The post-80s actresses are the most embarrassing generation.

When they started out, they met the last golden age of show business. Some of them were able to work with big directors because of their face, and some of them were not educated in the field, but they were also known as "star girl", "girl", and they didn't even need to practice their acting skills, they just relied on their own skills. The first thing you need to do is to get your hands on a new pair of shoes or boots, and then you'll be able to get your hands on a new pair of shoes or boots, and then you'll be able to get your hands on a new pair of boots.

Riding on this wind, there are many actresses who have changed their destiny.

But with the development of the times, the showbiz industry is full of newcomers, the audience tastes more and more picky, have the capital to have the ability to kill out, not able to keep up with the trend of the beats on the beach, the past glory has become the evidence of people mock.

There is also a group of "marginalized" post-80s actresses, some of whom have no drama to shoot, some of whom have been out of the game for years, and why have they come to such a state?

In 2008, Guo Zhenni appeared in the TV series "Mother of the world", she played "Zhao Hede" is a masterpiece.

She has a goose-egg face, phoenix eyes, and a "charming" look at the corners of her eyes and the tips of her eyebrows that makes people look away.

She is not a standard beauty, but people will never forget. Straight nose, thick curved lips, portraying a lot of content, deep and desperate, gentle and domineering.

Tong Liya played Zhao Feiyan, the same country, but and Guo Zhenni contrast, only the lack of that "charm", more is soft and sweet.

Zhao He De is Zhao Feiyan's younger sister, introduced by Zhao Feiyan to Emperor Chengdi of Han Dynasty, and she knows that the palace surrounded by the hooks and corners, so she is never easy to deliver their own true heart. She is a cunning and cautious woman who has been favored by thousands of people all her life and has done all the bad things in the world.

Guo Zhenni has interpreted the ambition and calculation of this character to the extreme, and every look and expression is one with the character.

Shaping such a successful role did not make Guo Zhen Ni a big hit, but instead broke into the scene for many years, little known.

Guo Zhenni graduated from the Chinese Opera House and was in the same class as Wen and Bai Baihe.

After her debut, she also starred in many roles.

In "The Mute Bride", she was the bratty and capricious young lady Liu Xiangjun.

In "Spring of Kapok", Zou Xiaodie, whose parents are dead and whose heart is still in the right place.

In Step by Step, Lvwu, the elegant prostitute in the capital, is a sensible and loving woman.

Guo Zhenni is multi-faceted, can be pure, can be savage, can be sexy, can also be dignified.

In 2016, after acting in "Lurking Before Dawn", she faded out of the entertainment circle.

Wang Han once said she was the Queen of Hengdian, basically filming 12 months a year.

So desperate, why not red? The reason for this is just three points.

Firstly, there is no one who can help.

It is said that the small red rely on holding, big red rely on life. If there is no one behind to push a hand, empty acting skills, and "red" can not touch the side. The so-called hold, is to create a persona, resources to support, as long as there is a hit drama, is the key point to change the fate of the sky. It is clear that Guo Zhenni lacks the Bole.

Second: character determines fate.

Guo Zhenni has portrayed a lot of villainous roles, but in reality, she likes to read, travel, and live a simple life without fighting.

This kind of character is good, but if you want to become famous, you can't become a great man without some ambition.

The first thing to do is to make things happen, and the second thing to do is to look at the actresses who are active in the entertainment industry today and see which one of them is not working hard to climb up the ladder.

Third: not finding the right position.

Each actor has their own qualities, the self-characterization to the extreme, and the role of the fit, often play a half-hearted effect, such as Jiang Xin encountered the "Legend of Zhen Huan", Zhao Liying encountered the "flowers and bones".

Guo Zhenni has played a lot of roles, but none of them are extremely colorful, and there is a lack of memory points.

Now that Guo Zhenni has entered her 40s, it's basically impossible for her to make a comeback. However, she is not interested in this, retired after living a low-profile and quiet life, do not seek great wealth, but only a small wealth is safe.

Lv Yi is a good friend of Guo Zhenni, when she was on the "Ride the waves of the sister", Guo Zhenni also for her call.

This pair of sisters, I'm afraid that the situation is similar to the extraordinarily sympathetic.

