Wild goose pagoda; Dayan Pagoda; Giant Wild Goose Pagoda
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Xuanzang was built to collect classics. This tower has seven floors and is 64.5 meters high. It is considered as a symbol of the ancient capital Xi.
The Big Wild Goose Pagoda, also known as the Great Ci 'en Temple Pagoda, is located in the south suburb of Xi, Shaanxi Province, China. Because it is located in the west courtyard of Jean Temple, the Wild Goose Pagoda was originally called the West Courtyard Pagoda of Jean Temple. It is a masterpiece of Buddhist architecture in China in the Tang Dynasty.
The Wild Goose Pagoda is a pavilion-style brick pagoda with a height of 64.5 meters.
Human body photos of Big Wild Goose Pagoda (8 photos)
Seven floors, the tower is a square cone, and the bay is made of imitation wood structure, which decreases proportionally from bottom to top. There is a wooden ladder in the tower to climb up. There is an arched ticket gate on both sides of each floor, which can be overlooked through the railing. The whole building is magnificent, simple and steady in shape, moderate in proportion, solemn and simple in style, and it is a well-preserved pavilion tower. This tower overlooks the ancient city Xi 'an.
The Big Wild Goose Pagoda is a landmark and famous historic site of Xi, and also a symbol of the ancient city of Xi. Therefore, this famous ancient pagoda was painted in the center of the emblem of Xi.
Cen Can, a poet in the Tang Dynasty, once said, "Pagoda, towering into the sky, reaches the Heavenly Palace. Climbing, we seem to have left the world behind us, and our overlooking steps are hanging in space. It is above a holy land and can only be built by spiritual hard work. Its four sides are dark tomorrow, and its seven layers are cut with gray clouds. " This shows the grandeur of the Big Wild Goose Pagoda.
Wild goose pagoda underground palace
In May 2008, Wang Yarong, director of the Institute of Religion of Shaanxi Academy of Social Sciences, said that he and Shaanxi
Wild goose pagoda; Dayan Pagoda; Giant Wild Goose Pagoda
Just as there is an underground palace under Famen Temple Pagoda, there may be a thousand-year underground palace under Xi 'an Big Wild Goose Pagoda. It is speculated that the treasures Xuanzang brought back from India may be hidden in the underground palace under the Big Wild Goose Pagoda.
According to historical records, in the 19th year of Zhenguan in the Tang Dynasty (AD 654), Xuanzang returned from India, bringing with him a large number of Buddhist relics, hundreds of Sanskrit scriptures of Beye and eight gold and silver Buddha statues. With the approval of the imperial court, Xuanzang personally presided over the construction of the Big Wild Goose Pagoda in order to worship and treasure the Buddhist scriptures, gold and silver Buddha statues, relics and other treasures brought back. But until now, no one knows where the treasure Xuanzang brought back is.
Wang Yarong thought there was a dungeon under the ancient pagoda. Just as there is a dungeon under the Famen Temple pagoda, there must be a dungeon under the Big Wild Goose Pagoda, but it has not been excavated yet. It is speculated that the underground palace under the Big Wild Goose Pagoda is likely to contain Buddhist treasures that Xuanzang brought back at the beginning.
Xie Shoutao, director of the Xi Wild Goose Pagoda Storage Center, said that in 2007, the relevant departments had detected the internal structure of the Wild Goose Pagoda, and the ground penetrating radar had detected a hole in the underground of the Wild Goose Pagoda, which should be the underground palace of the Wild Goose Pagoda.
Edit the architectural history of this section (6 paintings) of the Big Wild Goose Pagoda in Tang Dynasty.
The Wild Goose Pagoda was built in 652 AD (the third year of Yonghui in Tang Gaozong). Master Xuanzang built a five-story brick tower in the West Tower of Jionji, dedicated to the Buddha statues, Buddhist relics and Sanskrit classics brought back from India. Reconstruction of Wu Zetian in Chang 'an period. Later, it was trimmed many times. The Wild Goose Pagoda is a famous tourist attraction in the Tang Dynasty, so there are a large number of inscriptions by literati, including more than 200 inscriptions in the Ming and Qing Dynasties alone. The Ji 'en Temple, where the Wild Goose Pagoda is located, is a place where Xuanzang, a monk in the Tang Dynasty, specially translated and collected scriptures. Master Xuanzang retrieved Buddhist scriptures from Tianzhu, and once presided over the temple affairs in Ji 'en Temple, in order to "fear that people would not change them often and the scriptures would be lost.
