As the tallest building in northwest China, the landmark status of Ningxia Genyuan International Center Building is beyond doubt. The 216m high building is divided into two parts. The building is tall and powerful, and the podium naturally extends from the main body to both sides. The concepts of front and back are weakened. From any point of view, Genyuan International Center Building is a unified whole.

Ningxia Genyuan International Center Building consists of Genyuan Hotel, Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard Courtyard. With the trend of "take-off", the office building group of Shenhua Ning Mei Group Headquarters will be integrated, echoing the office building of Kempinski Hotel opposite, and the city axis will be established.

Yinchuan Han Meilin Art Museum:

Yinchuan Han Meilin Art Museum base is located in the rock painting scenic spot of Helan Mountain, at the foot of Helan Mountain, adjacent to the orchard. It will become an organic part of the rock painting scenic spot, as the end of the rock painting streamline, expressing the dialogue between modern art and tradition and nature.

The core point of the project is to express respect for this historical place full of natural flavor and bearing human civilization. Invite people to discover the connection between nature and architecture and the artistic connection across time and space; Stimulate tourists' interest in exploration and design a unique visit streamline combining interaction and display; Feel the dialogue and blending of history, art, nature and modern spirit.

The inspiration of architectural design comes from our vast and majestic touch on Helan Mountain and the inheritance of local residents' ways of building houses according to local conditions. Show respect for the site with simple sculpture volume relationship, choose local rubble masonry as material, and strive to integrate the architectural space with the surrounding environment and landform. The architectural form of the art museum is embedded in the site, and the space is patchy. The function is divided into the exhibition area visited by the public and Mr. Han Meilin's creative living area. The well-behaved main exhibition hall is organically integrated with a more open and interactive exhibition area. It not only gives people different feelings on the spatial scale, but also integrates the understanding of the different tonality of Mr. Han's artistic works. Only by introducing sunshine and mountain scenery into diversified space can we truly achieve the perfect combination of spatial function and spatial form.

Beijing Green Park Club:

The clubhouse is located on the west bank of Wenyu River, where the winding Wenyu River widens and the small islands in the river are densely forested. The clubhouse is not only an independent object, but also a dialogue with nature.

In this very accommodating venue, according to the people served by the club, the building is endowed with multi-culture, collision of styles, blending of time and space, and intersection of tradition and modernity, as if telling an ancient and modern story.

Combined with the terrain, the clubhouse directly enters the first floor from the west side of the slope, and the Sunshine Restaurant on the first floor is located on the east bank. The main body of this building consists of north and south parts. The thick wall made of mud bricks in the Red Pavilion constitutes the main body of the clubhouse, which is dramatically disconnected and filled with completely transparent glass, forming a flowing space where solidification and entity blend. Light is carefully introduced into the atrium and the room.

Recreation room, gym, dressing room, bar on the first floor, sunshine restaurant, swimming pool, reading room and roof garden provide people with various services and different space feelings. The plants of Sunshine Restaurant extend outward to the outdoor coffee platform, blurring the boundary between indoor and outdoor, making the natural landscape and indoor completely integrated.

Zhungeer Banner Yellow River Hotel:

The project is located in Zhungeer Banner in the southwest of Inner Mongolia Autonomous Region, the eastern end of Ordos Plateau in the middle and upper reaches of the Yellow River, the edge of the Loess Plateau, and the junction of Mongolia, Shanxi and Shaanxi provinces.

Due to the extremely special environment of the base, by analyzing the site conditions and the unique characteristics of the building in the special environment, the architectural design concept is generated from the following five points, and finally the most reasonable and effective design scheme is made in combination with the site.

Symbolic significance: According to the future planning and development of tourism in Zhungeer Banner, it will be the landmark building of Zhungeer Banner.

Integration: In view of the fact that the environment where the base is located is desert, wetland and river with different landforms, it is very important to connect and integrate the building with the surrounding environment.

Strengthening: The desert is desolate, and the vast environment makes us choose simple and powerful architectural language.

Landscape: Through the unique landscape design, people can understand the environment, perfectly realize the function of the building, and embody its special significance in a specific site.

Touch: Through the combination of different volumes and the use of different materials, we can perceive the diversity of space and give people rich architectural space experience.

Vanke Lake:

1500 years ago, Tao Qian mapped his philosophy of life to the realm of seclusion and companionship with mountains and rivers. The project adheres to the design concept of learning from nature and integrating with the environment. Through the research and interpretation of the surrounding environment of the site, it is clear that the earth texture is used as the planning and design template to form a rich planning texture. At the same time, the residential layout combined with land use makes the redundant corner land become public landscape green space, provides residents with places for communication and leisure, and improves the overall living quality of residential areas.

The building draws lessons from the Dutch modern architectural style, with gray blocks as the base and white balconies as the horizontal connection; The gray-white color blocks are covered with sloping roof huts of different materials and colors, which constitutes the overall elegant and fresh tone of the villa area. The simple system of red tiles, wooden tiles and metal aluminum plates brings some excitement and surprise to the solemn and elegant gray tone, and decomposes the three-story building into pleasant scales.