Lu Yi in the actor on this road, completely wild origin. She has been dancing since she was a child, all the way from Chongqing to Beijing, and thought she would dance for the rest of her life, but she ended up killing a director named Tsui Hark halfway through.

In 2004, Tsui Hark recognized Lv Yi and cast her in the role of Xiaoyu, a physically challenged young woman in the film, which led to her official debut.

In terms of face value, Lv Yi has a fleshy face, round eyes, slightly convex rabbit teeth, the whole person looks non-aggressive, cute and dynamic.

As a result, most of the roles she played in those first few years were also of this type.

In "Flying Fairy", Sai Jin, who was as fresh and lovely as the girl next door, was persistent in love.

"Flying Fox on Snowy Mountain", beautiful and gentle, the fate of the tragic Nanlan.

In "Snow is Burning", the innocent and kind-hearted Luo Yi, who is unfortunately disabled.

Since 2007, Lu Yi has continued to seek breakthroughs, and began to appear in suspenseful dramas, criminal investigation dramas, and light comedies.

One of the biggest breakthroughs was the 2014 movie "The Ordinary World", in which Lv Yi was transformed into the Shanxi girl He Xiulian.

He Xiulian does not have a lot of culture, just a rural woman in the high slopes of the loess, but her bones are full of tenderness and toughness, giving Sun Shaoan a harbor to moor.

Lu Yi, "self-destructive image", the simplicity and strength of He Xiulian, interpretation of the best. In front of the powerful actor Wang Lei, there is no weakness.

We all thought that Lu would take advantage of this role to spread his wings and fly, but in the later years, she almost a year only a play, and are not hot drama.

It was only in 2021, when Lv Yi appeared on the show Ride the Wave's Sister, that everyone suddenly saw her presence.

On singing and dancing and face value, she was in the middle to upper level, but created very few topics on the hot search. The show is over, and she's back on the fringes of the entertainment industry.

These years, Lu Yi in the end where to lose?

First: looks limit the theater.

Lv Yi looks very beautiful, but beauty is beautiful, lack of characteristics, in the characterization of the lack of memory and possibility. As a result, most of the roles played by Lv Yi over the years have been in favor of "vase" roles, and even if the acting skills are good, they can't get on the stage.

Secondly, there is a lack of conversation.

The third is that it's not a good time to be alive.

Lu Yi's looks, put into the ancient costume drama or idol drama, will have the audience. But she debuted at a time when costume dramas were at the end of their development and idol dramas were in the doldrums, plus her own resources were not good enough to catch the last gust of the era.

I hope Lv Yi will meet a good script in the future and continue to be a thorn in the side of the actor's path.

Xu Baihui plays the role of Yu Hong in The World of People.

Yu Hong is the most unassuming character in Zhou Bingkun's group of friends. She did not have Chunyan "will come to things", no Wu Qian brutal and overbearing, she just hid in the corner, alone to accept all the gifts of fate.

Xu Baihui is the most important character in the movie, and the most important thing is that she is not the only one in the movie, but she is the only one in the movie.

Similar to Yu Hong's fate, Xu Baihui was a neglected presence in the acting world.

Xu Baihui's debut was a fluke. When she was 17 years old, she was in the studio recording an album in honor of her youth, and as a result, she was encouraged by her supervising teacher to go to the Central Academy of Drama.

In the 18 years since her debut, Xu Baihui has wandered into various supporting roles.

Crown Princess Yang Mei Yun in "Sun and Moon".

Xiangmei He Hua in "My Son is a Strange Man".

Meng Zhaoshi, the concubine in "The Legend of Mi Yue".

The kind and upright concubine Yi in "Yanxi Palace Sketch".

With these roles, either gentle, or spirited, or heartfelt, or sincere, Xu Baihui has shown the versatility of an actor.

But sadly, these roles were well-received, but failed to bring Xu Baihui out of her supporting role.

From supporting roles to lead roles, where does Seo Baek Hye fall short?

First: There is no representative role.

Over the years, Xu Baihui has been working on a number of films, basically three or four productions a year, covering a wide range of roles, from the city girl to the woman in the palace, all of which she has been in.

For actors, roles are more about class than quantity. Many first-tier actors have become famous with one role, and more roles mean less focus and less possibility to stand out.