Wild goose pagoda; Dayan Pagoda; Giant Wild Goose Pagoda
On the grounds that it is difficult to prevent fire at the same time and the Buddhist scriptures are properly placed, it is planned to build a stone tower outside the main entrance of Ji 'en Temple in March of the third year of Tang Yonghui (AD 652) and play it on the attached drawings. Because Xuanzang's floating pictures are always 30 feet high, Tang Gaozong approved the court to build a five-story brick tower in the west courtyard of the temple on the grounds that the project was huge and difficult to realize, and he didn't want the mage to work hard. This pagoda is called Big Wild Goose Pagoda, because a smaller one was built in Jianfu Temple in Chang 'an. Jionji Pagoda is called Big Wild Goose Pagoda, and Jianfu Temple Pagoda is called Little Wild Goose Pagoda, which has been passed down to this day. The Big Wild Goose Pagoda is modeled after the Western Regions, with brick surface and soil core, which is unattainable, and there are relics on each floor. Master Xuanzang personally presided over the construction of this tower, which took two years to complete. Due to the core brick soil and wind and rain erosion, the tower gradually collapsed after more than 50 years.
During the reign of Wu Zetian in Chang 'an (70 1-704), Empress Wu Zetian and nobles rebuilt it on the original site and built a seven-story blue brick tower (on the other hand, the Big Wild Goose Pagoda was rebuilt in 704, and the tower was as high as 10 floor. In 93 1 year, the Big Wild Goose Pagoda was rebuilt in the Five Dynasties and the later Tang Dynasty, and it was reduced to seven floors. After the end of the Tang Dynasty, Jionji was repeatedly attacked by soldiers, and the temple was burned down, leaving only the Big Wild Goose Pagoda alone.
In 93 1 year (the second year of Changxing in the Tang Dynasty after the Five Dynasties), the Big Wild Goose Pagoda was restored again. Later, several major earthquakes occurred in Xi 'an, and the top of the Big Wild Goose Pagoda fell and the tower was broken. (original tower height 1 1 floor).
In A.D. 1604 (23rd year of Wanli reign of Ming Dynasty), the basic shape of the Tang Dynasty Tower was maintained, and a 60 cm thick coating was built outside it, making its shape wider than before, which is the shape of the Big Wild Goose Pagoda seen today.
After the establishment of People's Republic of China (PRC), the Wild Goose Pagoda was announced by the State Council as the first batch of national key cultural relics protection units in 196 1. After a renovation by 1964, the Big Wild Goose Pagoda basically maintained its original features.
Tower foundation and tower body of Big Wild Goose Pagoda
The Big Wild Goose Pagoda is a square-pavilion-style brick pagoda, which is made up of tower foundation, tower body and tower brake, and its current height is 64.538+07 meters. The tower foundation is 4.2 meters high, 48.7 meters from north to south and 45.7 meters from east to west; The tower is a square cone with a square plane, with a base length of 25.5 meters, a tower height of 59.9 meters and a tower gate height of 4.87 meters. All floors of the tower are made of blue bricks to imitate wood-like structures such as eaves columns, bucket arches, railings, sandalwood, eaves rafters and flying rafters. The structure is neat, and the brick joints on the ground are firm and abnormal. The wall of each floor of the tower is composed of brick flat columns and diaphragm, with a big bucket on the upper part of the column and a brick arch hole in the middle of each floor. The plane inside the tower is also square, and each floor has floors. An escalator is installed to spiral up to the top of the tower. The square columns on the first and second floors are divided into nine bays, seven bays on the third and fourth floors, and five bays on the fifth and sixth floors. There are relics, Buddha's foot stone carvings and Tang priest's footprint stone carvings on the tower.
