My favorite Japanese director, Shunji Iwai, introduced the plot of a work in 2114 ◆ The plot: a fake love that started with deception ◆ The girl Hua and Alice, as close friends who grew up together, danced and studied ballet in a certain room every day. Alice is bold and outgoing, and she is proactive in pursuing love. Flowers, on the other hand, are shy by nature. They are always involved in secret unrequited love, and even can't muster the courage to speak to the boys they like. All their emotional activities are hidden in the semi-underground. When accompanying her friend Alice to chase and follow the college boy she fell in love with at first sight every day, Hua also secretly fell in love with Miyamoto, who often walked with that boy. Soon, Hua and Alice were admitted to the university that they had been longing for for for a long time, and Hua also managed to join the crosstalk club where her beloved senior Miyamoto was located. One day, as usual, Miyamoto, who was addicted to the study of cross talk, was walking and reading a library booklet, but he accidentally bumped into an iron gate and fainted to the ground. When he woke up, his mind suddenly went blank and there was a temporary "memory loss". However, the flowers that deliberately linger in the scope of Miyamoto's activities every day coincided with this scene. They were in a hurry and didn't allow them to think about it. They told a modest and harmful lie to Miyamoto, who had just woken up after falling, and said, "I am your girlfriend, the girl you once courted." Since then, the story has begun to unfold subtly. Miyamoto was skeptical, so he had to start a fake love affair with the guidance of Hua. At the same time, the snowball of lies is getting bigger and bigger, and the situation is out of control. Alice was involved in this fictional love affair and became Miyamoto's ex-girlfriend. Man is not as good as heaven. Hua Na once thought that the plot of this love story, which was scripted by her, did not follow her arrangement. Alice, who has been playing the role of ex-girlfriend, became more and more involved, and she gradually began to be attracted by Miyamoto, and Miyamoto also had real feelings for Alice. This love triangle created by flowers is gradually getting out of her control and going all the way in an interesting direction. Film evaluation ◆ Behind the scenes: the love experience of the original adolescence ◆ After making an "Arita" for the independent short film collection "Jam Films", two years later, Shunji Iwai released a new film "Hua とァリス", which consists of three independent and related short chapters: the first "Love of Flowers" and the first. It tells the story of two middle school girls' love triangle, which is both cute and slightly scary when they walk through their swaying spring period. In terms of the theme setting, this film chooses to depict the love triangle between two girls and a teenager, which is nothing new in itself. Among many love stories in ancient and modern times, this theme has been told repeatedly and has become obsolete. But for Shunji Iwai, a versatile director who is good at script creation, and all his works have been written and planned by himself since his debut, it has not made the description of the story stay on the superficial and single level. In his famous work Love Letter, the touching love story centered on "a letter from heaven" is still fresh in the memory of many Iwai fans. This time, Shunji Iwai once again set the key words of the story on the small link of "memory loss" with superior imagination and inspiration, which made the plot unexpectedly unfold with "complete prediction impossible". This is a film about growing up. The young girls' unconscious days are carefully expressed in a funny style and a slightly mysterious way. At the same time, the nonsense plot that begins with "memory loss" is like a locomotive that loses its brakes, rushing to the end that the protagonists can't manipulate and never expect. And on top of all this, two young girls are quietly completing their transition to * * and maturity. As a love drama, this film is unique in that the love story fabricated and fictional by the girl flower itself has been branded as a rest at the beginning-lies will be exposed at any time, love will go as easily as it came, and frivolous spirit will come to an abrupt end at any time. The love experience of adolescence often doesn't last forever, and the boys and girls involved in the vortex of the story have experienced profound beauty in chaos. Shunji Iwai's film style has always tended to be meticulous. From Love Letter to Story of April to Everything about Lily's Week, the delicate sensibility conveyed by the characters on the stage and the pure images full of transparent feelings can touch the most delicate chord in the viewer's heart. This time, in Flowers and Alice, the light and soft image seems to hold up the petals of * *. The most impressive picture of Xiuyi is a scene of flowers and Alice in the rain. The rain drenches the top of the head, wetting the girl's hair and eyes, and also wetting the girl's budding fascination. The protagonist in the play is the newly-born apricot and Yuu Aoi, who are almost the same age as the characters. Their beautiful appearance and true colors ensure the original freshness of this film's "youth love". What's more worth mentioning is that this music production is entirely made by director Shunji Iwai himself, and composed by computer. Iwai has always continued his film pedigree and constantly refreshed his own records. Film evaluation