Jia Baoyu is the main central figure in A Dream of Red Mansions. As a descendant of the Rong-Guo mansion, he was born with extraordinary intelligence and wit, and he was the heir of Jia's great hope. But his thoughts and personality prompted him to betray his family. The formation of his rebellious character is not accidental. The novel fully describes the living environment that caused his character and his specific situation in all aspects, and profoundly reveals the subjective and objective reasons for his character growth. On the one hand, the aristocratic society centered on men is so hypocritical, ugly and decadent that he feels lifelong regret for being a man; On the other hand, the purity and beauty of the girls made him feel that he would only be satisfied with them. He was also sent to his home school to study the Four Books and Five Classics, but the content and atmosphere of his home school were so decadent, and the masters who took this educational route were so vulgar and disgusting. His feudal education was emotionally inappropriate. He seldom contacts with his father who is an official. He is as scared as a tiger and gives him a wide berth. His parents gave him to a group of wet nurses and maids when he was young. Those ladies who surrounded him and treated him with a pure heart were his first teachers. The profound purity and freedom of the maids infected him, and the misfortunes they suffered because of their social status also inspired him. In Jia Baoyu's intuitive life, they are in sharp contrast with the leading forces of the center, which are mainly secular men: wisdom and stupidity, innocence and decay, cleanliness and filth, innocence and hypocrisy, kindness and evil, beauty and ugliness. In such an environment, Jia Baoyu gradually formed a love-hate tendency of his thoughts and feelings.

The core of Jia Baoyu's personality is to treat others equally, respect individuality, and advocate that everyone can act freely according to his own will. In his mind, there are only true and false, good and evil, beautiful and ugly. He hates and despises secular men, and is close to and respects oppressed women. He said, "Daughters are made of water and men are made of mud. I feel refreshed when I see my daughter, and I feel turbid and smelly when I see a man. " In connection with this, he dislikes the family from which he came, and loves and is close to those who have similar personalities and smells and come from humble origins. This is essentially a denial of the aristocratic class from which he came. At the same time, he strongly resisted the traditional life path arranged for him by feudalism. For the sake of feudal ethics, except in the morning, he tried to avoid taking part in the fellowship and entertainment of literati. I am very disgusted with the highest ideals of feudal literati, such as fame and fortune marriage, and completely deny them. He just wants to live as he pleases, resigned to his fate, that is, to startle flowers in the daughter country of the Grand View Garden, sing quietly and live freely. "If I am lucky at this time, I will die when you are all in front of me, and then you can cry my tears, flow into a river, float my body, send it to a secluded place without birds, melt with the wind, and I will never be born again. This is my death. " Limited by the times, Jia Baoyu could not find a way out of real life. He wants to get rid of the shackles of aristocratic society, but he can't help but cling to the aristocratic class. This makes his thought and character have tragic and serious contradictions. His ideal is undoubtedly a denial of feudal life, but it is hazy and has a strong sentimental and nihilistic color.

Jia Baoyu's pursuit of personality freedom is embodied in love and marriage. Feudal marriage depends on parents' orders and family interests. Jia Baoyu, on the other hand, devotes himself to sincere ideological friendship and has no scruples about family interests. He loves Lin Daiyu because Lin Daiyu's life experience, situation and inner character reflect all the objective and subjective characteristics of all the girls who moved him and made him dear in his living environment. His love with Lin Daiyu is based on thoughts and feelings and has profound social content. On the contrary, this contradiction between love and feudalism became the main supporting force and motive force for him to overcome his own shortcomings and weaknesses step by step and develop and improve his ideological character day by day. This kind of love with rebellious thoughts as the core is increasingly oppressed by feudal forces. According to Cao Xueqin's original arrangement, Lin Daiyu will die in tears, and Jia Baoyu will marry Xue Baochai after his death. Xue Baochai's personality and marriage life made him completely desperate, and he finally abandoned his home and ran away, returning to the slim nothingness.