The bottom of the tower is surrounded by stone gates, and there are exquisite line carved Buddha statues on the mast. Ximenmei is a picture of Amitabha, engraved with magnificent halls. The layout of the picture is rigorous, and the lines are vigorous and smooth, which was handed down by the painter Yan in the Tang Dynasty. Two stone tablets written by Chu Suiliang, a calligrapher in the Tang Dynasty, are embedded on both sides of the South Gate Cave on the ground floor. The Preface to Tang Sanzang written by Li Shimin of Emperor Taizong and the Preface to Tang Sanzang written by Tang Gaozong have high artistic value and are called "Two Saints and Three Wonders Monuments".
Edit the source of this paragraph name.
Big Wild Goose Pagoda, is it really related to geese? Xuanzang's "Records of the Western Regions of Datang" recorded the legend that he heard in India that monks buried the Wild Goose Pagoda, and explained the most credible theory of the origin of the Wild Goose Pagoda. "Records of the Western Regions of the Tang Dynasty" (Volume 9): There is a wild goose pagoda in the mountains of Indra House in Maha. It is said that the geese dedicated themselves to the Hinayana believers who want to be enlightened. Perhaps this record is the origin of the name of Big Wild Goose Pagoda.
According to legend, a long time ago, monks in a temple in Mojeto (now southern Bihar, India) believed in Hinayana Buddhism and ate three clean (i.e. geese, deer and calves). One day, a flock of geese were flying in the air. A monk saw the goose and casually said, "Nobody has anything to eat today. Bodhisattva should know that we are hungry! " As he spoke, a wild goose landed in front of the monk and died. He told all the monks in the temple with surprise that the Tathagata was educating them. So in the place where the wild goose fell, it was buried with a grand ceremony, and the tower was named the Wild Goose Pagoda.
Xuanzang, a monk in the Tang Dynasty, visited the Big Wild Goose Pagoda during his study tour in India from 629 to 645. After returning to China, in order to store the Buddhist scriptures brought back from India during the translation of the scriptures in Ji 'an Temple, in 652 A.D., a brick tower imitating the Big Wild Goose Pagoda in India was built in the west courtyard of Ji 'an Temple, called Big Wild Goose Pagoda. This name continues to this day.
Wild Goose Pagoda and Xuanzang
Daiyuji in front of Big Wild Goose Pagoda
The Big Wild Goose Pagoda is famous for the story of "Tang Priest (Xuanzang) learning the scriptures". When we mention Jionji and the Big Wild Goose Pagoda, we will naturally think of Xuanzang and Zhong Kui, the famous monks in the Tang Dynasty, the hometown of Zhong Kui, who once presided over the temple affairs, led the Buddhist translation circles and founded Buddhist sects. He personally supervised the construction of the Big Wild Goose Pagoda in the temple. Jionji is the most famous and magnificent Buddhist temple in Chang 'an in Tang Dynasty. It was built by royal decree in the Tang Dynasty, and it was built under the patronage of the royal family. It has a prominent position and a grand scale. He is the first dean here. This legendary figure is honored as "Master Sanzang".
Xuanzang (600-664) was born in Yanshi, Henan Province in the second year of Sui Renshou. At the age of thirteen, he was admitted to the imperial court, shaved as a monk at Jingtu Temple in Luoyang, and soon acceded to the throne to chant Buddhist scripture. In the first year of Zhenguan (627), they went to the imperial court together and applied to go to Tianzhu to learn from the scriptures. At the beginning of the founding of the People's Republic of China, letters were not allowed in the Tang Dynasty. Others flinched, but he was unmoved and determined not to change. He used the three years before going abroad to make full preparations in Buddhist studies, Sanskrit language and material spirit.
Xuanzang and Tang Zhenguan set out from Chang 'an in the third year (629) to study in the Western Regions. He rode alone on the "Silk Road" and overcame numerous difficulties and obstacles. After three years of arduous trekking, I went my own way for more than 50,000 miles, and finally arrived in Tianzhu India, a Buddhist holy place, where I wished to learn from the famous Nalanduo Temple. After that, he spent five years in Tianzhu Buddha country and traveled all over India. When I returned to Nalanduo Temple, I was already a lecturer in this highest Buddhist institution, second only to the mentor and sage.
