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The "Three Beauty" Influence of the Poetic Theory of "Three Beauty"
If Mr. Wen Yiduo is the theoretical founder of the new metrical poetry school, then Mr. Xu Zhimo is the advocate and diligent practitioner of the new metrical poetry. In many of Mr. Xu Zhimo's poems, his requirements for beauty are revealed. Especially Farewell to Cambridge, which is his classic, is also a comprehensive artistic embodiment of his poetry's requirements for "three beauties". The language of this poem is fresh and has the outstanding characteristics of popularity and fluency, but it is also deeply tempered, with no traces of carving and full of musical beauty. The first paragraph and the last paragraph are repetitive, and the words "gently" and "quietly" are also overlapping, which strengthens the sense of rhythm. Every poem changes rhyme with the change of feelings, which is very consistent with the rhyme of Mr. Wen Yiduo's "Dead Water". In addition, one or three songs are in the front, and two or four songs are in the back, which are ethereal and organized, one or three songs are shorter, and two or four songs are longer, all of which show the beauty of architectural symmetry; Words such as "Golden Willow", "Soft Wave", "Magnificent", "Soft Mud" and "Green Grass" are both vivid and feminine, which all give people the enjoyment of painting beauty. As for the metaphors in the poems, they are all fresh, accurate and vivid, just like running water, without the Europeanization tendency of the new poems at that time. In a word, Farewell to Cambridge is a poem with cadence, repeated tones, symmetrical format and female images in the text, which has reached a perfect artistic realm. In addition, there are Liu Bannong, Bing Xin, Zhu Xiang, Chen, Rao Mengkan, Sun Dayu, Liu, Dai Wangshu, Cao, Shen Ziman, Ai Qing, Wang Jingzhi, He Qifang, He Jingzhi, Guo Xiaochuan, Bian, Yuan Shuipai, Yuan Kejia, Tibetans, Wang Yaping and Yu Guanying.

128 October 1992, 165438+ Modern Metric Poetry Society, the first literary society in the history of new literature, was established with the approval of Shenzhen Civil Affairs Bureau. 1993 was renamed as "Shenzhen China Modern Metric Poetry Society", with Gong Mu as honorary president. Ai Qing, Bian, Mars, Wu Songying, Wu Benxing, Yang Zimin, Lin Zuji, He Jingzhi, Xu Chi, Tu An and Cang Kejia served as consultants and served as presidents, while Huang Huai served as executive vice president and secretary general. The first Council was composed of Ding Guocheng, Ding Ciran, Shi Xiang, Zheng Liu, Licensing, Zhang Wanshu, Peng Ji, He Huoren, Wang Guozhen, Qian Guangpei, Liu, Liu Zhang, Lang Bo, Shen Shen, Ma Jingan, Zhang Chengxin, Li Qing, Wang Zhongfan, Huang Jinqing, Yu Zhongxin, Liu Zhen, A Hong, Zhong Shen and Zhu Lei. Sang Hengchang, Ding Mang, Jiang Xiquan, Zhou Du, Lu Dejun, Luo, Dong Peilun, Long Peter, Liu Qinxian, Tao Baoxi, Chen, Xiong, Vivian Fan, Diao Yongquan, White, Shi He, Ma Xinchao, Zhang Yongjian, Zou Jianjun, Pan Dahua and Ding Lu. Nearly 300 members, including Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang, Wang More than 60 poets and scholars attended the conference, which was the first grand gathering devoted to the study of modern metrical poetry on such a large scale in the history of new literature. Zhang Mo, secretary of the Chinese Writers Association, made a special trip to the party and received more than 50 congratulatory messages, poems, pictures and letters from all over the country. More than 30 academic papers were published at the seminar. Poets and scholars attending the seminar agreed that the development and construction of China's modern metrical poems is the need to adapt to the socialist market economy and the necessity of the development of China's new poetry since the May 4th Movement. Through discussion, they think that China's modern metrical poems should have the characteristics of "distinct and harmonious rhythm and natural and orderly rhythmic form". They should not only inherit and carry forward the excellent tradition of China's ancient metrical poems, but also absorb the agile quality of free poems and learn from some advantages of foreign metrical poems to create colorful, contemporary and modern metrical poems in China. During the meeting, he also proposed the establishment of "Chinese Poetry Tower" and "Chinese Poetry Calligraphy Museum", which aroused widespread concern in the field of poetry. Up to now, the Society has published Modern Metric Poetry Journal 1 1 volume, and edited and published several anthologies, including Selected Poems of China New Metric, Selected Poems of Yayuan, Selected Poems of Rainbow Parrot and Selected Poems of Yayuan. , and edited and published "Yayuan Poetry Collection".