Jia Baoyu's rebellious character was not fixed at the beginning, and his works focused on describing the development history of his character. He lived in a sinful and corrupt aristocratic environment, inevitably contaminated with the bad habits and decadent ideas of some aristocratic children, and these bad habits coexisted with the good tendencies in his character. However, with the stimulation and education given by the major events he saw and heard in his life, and with the mental setbacks and blows he suffered when he was involved in realistic contradictions, some decadent and bad things in his ideological character gradually decreased and eliminated, and his rebellious ideological character gradually became firm and mature. His attitude, sympathy and love for the girls around him have always been the dominant aspect, but at first it also contained some decadent and evil elements. Qin Keqing's death, Qin Zhong's death, Lin Daiyu's wandering life experience and her inner sadness as a noble sister made him realize the difference between respect and playing, purity and decay, beauty and sincerity, and sin and hypocrisy in the relationship between men and women. From then on, he gradually showed a serious attitude towards the relationship between men and women and a deep antipathy to the society in which he lived. He used to think that all the girls' tears would be sent to him. He loves Lin Daiyu, but when he meets the gentle and lovely Xue Baochai and the elegant and free Shi Xiangyun, he is dazzled and deeply touched. Because of the uncertainty of feelings, Lin Daiyu constantly exerted influence on him with blood, tears and life, so that he gradually got rid of the entanglement and attraction of social forces and aristocratic bad habits from his painful experience, which made his character tend to be purified, his mind tend to be sober, and his thoughts and feelings tend to be stable and firm.

In addition, the maid's personality and experience also influenced him, making him realize that "love in life is different." He is generally gentle and docile to girls, but sometimes he reveals some violent styles in his early days, such as kicking snow, kicking people and training Qingwen, all of which were beaten by his father. After this series of events, he not only abandoned the act of beating and cursing the servant girl forever, but also greatly strengthened his rebellious thoughts and deepened his understanding. Since then, his sympathy and consideration for the oppressed and devastated girls have become more profound and thoughtful. Moreover, on the basis of deepening the understanding of women's social status and destiny, we have an understanding of the nature of their different ideological characters, and thus have a clear choice in attitude, such as Lin Daiyu, Xue Baochai and Shi Xiangyun, and Qingwen, Xiren and Musk Moon. Based on this kind of ideological understanding, there was a plot of "congenial", and his love for Lin Daiyu matured and consolidated from then on until death do us part.

Another suppression by feudal forces was the raid on the Grand View Garden initiated by Mrs. Wang: Qingwen and Siqi were forced to death, and Fangguan was driven away, and the Grand View Garden finally became a desolate place. This is mainly because the feudal forces want to destroy the relationship between Jia Baoyu and Lin Daiyu, sweep away all the factors that violate etiquette, and prevent Jia Baoyu from embarking on the feudal right path. However, after witnessing the tragedy of Qingwen and others and the disaster in the Grand View Garden, Jia Baoyu abandoned his delusion of feudal forces and rushed into the shield with his own blood. Rong's daughter is tantamount to a declaration of resistance to the end.

Jia Baoyu denied the feudal social order, but he did not reach the height of denying monarchical power and clan power, that is, feudal sovereignty. On the one hand, he developed his rebellious thoughts step by step, completely leaning towards the oppressed and supporting them; He insisted on his love with Lin Daiyu and urgently demanded the autonomy of marriage; In fact, all this was due to the privilege given to him by feudal forces, and he could not deny feudal rule. What he hates is exactly what he relies on; What he opposes is exactly what he relies on. He can't completely break away from feudal rule, nor can he give up his democratic ideological requirements. Therefore, his way out does not exist in reality, and he can only go to the illusory surreal world in the end. Lin Daiyu gave him spiritual comfort and advised Baoyu with the same rebellious "bullshit".

Wang Xifeng

In A Dream of Red Mansions, the author wrote Wang Xifeng's appearance very strongly. She is bejeweled with jewels, "a pair of red phoenix eyes, two bent willows", "pink face is full of spring, red lips are not smiling first" and "like a fairy princess", but she is gorgeous and vicious. Just as Xing Er described her: Sweet and sour, kill two birds with one stone.

Gary coveted her beauty, and she gave her bait, set a trap, let him take the bait, and finally made her lovesick to death. She secretly forced Chang 'an Festival marriage through her joints, forcing a man and a woman to commit suicide. Jia Lian secretly married Second Sister You, and when she was discovered, she "made a scene in Ningguo Mansion", which later led to the humiliation and suicide of Second Sister You.