Secondly, there is no packaging.

Acting is fundamental for actors, but packaging is a knock on the door. The so-called packaging is built from the inside out, such as persona, such as topics, such as image.

These packages can tap into the highlights of an actor's body, create a topic, and implant in the audience's mind. Obviously, Xu Baihui lacks all these, and you can't extract any keywords in your mind when you mention her.

Third: The looks lack aura.

Xu Baihui is a typical northeastern girl's looks, three-dimensional features, face atmospheric, but the angular face more a "blunt", there is a "wooden" temperament. As a result, she has no problem in portraying the image of a rural woman, but when portraying other roles, she does not stand out.

An actor like Xu Baihui belongs to the majority of the actors in the show business, not God's blessing, no acting talent, general appearance, but in the diligence of down-to-earth, but also to make a lot of their own world.

Mu Tingting is a typical showbiz schoolboy, who has been a top performer since he was a kid, and when he was at the Beijing Film Academy, he practiced his voice and form and got a master's degree from the Peking University.

She is in excellent condition in her own right, with pure looks and clean temperament, and is particularly stunning in costume dramas.

In 2005, while still in her sophomore year, Mu Tingting was cast in the cast of Jin Yi Wei, starring as Jin Zhi, who has a clear love-hate relationship.

Immediately afterward, she played the villain Liu Wumei in Zhu Xiaotian's version of The Legend of Chu Liu Xiang, a bit of a rebel in her spunky vivacity, and a more colorful character than Hu Jing or Qiu Porcelain Hyun.

After graduating from Nortel, Mu Tingting focused her attention on costume dramas.

In Peacock Plume, the naive and venomous Liu Xing.

The dignified and atmospheric Empress Ulanara in Step by Step.

Leng Bingxin, the pure and affectionate master of the Xuannu Palace in "The Living Buddha and the Jigong".

Bai Mei Ying (白梅瑛), a lively, lovely and affectionate character in The Happiness of Everyday Life.

These dramas were all the rage and generated good ratings, but Mu Tingting was on a downward spiral until her youth ran out and she wandered off the edge of show business.

Mu Tingting is talented in acting, plus a characteristic look, should have killed a bloody road in the entertainment circle, but she is now almost disappeared, the problem in the end where?

First: dragged down by the family of origin.

Mu Tingting's parents divorced when she was one year old, and she lived with her grandparents, separated from her father and stepmother.

She once mentioned her family on the show, and when her father saw it, he was so angry that he even went so far as to file a legal complaint against Mu Tingting.

The bad family of origin made the already withdrawn Mu Tingting even more excluded from participating in programs and activities, which also reduced her exposure.

Second: signing with the wrong company.

In 2012, Mu Tingting signed a contract with Lafeng Entertainment, the owner of which, Chen Meilin, is a real estate developer who knows how to create artists.

In those years, "Lafeng Entertainment" invested in a lot of dramas, such as "Everyday Happiness", "The New Living Buddha", "The Landlord and the Landlady" and so on.

The company seems to give Mu Tingting a lot of resources, but these plays empty traffic but no reputation.

After the big wave of the showbiz industry, these dramas were criticized by the audience as "thunderous dramas", and the reputation of Mu Tingting also plummeted.

Thirdly, it's not enough to complete the transition.

At the time of Mu Tingting's debut, costume dramas and mythological dramas were still a bit hot, so she got her first share of the pie.

But as the world of acting changed, these dramas were no longer to the taste of the audience, and Mu Tingting didn't realize this, and continued to act desperately in these types of dramas.

As soon as these dramas became obsolete, Mu Tingting, who had not been able to complete the transition, naturally fell to the bottom, and became unavailable for filming.

Now Mu Ting Ting is almost a transparent entertainment circle, and there may not be a single drama out in a year.

Some people ask if Mu Tingting has retired, and her answer is very direct:

Indeed, nowadays, the auditing of the showbiz industry is getting more and more strict, and it's even more chilly for the millions of ordinary actors.

Li Qian started her career very early, at the age of 16, she entered the cast of "The History of Wulin", with Wang Yan and Huang Haibing as her co-stars.