In 642 AD, Xuanzang wanted to return to the Tang Dynasty and was invited to attend an unprecedented high-standard Buddhist academic event in ancient India. At the meeting, Master Xuanzang was the main debater. His eloquence and erudition convinced the participants that no one could argue for 18 days in a row. Mahayana monks called Master Xuanzang "Mahayana Heaven" and Mahayana monks called him "Liberation Heaven". The "heaven" of Buddhism is bodhisattva and immortal.
In order to translate the scriptures, Xuanzang transmitted Buddhism back to the Tang Dynasty. In 645 (the 19th year of Tang Zhenguan), Xuanzang persuaded his teachers, Taoist friends and kings of other countries to return to Chang 'an with 657 scriptures, 8 Buddha statues and a large number of Buddhist relics. The following year, he was translated by Chang 'an Hongfu Temple for three years.
In 649 AD (twenty-third year of Tang Zhenguan), the Daxiong Hall was completed, and Xuanzang was appointed as the first director, devoted to the translation of Buddhist scriptures. In the third year of Tang Yonghui, the Wild Goose Pagoda was founded to preserve the scriptures and relics retrieved from India. In the third year of Tang Xianqing, Xuanzang moved to Ximing Temple to translate scriptures. The following year, he was taught to translate monks to Yuhua Temple in Tongchuan and settled in the courtyard, where he was engaged in the translation of the Great Prajna Sutra. Finally, in 663 AD (the third year of Tang Longshuo), it was translated into the 600-volume Mahaprajna Sutra.
In the first year of Linde in Tang Dynasty (AD 664), Master Xuanzang died of illness in Yuhua Temple. His coffin was transported back to Jionji and buried in Bailuyuan, east of Chang 'an. In the second year of Tang Gaozong (AD 669), it was reburied as Fengqi Plateau in Fan Chuan, with five spires. The following year, because the pagoda built the temple, Tang Suzong inscribed the word "Xingjiao", hence the name Xingjiao Temple.
Leave your name on the Big Wild Goose Pagoda-Pass the highest imperial examination
Many famous ones in Tang dynasty
You can see that the tower of the Big Wild Goose Pagoda is tilted.
The poet's visit to the Wild Goose Pagoda has left a good sentence that has been passed down to this day, such as Du Fu's "The banner crosses the sky and the wind is not over"; Chapter 8 of the "strange bird enclave, mid-air self-alarm language" and so on. In particular, the Tang Dynasty poet Cen Can's "Traveling with Gao Shi and Xue Zhi in Jeju": "Pagoda rises abruptly from the ground and reaches the Heavenly Palace; Climbing, we seem to have left the world behind us, and our overlooking steps are hanging in space. It is above a holy land and can only be built by spiritual hard work; Its four sides darken the bright sun, and its seven floors cut through the gray clouds. Birds fly where we can't see, and high winds blow where we can't hear; The mountains, facing the east, run together as if facing the east. In the distance, green Sophora japonica trees are arranged on wide roads, leading to dense palaces and buildings; The colors of autumn come out from the west and go through the city. In the north, there are five cemeteries, which are always quiet under the dew and green grass. Those who know the ultimate meaning of life, this is what all mankind must learn; From now on, I will put my official hat aside and find the eternal road is the only happiness. " The poet's magnificent description and philosophical exclamation often cause people to sing when they climb the tower. This shows the grandeur of the Big Wild Goose Pagoda. Many contemporary poets are still praising the towering Wild Goose Pagoda, and Chen Yunhe's poem "Wild Goose Pagoda" praises "laughing geese".