Although Wang Xifeng's evil deeds and crimes are notorious, people cannot deny her wisdom. In this big family of hundreds of people, only she can be versatile and handle extremely complicated personnel relations, and only she can borrow from the east and move from the west to cope with countless expenses that cannot make ends meet. She has an eye for dealing with Jia's malpractice and crisis, and shows her courage and ability to do great things everywhere.

So in the fifth sentence, she wrote, "Every bird from the last days knows how to love its talents in this life. When Jinling came from the second order, she cried even more sadly. " This shows that her family will not have a good result, and those who are in the last days and the most talented people can't escape the fate of "thousands of tears, Wan Yan shares the same sorrow".

Photo: An iceberg with a female phoenix on it. All the birds from the last days know that they love this life. Obeying two orders, three people were in a daze, and crying to Jinling was even more sad.

[Notes]

1. Every bird-together is the word "phoenix", so name it. Shi Shuo Xin Yu Jian Ao said: During the Jin Dynasty, Lu An visited Ji Kang, but Ji Kang was not at home. His brother invited guests to sit at home, but Lu An refused, and wrote the word "Feng" on the door. Ji Kang's brother was very happy, thinking that the guests said he was a god bird. In fact, Lv An laughed at him as an ordinary bird. Here, "Phoenix" is called "every bird" in turn, just to cover up some songs.

2. "Yicong" sentence-Because I don't know the ending space of Wang Xifeng in the manuscript, there are various speculations about this sentence. Pang criticized "the method of dividing characters". It means to take the words apart, but it doesn't say how to take them apart. Some people say that "Erling" is "cold" and "three-person wood" is "Qin" (the second half is "he" instead of "wood"), which is not the case. Mr. Wu Enyu said in Ten Notes of Cao Xueqin: "At first, Xifeng obeyed Jia Lian, but later she was able to issue a decree to Jia Lian and was finally defeated." So crying to Jinling is even sadder. Judging from the clues provided by Zhifu, it is credible that Xifeng was later abandoned by Jia Lian. "King Jinling" is her maiden, which is consistent with the last sentence. The "iceberg" in the painting means that the status of monopolizing power is difficult to last. Zhang Xun was advised to go to Yang for treasure hunting. Zhang Yue said, "Your generation leans on the sun, and your right is like Mount Tai. I think it's an iceberg. If a bright day comes, will your generation have nothing to rely on? " "Female Phoenix" means that she is widowed and lonely.

A Dream of Red Mansions is bright and tired.

What a coincidence! Forget it! Heartbroken before death, ethereal after death. A rich family is peaceful, and eventually there will be a family, and the family will be separated. It's a waste of time to spend half your life, and it's like a long night's dream. Suddenly like the first floor, suddenly like Yi Deng. Ah! One happy and one sad. Sigh the world, it's hard to decide!

[Description] The title of the song is "Smart and Tired", which means to suffer from loss, and cleverness is mistaken by cleverness. Su Shi's poem "Washing Children" in the Northern Song Dynasty said: "Everyone raises their children to be smart, and I have been delayed by being smart all my life. I only hope that this child is honest and honest, and there is no disaster and no difficulty in reaching the public. "

[Notes]

1. The second sentence of "organ"-I tried my best to plan and calculate. I was too smart, but even my own life was calculated. Organs, intrigues, conspiracy politics. Qing Qing, the language version of Shi Shuo Xin Yu, was later used as an intimate title between husband and wife and friends. This refers to Wang Xifeng 2. The afterlife is illusory-the plot based on it is unknown. Judging from the basic facts that can be known at present, what is most likely to close her eyes is that she was worried about the fate of her daughter Jia until her death. "Soul after death" is a superstition. 3. Pentium-here is to describe that when disaster strikes, each of them is looking for a way out. 4. Hanging in the air-a mental state that has been very tired and can't let go.

[Appreciation]

Wang Xifeng is the actual ruler of the Jia family. She was in charge of the Rong Guo mansion, assisted the Ning Guo mansion, and was also a traffic officer, doing whatever she wanted. This is a very political figure, not a housewife of an ordinary aristocratic family. Her distinctive feature is "playing politics", grasping power and money in one hand, which fully shows the power desire and greed of the exploiting class. Wang Xifeng is not only a person, but also represents a class. It is not only Wang Xifeng's personal fate, but also the image portrayal of the dying feudal class and the complete collapse of the reactionary social system they represent.

