1. Push: that is to say, push the shot and push the lens, which means that the subject is motionless and the shooting machine moves forward to shoot, and the framing range changes from large to small, which is divided into fast push, slow push and sudden push, which is essentially different from zoom push.

2. Pull: The subject does not move, but the camera moves backward, and the range of view is changed from small to large, which can also be divided into slow pull, fast pull and sudden pull.

3. Shake: refers to photography and camera moving up and down, left and right, rotating and so on depending on the chassis on the tripod, which makes the audience look around and look around as if they were standing in the same place.

4. Move: Also called mobile shooting. Broadly speaking, all kinds of sports shooting methods are mobile shooting. However, in the usual sense, moving photography refers to placing photography and cameras on vehicles and shooting objects while moving along the horizontal plane. The combination of panning and panning can form a panning shooting mode.

5. Follow: refers to follow-up shooting. Follow-up is one kind, and there are follow-up, follow-up, follow-up, follow-down, etc., which will be combined with more than 21 shooting methods such as follow-up and pull-up, shake-up, move-up, rise-down, etc., and carried out at the same time. In a word, the technique of follow-up is flexible and diverse, which keeps the audience's eyes fixed on the human body and object being followed.

6. Ascension: Ascending photography and video recording.

7, health: down photography, video.

8, prone: prone, often used to show the overall appearance of the environment and occasions.

9. Upward: Upward, often with a tall and solemn meaning.

11. Swing: Swing the lens, that is, sweeping the lens, refers to throwing it from one subject to another, showing a sharp change, without revealing the traces of editing as a means of scene change.

11, hanging: hanging shooting, sometimes including aerial shooting. It has broad expressive force.

12. Empty: Also known as empty shot and scenery shot, it refers to the pure scenery shot without the characters (whether people or related animals) in the play.

13. Cut: the general term for conversion lens. The editing of any shot is a "cut".

14, comprehensive: refers to comprehensive shooting, also known as comprehensive lens. It combines several shooting methods, such as pushing, pulling, shaking, moving, following, ascending, descending, leaning, leaning, spinning, throwing, hanging and flying, into one lens for shooting.

15, short: refers to the short lens. Movies generally refer to 31 seconds (24 frames per second), about 1.5 meters below the film; Television is a continuous picture of 31 seconds (25 frames per second) and about 751 frames or less.

16, length: refers to the long lens. Film and television can be defined as a continuous picture of more than 31 seconds.

There is no recognized "scale" for the distinction between long and short shots in the world, and the above standards are generally speaking. There are long shots in Hitchcock's Rope that take 11 minutes and are as long as a book (referring to an iron box copy), and short shots of war movies that are as short as only two frames and depict the fire and cannon shadow.

17, backhand: refers to the camera, camera shooting in different directions when shooting a two-person scene. For example, shooting a man and a woman sitting in conversation, first shooting the man from one side, then shooting the woman from the other side (close-up, close-up, bust), and finally cross-editing to form a complete clip.

18, zoom shooting: photography, camera is not moving, through the change of lens focal length, people or things in the distance can be clearly seen, or the close-up scene can be blurred from clear to blurred.

19. Subjective shooting: also known as subjective shot, that is, the shot that shows the subjective sight and vision of the people in the play, and often plays the role of visual psychological description.

When shooting a rain scene, you should pay attention to the following points:

1. The light changes greatly in rainy days, sometimes the brightness of the rain scene is low, and the exposure

between the two can be different by many times, so it is best to use exposure meter to measure light when shooting.

2. When shooting in rainy days, there is often a phenomenon of excessive exposure, which is extremely unfavorable to the performance of rainy scenes. Because the contrast of rainy days is small, overexposure will make the contrast even smaller, and the photos look gray. Therefore, the methods of reducing exposure and prolonging development are generally adopted to improve the contrast. The normal exposure can be reduced by one block to one block, and each block can be increased by 21%-31%. Extended information

Shooting techniques:

1. Take the long focal length lens as the main shooting lens (about 251mm lens of 121 camera or about 135mm lens of 135 camera) and take its short depth of field function.

2. According to the principle of portrait formula composition method, you can take a close-up, half-length, seven-part or full-body composition directly, which is about 5-8 steps away from the subject, and you can easily take it.

3. During exposure, according to the characteristics of portrait photography, it is necessary to open 1 ~ 2 more apertures for compensation, so as to make the facial texture brighter. The light on the face of the person is soft and bright, which is the focus of this type of photo.

4. In order to create bright eyes, it is best to put a reflector or a white plate in front of the portrait to make the eyes reflect bright spots.

5. when printing, it is best to follow the post-processing skills and soft focus processing to soften the skin comprehensively, so that the whole photo can be soft and beautiful.

6. The shapes or props of the subject characters should be changed more, otherwise the visual focus will not change when there are too many photos, and the shortcomings of composition, depth of field and shooting techniques will be exposed.

7. design the modeling style of the theme portrait, choose the scene suitable for the overall performance, and do the early theme and scene design work.

8. At ordinary times, we should cultivate the ability of aesthetic composition, and draw up the overall composition plan between the theme portrait and the scene when shooting. We should not fall into the stereotype of portrait formula composition and take close-up photos.

9. Analyze and apply the lighting situation in the scene, and use the method of addition and subtraction to integrate into the subject of the portrait to be photographed, so as to control the outstanding performance of lighting in the scene environment and not fall into the common fault of general commemorative photos.

11. Control the length of depth of field, create moving and high-level depth of field performance, and don't fall into the messy mode of ordinary life photos.

11. Choose the most appropriate photo opportunity to press the shutter, grasp the vitality of the portrait and the artistic sense of the scene, and shoot a perfect portrait with scenery.

12. The most important thing in taking this kind of photos is the selection of negative film. As long as black and white negative film is used, the tone of this kind of photos can be printed.

13. In the process of shooting, we should pay attention to the colors of the background and props, especially the gray color, because the background, props or clothes that are too black and white will make the photos produce all-black or all-white reaction when they are developed, which is the common sense of shooting black-and-white photos. Only when the gray system is appropriate, the single tone overprinted by color printing will have rich hierarchical performance.

14. When taking black-and-white photos, you can get beautiful tone by controlling the exposure correctly. Unlike the color negative film shooting method commonly used by ordinary portraits, it is often compensated by exposure above the second grade. Only by correct exposure can we avoid saturated tone loss.

15. There is another kind of negative produced by ILFORD manufacturer in the market, which can be developed directly in color, without the manual development process of black and white liquid medicine, and the shooting effect is the same, which is a relatively convenient negative.

16. After shooting and developing the negatives, you can develop pure black-and-white photos through the black-and-white developing process. Or through the printing process of color printing, a single-tone photo is developed.

Reference: Baidu Encyclopedia-Photography Skills