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How to evaluate the movie "Dear"?
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First of all, declare that as a student of Xidian on September 17, just watched the screening mood surging in the evening angrily write a feeling, which emotional understanding is more than objective evaluation is not in place. Seriously, I just want a few praises before the official release of the movie and professional comments of the bulls ~~~ loser mentality do not like do not spray ~~~~

Also: I am not a professional film and television related students are not a long history of film viewing movie critics, more talk about the feeling of, if different views are welcome to explore.

Continue to post the conscience of the tip: Given that the film has not been released but the inner small surging difficult to restrain, so contains a serious dramatization, mind the dramatizer do not enter;

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About "Darling" First Impressions. I didn't watch the trailer or read more about the movie before watching the movie, but only listened to the song "Dear Child", when Zhao Wei's voice came out, so I knew how hard she pushed herself in this movie.

The subject of the story, child trafficking. The four words immediately brought up the same twinge I felt when I watched "The Melting Pot" more than a year ago.

This kind of story is the most touching and easy to instigate is everyone's heart *** the same attribute of goodness and compassion, the shooting treatment is not over the fire is not bland will get the majority of people's recognition and emotional **** song. However, also because the subject matter is directly related to the family and society, there is also the opening of the film's concern: will not be liked by young people, because the subject matter of the label to lose a large portion of the audience who are afraid of "sadism" and "good but not good".

As for myself, I was in the mood for "tears" and was looking forward to getting into the plot. And I think it's worth recommending to my friends to watch it. And, bring tissues.

About the plot of the movie and my personal feelings.

The first half of the movie depicts the pain of the loss of a son and the lives of Tian Wenjun (Huang Bo) and Lu Xiaojuan (Hao Lei), a divorced couple.

The picture presents us with a man who is a simple laborer, low-paid, divorced, and "resigned" to his life as a small man who faces all kinds of people at the bottom of the ladder. In addition to a simple small business and a job covering shifts at an Internet café, his life is characterized by the helplessness of the "delinquents" who first expel him and then call him "come back".

He said to his wife, "You're just not going to accept your fate."

He said to his son, "Don't speak Mandarin, of course Shaanxi people speak Shaanxi." (Here there is applause, as a non-Shanxi people are also drunk ~ ~)

Ex-wife Lu Xiaojuan, remarried after the quality of life away from her ex-husband a few streets. Although full of love for their son Pengpeng, but the face of the court ruling, son and father to get along happily, the quality of life of a huge difference in the choice - let's use the word "choice", because from the couple's material conditions of the huge gap in the setup of the beginning of the tragedy has been buried! The story of the couple's life has been a long time in the making," he said.

Pengpeng foolishly followed his father, saying, "Mom, you go," "Mom, come back on Sunday to pick me up," and "Mom, goodbye. At this time, Lu Xiaojuan, a mother deprived of custody, in the parting was repeatedly beaten inside, powerless to insist on the futile. So she began to vaguely sprout selfishness in her heart.

She was about to embark on a new life with her current husband.

So peng peng, it was goodbye.

This is the root of the character's gloominess and lack of redemption from the beginning.

Pengpeng, in his little yellow jacket, looked at his mother's car and drove away. This parting, with or without the story that follows, is one that he will never forget for the rest of his life.

Then the image of Pengpeng being picked up by the trafficker was like a walnutcracker in my heart.

Then went crazy looking, shouting, disappointed ......

Still have a sense of the director's settings and arrangements. On the one hand is a large-character newspaper street shouting to do odd jobs to find a son's father, on the other side is to do psychological diagnosis and treatment night sleepless mother. Tian Wenjun in the child-seeking revelation has faded away his grief-stricken expression. This time he is very firm and does not recognize his fate.

And in a scene in which Tian Wenjun went to Hebei, the wife on the phone shaped rationality, "that photo is synthesized," but not as heroic as this reckless father hung up the phone and wiped the dagger in his hand.

He found not his son running wild, was shouted by the crowd "catch that bag snatcher" running wild, waving the dagger in despair on the high bridge when he let go of his hand and fell into the water ...... despair and helplessness, the most vivid.

The director added the first seemingly irrational artistic treatment here, which is the passage where Tian Wenjun sinks into the water and inexplicably floats back up.

The water clutching the dagger, blood haloed underwater ...... sinking, unable to breathe, consciousness blurred ...... but vaguely like being summoned ...... for a moment, I do not know in what kind of way, suddenly floated up.

Memories are fuzzy, perhaps a survival instinct, or faith-driven, he eventually broke free from the water.

I would like to believe that there was divine assistance in this moment.

This is followed by a passage about the couple joining a "10,000-mile search party".

Some of the parents' confessions. The most impressive is the mother who said she could tell if her son was there by the swish of her eyes across the street. She said she knew she wasn't crazy.

You never know how scary the obsession of the mother who cried and laughed out loud can be.

In this organization, this group of parents ****ed up and encouraged each other.

There are passages from the "Child Finders Travel Group". They went on the road with hope in their hearts, singing "Invisible Wings" together (okay, I'm just going to go easy on the darkness).

There's a question here about the lengthy passage about Zhang Ye as Boss Han, perhaps to set the stage for the parents to cut off the car and grab the sacks, or to indict the cruelty of eating raw monkey brains at a high-end restaurant, but I still don't quite understand why there's an extra-long scene of clean singing here ...... Compared to other tightly-paced moments of standouts, this one feels surprisingly long.

The prison interrogation after this ........................ actually made me wonder very much if those prisoners are not really human traffickers. If not, really want to give these crowd actors 100 kudos; if they are ........................ ........................ really want to know how to get the prisoners to star in such a thousand shots.