"This institution is too smart, but it is a green life!" These two sentences tell the * * * law of all reactionary classes that are going to decline. Wang Xifeng is the leading "last-time talent" among the four families. During her short years in power, she tried her best to change the situation, using cruel and despicable means and creating many evils. Several people died directly at her hands. But all this only prepared the conditions for her own final collapse. According to Cao Xueqin's original intention, the ending of this door bully is very bad. From "Fat Batch", we can know that the second half of the manuscript has the following plot:

First, she was convicted of running away from home and stayed in the prison temple with Baoyu for a long time (waiting for sin, not being in prison). The reason was nothing more than that her wicked things such as collecting money and killing people were exposed. For example, in the case of "playing tricks on Tiejing Temple", forcing an unmarried couple to commit suicide and enjoying a section of 3,200 silver, the fat group pointed out: "The manufacturer doesn't know how to cancel the contract and pay, but he knows." "Don't write in detail, you will know what he did in my life. Looking back, no wonder he was miserable. " (16th time) When she left home, Grandma Liu met her in the prison temple (the 42nd batch of Cang Jing Ben). In addition, Xiao Hong and others saw Xifeng in the prison temple.

Second, take a broom to sweep the snow in the Grand View Garden. This should be that after she was sentenced to go out, she returned to Jia's home after many twists and turns. Zhifu said: In front of the Yihong Courtyard, "it must be the place where Xifeng sweeps away snow and picks up jade" (the 23rd time).

Third, she was abandoned by her husband and "cried to Jinling". From the twenty-first fat batch, she found that her husband hid a lot of girls' hair (batch: "wonderful. Pinger was going to take it away, so it wouldn't leak again, so she used Jia Lian to get it back, and the text behind it was lost before it could be inserted. " ) is a fuse, and my husband uses it to turn his face away. At that time, Xi-feng was "desperate" and could only bear the burden of humiliation, which was far from the "A Feng Ying Qi" when Qiao Pinger rescued Jia Lian with soft words. So the second half of that period was called "Wang Xifeng, a strong hero in know life".

Fourth, look back at the pain and die short-lived. You's wife said to Feng, "I'll carry the messenger into the coffin tomorrow." Fat criticism: "This statement is true, and it will be short-lived after lying down." (43rd)

In a word, Xifeng's bitter ending is the result of suffering, not the fate of the world.

Wang Xifeng-the character in A Dream of Red Mansions, the wife of Jia Lian and the niece of Mrs. Wang. He has a pair of red phoenix triangle eyes, two curved willow eyebrows, slim figure and coquettish physique. She was smart and capable, won the trust of the Jia family and Mrs. Wang, and became the actual housekeeper of the Jia family. She sat on the throne of the housekeeper of hundreds of Jia family. Her eloquence and power are her weapons to flatter her superiors and confuse her subordinates, with the aim of seizing power and stealing money. She tried her best to change her mind and become cruel and mean. Although a dude like Jia Rui deserves to die, the cruelty of revenge can also be seen in "Poisoning Acacia Bureau". In order to bribe 3,200 taels of silver, Tiexi Temple forced the daughter of the Zhang family and the son of a garrison to commit suicide. Second Sister You and the fetus in her belly were also killed by Wang Xifeng in the most cunning and vicious way. She declared publicly: "I never believe in what the underworld deserves." Why, I said it! " She is extremely greedy. Besides asking for bribes, she also lends money by delaying the monthly payment of public expenditure. In this case alone, hundreds or even thousands of silver are used for personal interests. When the property was looted, 50,000 to 70,000 gold and a box of loan vouchers were taken from her room. What Wang Xifeng did undoubtedly accelerated the decline of Jia's family, and finally ended up as "the organ counted the life of Qing Qing".

The artistic image of Wang Xifeng in A Dream of Red Mansions is rich and complicated. Since the publication of A Dream of Red Mansions, there have been many comments on Wang Xifeng in the history of redology. She is regarded as "a capable minister who manages the world and a traitor in troubled times", and Wang Xifeng is called "female Cao Cao" and "rouge tiger", that is, tigress. In many comments, it is "hate Wang Xifeng, scold Wang Xifeng, but miss Wang Xifeng", which is probably the feeling that every fan of A Dream of Red Mansions will have.