Constantly singing "and" the longevity of the tower really makes many emperors sigh. "
Night view of Big Wild Goose Pagoda
As early as the year of Tang Zhongzong Dragon, the title of Big Wild Goose Pagoda has already formed a custom. All new Jinshi students must first attend a state banquet in Qujiang (the emperor must also watch it from the upstairs curtain next to Qujiang) and Xingyuan, and then climb the Big Wild Goose Pagoda and write an inscription on the tower wall as a souvenir. At the age of 27, Bai Juyi became a scholar and wrote the poem "The kindness tower is the smallest among seventeen people". Liu Cang is even more heroic to "choose the victory tour in the Spring Festival, and the apricot garden banquet Qujiangtou; The title of "the purple powder wall is a fairy, the willow flute blows the jade building", and the title of Yanta and Dengxian is mentioned together, which shows that their hearts are full of the joy of spring breeze and regard the title of Yanta as a great honor. Later, the Big Wild Goose Pagoda formed the scene that "the walls of the small courtyard of the pagoda were all inscribed by Qing Xiang", but unfortunately, a fire in northern Song Shenzong destroyed the precious inscribed walls.
Inclined tower body
The Big Wild Goose Pagoda was found to be tilted at 17 19 due to many man-made damages and structural problems. In the 1960s, the groundwater around the Big Wild Goose Pagoda was over-exploited, which led to a sharp drop in the confined water level, causing a wide range of uneven ground settlement and accelerating the inclined settlement of the ancient pagoda. By 1985, it has been tilted by 998 mm, and by 1996, the ancient pagoda is tilted to the northwest 10 10.5 mm, with an average annual tilt of1mm. After more than 20 years of comprehensive improvement by relevant departments, the tilt of the Big Wild Goose Pagoda has obviously tended to ease and stabilize.
Since 2009, in order to protect the ancient culture of Big Wild Goose Pagoda, the government has implemented measures to seal wells and recharge groundwater to speed up the recovery of groundwater level. Six demonstration sites of groundwater recharge have been built in this city. I hope to raise the groundwater level as soon as possible and gradually "righting" the Big Wild Goose Pagoda. In the past two years, Xi 'an injected about 1200 tons of water into the ground every day, and the Big Wild Goose Pagoda gradually returned to normal!
Correct one's own deviation
The ancient pagoda is now "ten pagodas and nine inclinations", and the Big Wild Goose Pagoda in Xi 'an, the ancient capital of China, is also slightly inclined after a thousand years. However, the observation and research in recent ten years have found that it is now in the stage of "returning to normal" and there is no need to worry about becoming the second leaning tower of Pisa. Wang Fengjun, an expert in Buddhist architecture and deputy director of Xi 'an Museum, said in an interview: "The tower of the Big Wild Goose Pagoda in the Tang Dynasty was tilted to the northwest, which should have a history of several hundred years. The ancient pagodas in China are mostly brick structures, which are easy to tilt but not too tilted, and will not become the leaning tower of Pisa. If the leaning tower of Pisa had tilted, the Big Wild Goose Pagoda would have fallen down long ago. "
The Big Wild Goose Pagoda in Tang Dynasty was built by Emperor China to learn from the scriptures. Now it is a symbol of the ancient city Xi 'an. Standing in the square north of it, it is not difficult for careful people to find that it is slightly tilted. In fact, as early as a decade ago, professionals began to observe it and took measures to slowly change its tilt and "correct".
According to records, as early as 700 years ago, when foreign missionaries came to China, they found that the Big Wild Goose Pagoda was tilted. Shaanxi Surveying and Mapping Department began surveying and mapping from 1985, when the tilt speed of the Big Wild Goose Pagoda was accelerating. At about 1996, the inclination of the pagoda reaches the maximum, and the inclination reaches 10 10.5 mm, which is more than one meter.
Why does the ancient pagoda tilt? Experts believe that all buildings have subsidence, and "ten towers and nine inclinations" is also the result of historical subsidence. Sun Qi, deputy section chief of the storage business department of the Big Wild Goose Pagoda, said: "The 64.7-meter-high Big Wild Goose Pagoda has a big bottom and a small top, and its center of gravity will not deviate too much from the tower foundation center. Unlike the cylindrical leaning tower of Pisa, the center of gravity of the tower tends to deviate and will go further. The most important thing about the Big Wild Goose Pagoda is that it has a low center of gravity and will not go further and further. "
Why does the Big Wild Goose Pagoda accelerate its tilt? It was found that the main factor was the over-exploitation of groundwater at that time. Xie Shoutao, the head of Xi 'an Big Wild Goose Pagoda Trust, said that in the 1990s, the water consumption in Xi 'an increased sharply, and the weather was relatively dry at that time, and the river water volume decreased. Due to the lack of drinking water in the city, it is difficult for all units around the Big Wild Goose Pagoda to get water, so they dig their own wells and exploit groundwater without restriction.
