical residential building in Bayu, a mountain city, has gradually formed a unique culture of Diaojiaolou, which is a beautiful landscape in a bustling city. The renovation of old houses in Shibanpo and the city balcony in Hongyadong all reflect the charm and culture of Chongqing Diaojiao Building. The slats turned into stones, the bamboo walls turned into brick walls, and the cornices carved dragons and painted phoenixes, like a necklace embedded around the neck of a modern city, radiated a string of shining light. These buildings, either attached to the cliff or hanging their feet on the threshold, give people a feeling of "flying over the cliff", just like a museum of humanities and art, which constitutes the unique residential style of Chongqing, a graceful mountain city, and fully demonstrates the wisdom of Chongqing people, so that the unique ancient buildings in Bayu can be reasonably protected, effectively continuing and inheriting history, culture and customs in modern life.
With the development of economy and the progress of civilization, the living environment of modern buildings is more scientific, comfortable and beautiful. The crude diaojiao building can no longer be a house for Chongqing people to live in, but can only be used as an ecological symbol for people to watch and review. Diaojiaolou has become a historical witness of Chongqing's urban development.