After that, the peak of a teahouse meeting, the tone of a slightly feminine and unusual small brother said "big brother I'm not just to help you" (I forget the exact line), the design of the intention of the still do not quite understand.

Then there's the chaotic scene of the villagers leading the children into battle.

From the dimly lit scene outlining the outline of Li Hongqin (Zhao Wei), I felt that in order to this bitter role Xiaoyanzi sister this time really quite hard. But before we get to that, we really want to talk about the "villagers' battle" first.

I really don't understand ........................... ...Why did you run for so long ........................ ...... The pair leading the child is not at all at a disadvantage! Why did they have to run and run and run all the time!!!!! Shouldn't it be a couple of minutes to the trafficker's wife a pass of righteous anger to take away the child and in time to appear the mother and child hugging and crying the sad scene? I admit that this filming is also part of the rhythm of the domestic drama (light black ~) ........................ ...... but ............ has been running like this run and run as if it is really a robbery in the open as why run and run ah! .............................. ............ In case the police uncle did not arrive in time, the villagers flocked directly to a few hoe swing to also too scary !!!! And suddenly came out of the village ran simply with the Bollywood troupe like .................. where there are so many farmers uncle do not work suddenly ran over that time and did not have the village The trumpet ah ........................ said... ........................... took the hoe and swung it up and shook it twice on the Put down the crowd actor farmer uncle you do not too obvious it ........................ ............

Okay I'm done throwing up ............... ...just felt really weird running around for too long, hmmm.

Tian Wenjun on the lawn put his arm around Pengpeng and asked "'high table low bench' behind the Silsa? The first thing you need to do is to get your hands on some of the most popular products and services in the world. The clip ............ you go directly to the screen to feel it, in short, this paragraph I myself like a broken faucet tears.

The scene immediately following the police station.

At first, I thought that when a familiar face like Zhao Wei opened her mouth to speak, she would be out of character. However, this time, her dialect was simply a pleasant surprise. In fact, the most natural sounding dialect is the one that doesn't sound very authentic, but the key words stand out. When Zhao Wei's Li Hongqin opens her mouth, she says things like "my man", "little guy", "we are all honest people".... ... it really shows. And the sudden change in her demeanor when she was questioned by the police about the truth -- fear, guilt, overwhelm ...... was really spot on.

When the youngest daughter Yang Jifang entered the door, the police uncle perverted smiley face switch (director you tell me you did not spoof him I do not believe it ~~), tough questioning, as well as "who is the mother to point out to the uncle to see ah" ...... in fact, is also very consistent with the Normal police thinking and interrogation process. After all - who would be in the position to sympathize with the identity of the "trafficker's wife" for a short period of time.

While Li Hongqin picked up her daughter and took the door out and swung a flowerpot at the police when the male ticket behind the back of the free "praise" ~~~~

Then ...... the hysteria that her daughter was also snatched away was simply heartbreaking.

Further back in the story dramatization more and more ingredients, heavy drama obviously fell to the character of Li Hongqin.

Finally released after her ordeal in prison, she arrives alone - in Shenzhen, where she is treated ruthlessly and coldly.

One of the most moving points in this story is the particularity of this trafficker's wife, tragic enough, ignorant enough, innocent enough, and shafted enough.

Because of her specialness, fortunately, fortunately, the two children who were raised by her live in poverty but their souls are not contaminated; also because of her, it is strung together the story behind - a woman who is split into shadows on the glass walls of the city, a tragic woman.

She climbs up an air-conditioning ventilator to meet her daughter, and the viewer sighs with relief. Looking through the glass window, Jifang cried out with a sobbing voice, "Mom."............

Then she and her daughter were each other's only hope.

She negotiated with the orphanage, denouncing herself for a bundle of $2.50 crayons she hadn't bothered to buy in the first place ...... She wanted to see her daughter, which she said was her only wish to live in prison.

She breaks into a lawyer's office for help, and the high-flying lawyers don't stoop any lower, and that's when she just wants her daughter. So, this is to meet the brand-new shiny debut of Gao Xia (Tong Dawei played) lawyer (here lightly spit a sentence, this woman is not high culture but really not stupid, the first time to send jujube was so direct dislike of the second time absolutely will not send, but also arranged to stuff jujube seems to be really a bit intentional to create a laughing stock of suspicion).

Tong Dawei this role in the air to shape do not know how to evaluate, on the one hand, feel that the epitome of this city was portrayed extremely prominent, career small camp and less than ideal, life in the mother of the spirit of psychology have serious problems even cleaning aunts are unbearable; on the other hand, feel that, so the background of the life of the disillusionment of the lawyers, is it really can be done to see the life of the life of such a penetrating! --Make money and have fun without delay, in the face of Li Hongqin and site workers will take a small handkerchief to cover up the mouth and nose.

Here inserted a small spit, when Li Hongqin took out a small book, said "Qingshan brother you come to us at night to talk about it", the eyes of the workers and Li Hongqin with the women's eyes in the room, Tang Qingshan changed into a suit to enter the door of this all sorts of delivery we do not want to understand all understand, really do not need to kneel down to wrestle with the bridge, please stay in a background of the departure! Really enough other cut it.

After this, there is a segment where Pengpeng does not integrate into the family and spits on the floor a mouthful of saliva showing his resentment.

Tian Wenjun stood there and asked Lu Xiaojuan, you say this child to that family is how long before he called mom ah.

That image, Hao Lei turned back and stared tearfully at her ex-husband ...... This rendition can no longer be replaced by words.