According to the research, serious over-exploitation of groundwater all the year round has led to a sharp drop in the groundwater level in Xi urban area, forming a groundwater drop funnel area with an area of more than 200 square kilometers, and the groundwater level in the surrounding area of Big Wild Goose Pagoda has dropped below 100 meters, which has triggered a discussion on the safety of Big Wild Goose Pagoda.
The tilt of the Big Wild Goose Pagoda has also attracted the attention of local government departments. Subsequently, the Xi municipal government decided to seal up more than 400 self-provided wells around the Big Wild Goose Pagoda, and increase groundwater recharge, injecting surface water into groundwater aquifers to increase groundwater reserves. Subsequently, the improvement of groundwater environment in Xi 'an effectively curbed the problem that the Big Wild Goose Pagoda leans to the northwest. At the end of 2003 and the beginning of 2004, the Big Wild Goose Pagoda began to slowly change its inclination and "return to normal".
The survey of the Big Wild Goose Pagoda has been going on since 1985, when scientists and technicians began to survey it.
Big Wild Goose Pagoda (5 photos)
5 1 time. Especially in the 2008 Wenchuan earthquake, it was added once, only 0.2 mm more, and then it was "corrected". Today, the Big Wild Goose Pagoda with a history of 1300 years belongs to dynamic balance as a whole.
Sun Qi said: "After measurement, the Big Wild Goose Pagoda is still tilted by more than 990 mm, but it is in a stable state and its rebound is very weak. This is good news. For the Big Wild Goose Pagoda, first of all, the rebound is positive, that is, it is in the process of' normalization'. Secondly, its annual change is very small, and the smaller the variable, the more stable it is. "
So, is the Big Wild Goose Pagoda safe now? Experts believe that there are many factors that affect the changes of the Big Wild Goose Pagoda, such as the earthquake, the artificial thousand acres of lake water around it, especially the leakage of a large reservoir under the Music Fountain Square in the North Square of the Big Wild Goose Pagoda, which will inevitably affect the Big Wild Goose Pagoda.
Ancient buildings are not only afraid of fire, but also of water.
Big Wild Goose Pagoda is no exception. Because the Big Wild Goose Pagoda is a brick-soil core, the foundation is a rammed soil foundation that is afraid of water, and it is very sensitive to groundwater. Sun Qi said: "The study found that there are two kinds of groundwater that affect the Big Wild Goose Pagoda, one is shallow groundwater, and the other is confined groundwater. Xi 'an's recharge groundwater is mainly confined groundwater, which is beneficial to bear the weight of the tower for a long time. As for shallow groundwater, the less the better. Therefore, the accumulated water in and around the tower must be reduced as much as possible to avoid softening the soil in the tower foundation and thus affecting the safety of the tower. "
Now, the management project of the Big Wild Goose Pagoda itself has begun. Not only the seepage prevention and drainage works of the foundation of the Big Wild Goose Pagoda and the seepage prevention works at the top of the tower were improved, but also the surrounding environment of the Big Wild Goose Pagoda was not afforested, thus minimizing the infiltration of water into the tower foundation. At the same time, the Big Wild Goose Pagoda Regulation and Storage Office also specially drilled two exploration wells to monitor the water level, grasp the changes of the water level, and implement 24-hour real-time monitoring of the Big Wild Goose Pagoda.
Edit this passage: Wild Goose Pagoda is walking on the tower.