Li Qian grew up learning dance, did not receive any professional acting training, all rely on talent and aura will be "small mud" role to play to the wood three points.

At the same time, this role will be Li Qian's quirky, innocent temperament to play to the extreme.

The mole at the corner of her mouth has become a unique identifier.

In the ten years since then, Li Qian has relied on similar roles and wandered into the acting world.

In "The World's Breadbasket", she was the smart, clever, mischievous and cute "Little Comb".

Song Yuzhi, the uninhibited and tender character in "The Legend of the Two Dragons".

In "The Weaver at the End of the World", the lovely and understanding little weaver "Tao Qian Qian".

In "Dragon Gate Dart Board", Lv Qingqiang is a simple and playful girl with strong martial arts skills.

It's good for an actress to find her own identity, but being boxed into teenage roles limits Li Qian's development.

Li Qian also realized her limitations, and she began to try different roles.

For example, the six-armed refugee in 1942, the anti-Japanese hero Gao Yanan in Xiu Cai Encountered Soldiers, and Zhang Mama in I Am Yu Huan Shui.

After the transformation, Li Qian said goodbye to the young girl, and went in the direction of "young woman", but the result is not satisfactory.

All along the way, Li Qian's destiny has been to not be popular.

First, the theater is too narrow.

The girl's sense of achievement has made Li Qian, but it also makes Li Qian's path too narrow.

In those years, Li Qian devoted her youth to the role of "Little Mudbug", which was successful, but it was a kind of consumption for Li Qian.

Too many female roles, so that the later Li Qian no matter what, let the audience some "out of the theater".

Secondly, the mole at the corner of her mouth.

It is important to know that in the acting world, recognition is more important than beauty, such as the deep eye sockets of Tao Hong, so that she has been different since her debut.

Li Qian's biggest mark is the mole at the corner of her mouth. But she still point out this mole, the face value is to enhance a lot, but also let her obliterate the crowd.

Third: no ambition.

Li Qian once said a classic: "No ambition is my ambition."

Actresses who have no ambition want to be red is basically impossible.

Even if someone pulls you a hand, don't know where your hand is.

Perhaps for Li Qian, this kind of unenthusiastic state is the best, no need to face public opinion, no need to face the camera all the time, the film contract is not much, there is a lot of time to enjoy life.

It's okay to be comfortable with the status quo, as long as you don't complain about it.

Wang was born for the arts, learning dance at age 3 and Peking Opera at age 9, and then giving up her guaranteed place at the China Academy of Opera in order to study acting at the Shanghai Theater Academy.

At the Shanghai Theater Academy, she was in the same class as Chen He, Jiang Shuying and Zheng Kai.

While these classmates are making their mark in the entertainment industry, Wang Xiaochen looks a bit forlorn.

In 2006, she made her debut in a movie called "Modern Beauty," and for the next eight years, she was unknown.

It wasn't until 2014, when Wang played "brother" Huang Lei's sister, Fang Yi Yi, in "I Love Male BFFs," that she had a few memorable roles.

In Mother is like a flower, she played the ghostly and cute "poisonous sister-in-law" Ma Danna.

Mao Xiaochun, an ophthalmologist, is a sharp-tongued and straightforward man in "Good Times".

In "My Gym Teacher", Wang Mi, a dynamic young woman who bravely pursues her love despite the world's expectations, is a quirky and energetic girl.

She has played a lot of supporting roles, and she has also sat on the bench as a female lead, but Wang Xiaochen has never been able to find a breakthrough point.

Today, at the age of 34, Wang Xiaochen's resources are falling with the naked eye.

To summarize, Wang Xiaochen still lost in these three points.

First: homogenization of roles.

Wang Xiaochen's looks are very recognizable, lovely with spirit, sweet with lively.

As a result, she has always played roles that fit her character, either as a spooky elf or as a smooth talker.

In the end, these types of roles are all about her. It doesn't make any difference which character is singled out.

Second: lack of luck.

Wang Xiaochen has acting skills, she has staged "I am the first half of life" and "Qingyi" on the stage of "I am an actor", and her explosive acting skills are highly praised.

However, she has a lot of acting skills, but she didn't meet the explosive drama, she still can't be red.