The character Wang Xifeng plays a very important role in A Dream of Red Mansions, and it can be said that this image is unique. She has the function of supporting, focusing or radiating in the sense of artistic structure and artistic noumenon. Because A Dream of Red Mansions is not only about the love and marriage between Xue Baochai and Lin Daiyu, but also about more than 400 characters in this big family. If there were no Wang Xifeng, what would be the result of a dream of red mansions? It can be said that if the Jia family's complicated interpersonal relationships, such as seniority, seniority, intimacy, humility and subjectivity, are compared to a net, then the character Wang Xifeng is in a relatively central position. This highlights the uniqueness of this character's image. She has to deal with all kinds of characters, so-called three-level in-laws, including countless uncles, sisters-in-law and even aunts, maids and concubines, as well as a large group of lower-level housekeepers, servants, maids and pages. The relationship between Wang Xifeng and any one of them is either related or contradictory, or both, which is a reflection of certain social relations. Supposedly, in the whole Jia family, Wang Xifeng's qualifications are very low. She is a granddaughter-in-law. How can someone like Rainbow Xifeng be in charge? This reason is also the result of the development of various contradictions. She has the background of "King Jinling", Jia's support, the contradiction between Mrs. Xing and Wang, and of course the subjective conditions of her own desire. At the same time, Wang Xifeng was pushed to the crater and became the target of public criticism. The result of many old contradictions has become the cause of new contradictions. She is an extremely complicated role! It can be said that Wang Xifeng summed up all kinds of contradictions, a kind of housework that parents manage short, so-called uncles and sisters-in-law, and so on, which is not the case. Because in China's feudal patriarchal society, home and country are isomorphic and have always come down in one continuous line, and home is a simplified form of country. The ups and downs, factional disputes and factional struggles of the feudal emperor's power to "rule the world" can be seen in the family. Therefore, the contradiction from that Wang Xifeng, concentrated on her, or radiated by her, gives people a sense of depth and cannot be regarded as a family contradiction. As far as the breadth of social life tolerated by the artistic image of Wang Xifeng is concerned, it is also beyond the reach of other images, such as borrowing money and earning interest. Wang Xifeng took out the money of the month to lend usury. In the novel, written more than once. Pinger said, "You have to pay a thousand pieces of silver every year at least." Even the amount is very specific. It is impossible to put such economic details on others. For example, the old lady won't do such a thing, and she doesn't bother to do such a thing. The young lady doesn't manage money at all, and only Wang Xifeng can bear it. Therefore, the social tentacles of the image of Wang Xifeng are the longest, which can go beyond the walls of the Jia family and extend to the government, Buddhism and the court. In other words, Wang Xifeng's artistic image is irreplaceable and indispensable in reflecting the depth and breadth of life. Without Wang Xifeng, A Dream of Red Mansions would be greatly discounted in reflecting the depth and breadth of life, and it would not even be called A Dream of Red Mansions.

Wang Xifeng's "tough measures" are manifested in more situations and more occasions as overbearing power and indiscriminate punishment. In this regard, there are many descriptions in A Dream of Red Mansions. What is her usual way of punishing the girl? She said, "Kneeling in the sun with tiles, no tea, no food", "Even if it is made of iron, it will confess one day." When she found the little girl who stood guard for Jia Lian, she ordered her to "take a rope whip and smash her little hoof without a master", and threatened her to brand her mouth with a red-hot soldering iron, cut the meat with a knife, and immediately pulled out the hairpin to poke the little girl's mouth. This kind of hairpin is called boudoir torture device, and it hurts to poke people. She immediately gave the little girl a slap in the face. In addition, when you were in the Qingxu Pass, a little Taoist, who was really a child, accidentally met Wang Xifeng, and Wang Xifeng slapped him with his hand, making the little Taoist unable to stand up. In this place, Wang Xifeng's hands are heavy, hard and fast, which is truly "difficult". Among Jia Fu's masters, it's rare to see anyone who pushes himself like this. In people's eyes, just like those little girls and young monks, it's really terrible. Wang Xifeng at this time is really like a demon. No wonder some slaves cursed her behind her back, calling her a "bitch" and a "hag star". At this time, the so-called "war determination" has a new air conditioner, which really makes people shudder.