Since the new century, with the emergence of a large number of online communication platforms and the timely publication of New National Style, World Chinese Poetry, Metric New Poetry, Oriental Poetry Style and Metric Poetry Newspaper, a large number of practitioners of new metrical poetry have emerged. Together with their predecessors, they clearly oppose poetry being divorced from reality, from the public and from tradition, and emphasize that poetry should be close to reality. Edited and published Selected Modern Metric Poems in China, Selected Modern Metric Poems in China, Selected Metric Poems in the New Century, Selected Metric Poems and Modern Poets in 2006, Qin Mi Collection (edited by Wang Duancheng), Fengyun Collection (edited by Wang Duancheng) and Dream. He is the author of Selected Poems of Qi (Zhu/Zhu), My Poems (Bu Bai/Zhu), Selected Poems of Qiu Shui, Selected Poems of Xiang Rhythm (Zhu), Inside and Outside the Sight of Xiao/Zhu, In the Rain, etc., and has published New Poetry: Reconstruction of Poetic Style (Lv Jin). On the Artistic Attribute of Metric New Poetry (Joe), Symbol of Poetry (Yu Shui), Rhythm of China's Poetry (Liu Congmei) and many other poetic papers on new metrical poetry. In 2005, although some poetry theorists proposed to rename the original "New Metric Poetry" and "Modern Metric Poetry" as "New Metric Poetry", and most members of the Oriental Poetry Forum and China Metric New Poetry Network responded, the proposal was not widely known in the field of new metrical poetry, and the names of the original "New Metric Poetry" and "Modern Metric Poetry" were still active. On June 20-265,438 438+ 10/October 0, 2007, on the occasion of the 80th anniversary of the publication of the classic book "Metric Poetry" by Mr. Wen Yiduo, the father of new metrical poetry, a seminar on the rhythm and theory of new metrical poetry was held in Changshu, co-sponsored by China Poetics Research Center of Southwest University, China Modern Metric Poetry Society and China Modern Literature Department of Changshu Institute of Technology. At the end of 2008, in order to "discover, popularize and cultivate a new force in the creation, research, criticism, editing and translation of metrical new poems", the China metrical new poetry creation research society was initiated by the members of the magazine's editorial board, Yu Xiaoqu, Li Changkong and Zhang Xianfeng. By the end of 20 12, the number of founding members had increased to 120. 20 10 in order to "hold high the banner of poetic rhythm, take the road of poetic rhythm, study, publicize, popularize and revitalize poetic rhythm", China Rhythm Poetry Society was founded by poets such as Shui, and achieved certain results.

The development of the theory and creation of new metrical poetry reflects the critical absorption of western culture and the tenacious return to the national cultural tradition. It is believed that with the rediscovery of national self-confidence and the spiral development of new poetry, the creation of new metrical poetry will gradually prosper in the future, and the theory will be further developed, popularized and gradually fixed. A three-legged situation of contemporary poetry, free new poetry and metrical new poetry will eventually form.

Note 1: The name "metrical new poetry" was born in 1980s at the latest. The Universe of China's Poetry (No.1980,No. 1) compiled and distributed an introduction to metrical new poetry, and Journal of Jiangxi Normal University (No.4) compiled and distributed Chen's Preliminary Exploration on the Development Prospect of metrical new poetry, and Literary Contention (No.5) (No./kloc- This poetic style was not widely concerned at that time, so that it was not well known in the poetry circle.

(Li Changkong's "Wen Yiduo's Three Beautiful Poems, Writing Practice and Its Influence on Later Generators" was originally published in the third issue of Poetry Review in 2006, and then reprinted in the second issue of New College Entrance Examination: Senior One Chinese on 20 12, and included in the digital teaching resource library of literary writing, a curriculum system of "college writing" jointly developed by Professor Liu Haitao and Professor Song Limin. This office is the latest revision by the original author, and the fourth issue of Wuhan University Writing (2065438+2004) is published in full.