There is a stone gate at the bottom of the Big Wild Goose Pagoda, and there are exquisite line carved Buddha statues and brick carved couplets on the lintels and doorframes. Inscriptions on the east and west sides of the South Gate are the Preface to Tang Sanzang Monument by Li Shimin of Emperor Taizong and the Preface to Sanzang Monument in Li Zhi, Tang Gaozong by Chu Suiliang, a famous calligrapher in the Tang Dynasty. The inscription highly praised Master Xuanzang for learning from the West and carrying forward the historical achievements and extraordinary spirit of Buddhism. The world calls it "the Holy Religion of Big Wild Goose Pagoda". It is a fine work in the Tang Dynasty inscriptions and a precious calligraphy inscription. It is an important cultural relic for studying calligraphy, painting and sculpture in the Tang Dynasty.
A layer or layer.
In the Tang Dynasty, after the new Jinshi, Emperor Taizong gave a banquet in Xingyuan, gathered in Qujiang for drinking, and inscribed Ci 'enta. This is what people often call "Qujiang Liu Yin" and "Wild Goose Pagoda Inscription".
Entering the south gate, there are many Ming Dynasty inscriptions on both sides of the cave wall. Among them, "Wild Goose Pagoda" is the first between heaven and earth, which is a portrayal of the scenery of "Wild Goose Pagoda" at that time. In addition, Xuanzang's great works and Xuanzang's translated classics are also worth seeing.
There are four long couplets hanging on the first floor of the tower, which are written about the history, characters and stories of the Tang Dynasty. They were there, talking, and feeling the same words.
On the first floor of the tower, there is also a common sense photo exhibition of ancient pagodas and famous pagodas in China, which shows the origin and development of the tower, its structure and classification.
There is "Xuanzang's Footprint Stone" in the tower brick, and the carving pattern vividly reflects the legendary story and fighting spirit of Wan Li under Xuanzang.
two-double
In the tower room on the second floor of the Big Wild Goose Pagoda, there is a bronze gilded Buddha Siddhartha Gautama, which is a precious cultural relic in the early Ming Dynasty and is regarded as the "treasure in the tower". Tourists here are scrambling for a quick look.
On both sides of the tower wall are two murals of Manjusri Bodhisattva and Samantabhadra Bodhisattva, as well as many modern celebrity calligraphy. Most of the poems are catchy and meaningful when poets in the Tang Dynasty boarded the Big Wild Goose Pagoda.
Three - story building
There is a wooden chair in the middle of the tower room on the third floor. There are precious relics and models of Wild Goose Pagoda on the seat. There is a story about the origin of the relic, which was given by Master Janice, the abbot of the Indian Xuanzang Temple, and belongs to a Buddhist treasure.
The model of Big Wild Goose Pagoda is made in strict accordance with the ratio of 1: 60, which is lifelike.
Five-layer
On the fifth floor of the Big Wild Goose Pagoda, there is a Ni Gu Mei Footprint Monument, which is based on the statue of Buddha's foot carved by Master Xuanzang at Yuhua Temple in Tongchuan in his later years. There are many Buddhist patterns in the world with rich connotations. Known as "seeing your feet is like seeing Buddha, worshipping your feet is like worshipping Buddha".
In the five-story tower room, there are also some little-known poems of Xuanzang. We can get a glimpse of Xuanzang's superb artistic attainments in poetry.
Six floors
On the sixth floor, there are masterpieces of five poets in the Tang Dynasty. In the late autumn of 752 A.D., Du Fu, the poet sage, met Cen Can, Gao Shi, Xue Zhi and Chu Guangxi and boarded the Big Wild Goose Pagoda, overlooking the scenery by the railing, drinking and entertaining, and composing a poem. They are all brilliant, and their poems are excellent. Everyone gives a five-character poem, which will last forever.
Seventh Floor
Wild goose pagoda; Dayan Pagoda; Giant Wild Goose Pagoda
At the highest point of the Big Wild Goose Pagoda, you can see the ancient city from all directions. At the top of the seventh floor, there is a well-carved holy lotus algae, with a huge lotus flower in the middle. The petals have the word 14, which is connected in series to form a poem with several pronunciations. Xuanzang wrote on the wall "The Story of the Western Regions of Datang", which recorded the legend that monks buried swallows and built pagodas in India, and explained the most credible theory of the origin of the Big Wild Goose Pagoda to tourists.
