Mainly in landscape painting and genre painting, such as the interactive description of the riverside scene in Qingming Festival. This comprehensive overview goes far beyond the limitation of visual perception and visual effect, and every area of the whole painting is the focus of human vision. It doesn't conform to the laws of physics, but it has achieved success in plastic arts. Taking the spirit from the appearance is a freehand design style, emphasizing similarity and ignoring sketch. According to the overall 3D rendering of the environment, you don't have to devote yourself to the outline of details, so as to achieve the effect of "Five Dynasties prevailing". For example, Xu Beihong's ink-and-wash shrimp map draws the shrimp's body dynamics and ethereal posture according to similarity with only a few strokes.
It is also the most obvious feature of Chinese painting. Because artists in ancient China were all literati, art painting was usually regarded as a kind of leisure and elegance, which reflected the elegance of literati. This is mainly manifested in historical and humanistic painting. For example, the ancient literati loved painting plum blossoms, four gentlemen of bamboo, beating banana in the rain, "a boat with a leaf, a bamboo cloak, and an old man fishing for snow in the cold river", all of which reflected the fun of pen and ink. The communication between poetry and painting depends on the subjective feelings of the creator and the expression of the specific media. It's just that poetry is expressed in language, and painting can also express its feelings through brand image, but it achieves the same goal through different routes and has the purport of * * *. Under certain circumstances, these two different artistic ways have gone beyond the limitations of their respective forms of expression, thus achieving internal integration and unity, making poetry have a sense of substitution, and making painting poetic and picturesque, which is the perfection that poets and painters pursue together.