Here, you can also cite the famous "Iron Threshold Temple". In this scenario, old ni asked Wang Xifeng to do so. Wang Xifeng has a famous saying, which is often quoted. Search said that I "never believed in the underworld. I just said I would do it. " This sentence is often quoted by everyone, and some people think that Wang Xifeng is not superstitious. Indeed, this sentence sounds very heroic, that is, ghosts and gods are irresistible and have this kind of courage, but it is a pity that this kind of courage is used in evil. Here, it is not that Wang Xifeng is not superstitious. Like ordinary women, she is also a god of plague and named her daughter happiness. It's not that she is not superstitious, but that she is ungodly, reckless and reckless. She can do whatever it takes to achieve her goal regardless of the consequences. So it is obvious that she is playing politics in this place. If we say "associate with Ningguo House", that "Tiexi Temple" means that she is playing politics. Outside her house, she colluded with the government and relied on her power to deceive her superiors in the house. Jia Lian made such a dirty deal in the name of Jia Lian without knowing it. If "assisting Ning" means "using power", then it is "playing politics", that is, playing politics in the palm of your hand by hook or by crook. So this is different. The novel also points out that since then, Wang Xifeng has become more courageous and willful. It can be seen that "playing politics" is a "case" for people to learn Wang Xifeng's means. She is a hard bone to chew, and there is no way out. The so-called "small amount is not a gentleman, non-toxic is not a husband." Compared with Mrs. Wang, Wang Xifeng and other women have no "woman's benevolence" or "compassion". After she did something, she never regretted it. She wanted to uproot the grass. If we don't forget, Jia Yucun finally gave him a long way to go. Then Wang Xifeng must finally find a way to put Zhang Hua and his son to death. From this place, we can fully appreciate Wang Xifeng's spicy means, which others can't feel. The "tough hand" is often external, but the machine heart is hidden inside. Of course, the two are related. Although the "machine heart" is hidden inside, there are traces to follow. It is often said that Wang Xifeng seldom talks about "having ten thousand minds", which is to describe the speed of her scheming and machine change. It can be seen from Wang Xifeng's daily performance. In her daily communication, Wang Xifeng often has the balance of interests and the calculation of gains and losses. Once at the expense of the Grand View Garden Poetry Club, Sister Wang Xifeng and Sister Li Wan were joking there. Because this poetry club needed some expenses, Wang Xifeng laughed at Li Wan: "You are still a sister-in-law!" She even said, "Your monthly salary of twelve taels of silver in January is twice that of us. There is also a boy who has added twelve taels-you are in the middle of the year, and you are in the middle of the year ... According to * * * *, there are four or five hundred pieces of silver a year. " "Now you are afraid of spending money to annoy them-",and Li Wan said a lot. "Listen, I said one thing, and she said a lot-""You calculated the whole world!" Although Li Wan's words are a joke, they are actually a proper evaluation of Wang Xifeng. She said, "the whole world has been set up by you." When Wang Xifeng embezzled the monthly money to pay interest, she not only embezzled the servant's money, but also dared to embezzle the old lady's and her husband's money. Therefore, even the "1282 odds and ends" should be saved together and released. Therefore, Li Wan said that she was "good at calculating two pounds" and did not wronged her at all. After Mrs. Wang's golden pheasant was thrown into the well, the number of maids was vacant. As a housekeeper, Wang Xifeng has been slow to fill in this number. Why? She said it was enough to wait for a gift, because many people took a fancy to this vacancy and thought it was a "smart son". Everyone had to ask for this job, and Wang Xifeng put it off until everyone gave gifts. There are many such things. When "making a scene in Ningguo Mansion", I didn't forget to ask you for five hundred and twenty pieces of silver. In fact, she only spent 320, asked for 520, and she earned another 220. Wang Xifeng is famous for her shrewd calculation and calm accumulation. Even she knows. She said to Pinger, "I have a bad reputation. If I leave it for another year, I will be eaten alive. " It can be seen that Wang Xifeng's money loan and Wang Xifeng's accumulation are famous. This is her calculation, and all her efforts are used in this respect. In fact, Wang Xifeng's scheming is of course used to collect money, but it is more reflected in dealing with interpersonal relationships. She is meticulous in calculation and strategy, and has a more wonderful performance.

Xifeng appeared.