The North Square of Big Wild Goose Pagoda starts from the southern end of Yanta Road in the north, connects with the northern outer wall of Ji 'en Temple in the south, reaches the East Square Road in the east and the West Square Road in the west, with a width of 218m from east to west and a length of 364m from north to south, covering an area of1000 mu and a construction area of about10000 square meters. The whole square consists of waterscape fountains, cultural and cultural facilities. The whole square is divided into three parts with the Big Wild Goose Pagoda as the central axis, with the main scenic waterway in the middle. The left and right sides are divided into "Tang Poetry Garden", "Fa Flower Garden" and "Zen Forest Tree Area", and the southern end of the square is equipped with "Waterfall", "Theme Waterscape" and "Observation Deck".
The new record created by the North Square of Big Wild Goose Pagoda: the largest fountain square and the largest waterscape square in Asia, with a water surface area of 20,000 square meters; It is the largest sculpture square in Asia. There are two hundred-meter-long group sculptures, eight groups of large figure sculptures and 40 reliefs. It has the most luxurious green non-contact bathroom in the world, the cleanest, the most benches in the world, the longest light strip in the world, the world's first direct water diversion and the largest sound combination.
Edit this section of Buddhist temple offerings.
sarira
The relic is the embodiment of the Buddha's lofty morality and the crystallization of his transformation of abstinence, stability and wisdom. The crystal hard particles produced when the Buddha or monk is cremated after death are called relics. After cremation, the spiritual bones of a certain part of the original body, such as the Buddha's tooth relic, the parietal bone relic and the Buddha's finger relic, are very precious, often with sacredness and mystery.
Wild Goose Pagoda is closely related to Buddhist cultural relics. In the third year of Yonghui in Tang Gaozong (AD 652), Master Xuanzang built this tower to store the cultural relics he learned from the Western Regions. How many cultural relics did Master Xuanzang bring back from the Western Regions? According to the master's biography, there are only 150 meat relics and a bone relic, but the exact number is not stated. When describing the tower repair section in the same book, it is stated that "there are relics in the center of each floor, or 10000,2000, with more than10000." Later, when Wu Zetian rebuilt in Chang 'an, there was no detailed historical record on how to deal with the original relics in the tower. The Buddha relic was acquired by Master Xuanzang through painstaking efforts. Is it stored separately? Or do you lose if you don't fall? I don't know, and it will eventually become an eternal mystery! So where are the relics that Xuanzang brought back from the scriptures? Whether it is stored in the underground palace of the Big Wild Goose Pagoda or in which part of the pagoda is an eternal mystery, which can only be clarified when there is a chance to find it after a thousand years.
At present, there is a very precious relic on the magnificent Wild Goose Pagoda. There is also a story about this relic.
June 1998, 10 The Big Wild Goose Pagoda received the abbot of Xuanzang Temple in India, whose ancestral home was Xianyang, Shaanxi. He became a monk in his early years, and in the early 1940s he followed Xuanzang's example and went to India to seek dharma. Now he has lived in Xuanzang Temple in India for more than 20 years. When he came to Jean Temple and climbed the Wild Goose Pagoda, he was filled with emotion. It is really "leaving home when you are young, and the local accent does not change." On the same day, he took out a red paper bag printed with the words "One Buddha and One Treasure" and the lotus pattern, which contained two precious relics (one with a diameter of 3.5 mm and the other with a diameter of 1.5 mm) and presented it to the Big Wild Goose Pagoda. And repeatedly asked: "This Buddha treasure is very precious. If you cherish it, it will be an infinite blessing." In order to make up for the mystery of the Big Wild Goose Pagoda and let more people pay tribute to the Buddha's treasure relics, they displayed the Buddha's treasure on the Big Wild Goose Pagoda. In order to be prudent, the Wild Goose Pagoda wrote a letter to Stone in India, explaining our wishes to him and asking for his advice. He replied happily at once: "The relic is something that Jieding will smoke and repair. It is hard to get, and it is the best in Futian." "Blessed are the believers, and may LuJun worship them devoutly, with boundless blessings. If it can be made public to the upper level of the Big Wild Goose Pagoda, it will be even more blessed, and my brother wishes it happiness. "