For more than a decade, Wang Xiaochen has had a lot of contracts, but every single one of them has been mediocre.

Third: Choosing the wrong company.

Wang Xiaochen signed a contract with Huayi when she graduated, so it's reasonable to say that she has a strong background in the company's backing, so she should be out of the circle.

The truth is that Huayi has big names like Li Bingbing and Zhou Xun, so the resources are not going to be tilted in Wang's favor at all.

Plus, in those years, Huayi was on a downward spiral and couldn't give Wang Xiaochen many resources.

Later on, Wang Xiaochen and Huayi canceled their contracts and were left without a company, missing out on the golden age of development.

Wang Xiaochen has the ambition and the ability, but lacks the right place, the right time, the right people, and the right people, so she can only brush up against the fame.

In 2001, The Wrong Sedan Chair Marries the Right Man made Huang Yi famous, and also gave Xiao Li Lin a taste of fame.

Xiao Li Lin played Du Bingyan, hands and feet are all rhyme, a smile is the flavor, can be called the human rich flower.

With this role out of the circle, Xiao Li Lin took a lot of roles.

In The Girl Who Fell from the Sky, she works at McDonald's. She is the first woman to have a job in the city.

In "True Love's Million Dollar Bride", she is the bad daughter-in-law, Chen Yu, who will stop at nothing to achieve her goal.

The good daughter-in-law Xu Yulian in "The Living Buddha".

These roles didn't make Little Li Lin a big star, but rather made her career fall apart.

Xiao Li Lin looks classical, fleshy nose, big eyes, very test makeup styling, if the suit is not good, she exudes all the body "earthy", coupled with the acting skills are not picky, it is difficult to get out of a belonging to their own road.

In 2016, after filming "next life also do my dad", she completely faded out of the entertainment circle.

In addition to looks, there are three other things that stopped Xiao Li Lin in her tracks.

First: entering marriage too early.

After filming "Marrying the Right Man in the Wrong Sedan Chair", Xiao Li Lin married her senior Li Xuetao, who was 8 years older than her. She was 22 years old that year.

After the marriage, Xiao Li Lin gave birth to a daughter and was so busy with her family that she lost the golden period of her career.

Li Xuetao is a teacher at the Shanghai Opera House, and the two are considered to be a perfect match and a strong team. Unfortunately, their marriage faced many problems and both of them were exhausted.

The aura of the young Li Lin is gradually depleted in the poor state of the marriage.

The second thing is that she's not doing her job.

Li Lin Jr. was not interested in acting, she always wanted to make a lot of money through investment, so after the marriage, she opened several restaurant chains, which made a lot of money at first, but after the financial crisis, she lost a lot of money.

Actors need to be focused, and being wrapped up in business, Little Li Lin had no desire to hone her acting skills, so naturally she couldn't play classic roles.

Third: no resources.

After "The Wrong Sedan Chair", Xiao Li Lin did not receive a good script. Like Huang Yi acted in the third part of the "Pearl Palace", although the TV series was trolled, but there is a mass base, black and red is also red.

Xiao Li Lin's acting skills and face value are not inferior to Huang Yi, but she did not meet such an opportunity. She has been playing around in bad movies, and has lost all the viewers' favor that she has accumulated.

For Xiao Li Lin, who is over 40 years old, red or paste, she has long ceased to care.

Today she is in her second marriage to Jing Chao, four years younger, and enjoys the happiness and sweetness of a family. If there is time, play live with goods, the day can also be comfortable.

These seven "marginalized" post-80s actresses have witnessed the scenery and despair of the show business.

Perhaps those flowers and applause have nothing to do with them, but they have also been light and heat, and some of them still have unlimited possibilities.

The first time I saw a movie, I saw a movie, and then I saw a movie, and then I saw a movie, and then I saw a movie, and then I saw a movie, and then I saw a movie, and then I saw a movie, and then I saw a movie, and then I saw a movie.

When we were young, we thought we could make a name for ourselves, and then we realized that there is too much helplessness in life, and that hard work is only the basic condition for success, and luck and timing rely on one's life.

Whether successful or not, at least they have shone, and the days after, with their own reconciliation, comply with the heart, in the days of no one asked, live into their favorite appearance.

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