Dai-yu just entered Jia's house, and was talking to Jia's mother about taking medicine during her illness. "Without saying a word, I heard someone laughing in the backyard and said,' I'm late, I didn't meet a guest from afar!' "These people are holding their breath, so respectful and strict," said Daiyu. "。 Who are these people who are so rude to celebrate birthdays? "Who is the newcomer, the author did not immediately explain; But it sounds like the characters on the opera stage haven't appeared yet. First, there was a loud "horse door cavity" backstage. He took the lead and immediately arrested three souls and six souls. As the saying goes, "Before writing its shape, let it go and hear it first." Before describing them positively, the author has spread the inner god of the characters through their laughter. With the sound backstage, a young woman with heavy makeup appeared. The author then described its appearance with a heavy pen and a strong color: "This person's clothes are different from other girls, and the colorful embroidery is brilliant, as if she were a fairy princess: wearing a beaded bun with golden silk and eight treasures, and hanging beads on the five phoenix in Chaoyang; With a red gold plate around his neck; The skirt is a bean green official sash, and the roses are double balanced; Wearing a golden butterfly, wearing a narrow coat of red satin, wearing a colorful carved azurite silver mouse jacket; Under the jade crepe skirt A pair of red phoenix triangular eyes, two curved willow leaves and hanging eyebrow, slim, enchanting, pink face with spring force, red lips before laughing. " Here, the first ten sentences about Xifeng's clothes and appearance are exquisite brushwork and real writing, while the last two sentences are ethereal freehand brushwork and imaginative writing; The combination of reality and reality makes the image of a living aristocratic young woman close.

But the author has not explained who this young woman is. Next, we first heard Jia's introduction: "He is a famous villain and lives here. The southern province is called' Chili', so you can call him' Feng Chili'. " Although this introduction embodies the personality characteristics of this young woman with heavy makeup and the love of her grandmother, it still makes Daiyu irrelevant. Finally, the two sisters told Daiyu, "This is Sister Lian", and Daiyu remembered what she had heard from her mother in the past, so the name Wang Xifeng was finally recognized.

When Xifeng came out, she was the only one in the room. First, she praised Lin Daiyu's "beauty", and then she praised Jia Mu. Then she wiped her tears for Daiyu's loss of her mother when she was young, in order to win the favor of Grandmother Jia. Grandmother Jia scolded her for saying these sad words to attract her. She "turned grief into joy" and blamed herself for "forgetting her ancestors, it's time to fight!" Then, as a housewife, she settled down and told the women ... At this point, the readers first heard her voice, then saw her appearance, then knew her name, and then saw her performance. Wang Xifeng, who appears in front of readers, is naturally no longer an abstract name, but a living person. Xifeng did so much before and after her appearance, and then she couldn't help jumping on the paper!

Lin Daiyu

Pathological beauty, self-esteem and inferiority, narrow-minded, honest, true love, rebellious tragedy

Characters in China's classic novel A Dream of Red Mansions. The word "Pinpin" and the name "Princess Xiaoxiang". Sister Lin's charming Xi-style beauty is even more peerless; The beauty of Shi's tragic personality is highlighted by her "frown" and graceful appearance. Lin Daiyu's charming appearance is very charming. However, what makes her more charming and artistic is her unparalleled rich and beautiful spiritual world. First of all, Lin Daiyu is a woman with inner wisdom and external beauty, unlike Xue Baochai, who is sophisticated and charming. She is honest and innocent with people, so as to be honest with them.

The daughters in A Dream of Red Mansions are all beautiful and unique, but only the beauty of Daiyu makes people feel distressed and pitied sincerely. "Two bends are like frowns, and a pair of eyes are like happy eyes. The state has two sorrows, and it is sick. Tears a little, breath slightly. Laziness shines on the water like a beautiful flower and acts like a weak willow. The heart is a little more than the stem, and the disease is not as good as the west. " This poem fully shows Daiyu's blurred, dreamy, morbid, weak and dynamic beauty and temperament. I can't find a better adjective to fully describe such refined beauty and charm, or "she is peerless and delicate", or "this woman should only be in the sky, how can she be seen on earth!" It can be more vivid and appropriate.

The beauty of Lin Daiyu is also manifested in her brilliant talent and poetic temperament. Lin Daiyu in Cao Xueqin's chest is a poetic and picturesque talented woman; She is versatile: she is well-read and knowledgeable. She loves books, not only reading four books, but also reading the corner play The West Chamber.