A well-born and gifted person is a genius of Cantonese opera creation. However, he is a genius and an ordinary person. Clever as she was, she was fascinated by Lily, followed her to another city and fell down on the street. He was patriotic, but he was pushed to prison by a villain. However, in peacetime, the anti-Japanese war operas created by artists were divorced from the times. Even death, jumping on the train, all failed, leaving only the crazy problem. He has been crazy until 1984, and his relatives and friends left or died one after another. He slept on the street like a beggar and reported in fluent English that his two shoes were stolen, one by the British and the other by the Japanese. Finally, he fell dead in the street, barefoot. Awkward.
From the beginning of this play, I enjoyed Xie Junhao very much. I just realized that I thought I was a drama actor. No wonder I can interpret this role so well. Of course, the most important thing about this kind of biopic is the protagonist. If the character can't stand up, the whole movie will be ruined. It is too difficult to play the role of Cantonese Opera, and few actors can play it so vividly. I like the plot of Shisanlang and Tang Tisheng writing a script together, shaking their heads with a folding fan and expressing these chanting. That kind of passion spark, I feel it outside the screen, what is genius, this is genius! So that I missed the performance of Beijing Opera, and I regret it until today.
"Show off in an ostentatious manner, ups and downs, but his ambition has not changed, no complaints, no self-pity. Just wandering between madness and normality, participating in boundless romance, the world is cold, not a lonely night scene. " This is Xie Junhao's comment on Thirteen Languages in the South China Sea. It can be seen how deeply he understands this character.
Johnny Belinda's daughter smells sweet, so where can Yan find the pond? It is Shisanlang who steals snow at night.