what are the common drawing methods of still life such as bottles, cans and plates? Drawing methods and skills of plates in sketching still life are also issues that art students pay more attention to. I believe many art students want to master the drawing methods and skills of plates in sketching still life. We must not blindly study art, but must cultivate keen observation ability and application ability, and at the same time have the professional quality and accomplishment of art students. So let's learn the drawing methods and skills of plates in sketching still life together.
Sketch is a combination of light and shadow, which is composed of black and white. It is a graceful world. The girls who sketch are quiet and exquisite, while the boys who sketch are deep and noble. And the plate is a frequent visitor in sketch, and it is also one of the most basic combinations. So how to grasp its painting method? The following is to introduce the painting methods and skills of sketching plates in still life.
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① First of all, when it comes to the plate, many students think that the shape of the plate is very difficult to draw. Indeed, the shape of the plate is an ellipse with perspective changes, which is similar to the perspective circle we draw when drawing cans, so we can also find their similarities in shape.
Under normal viewing angle, the perspective lines on both sides of the plate extend backward and disappear at one point. In the picture below, there will be a circle in the middle of this ordinary white plate, and the perspective of this circle will be relatively stronger, which will not be consistent with the perspective of the outer contour circle. Be sure to observe and distinguish.
② The second point is that we should pay attention to the painting method of the plate. The plate itself is not very complicated, but the difficulty lies in its thickness and how to express the sense of volume. Of course, it is necessary to observe these most important parts. We can find the thickness of the plate and some small turning points through observation.
The sense of volume needs to be conveyed by the projection and the texture of the plate. When we draw the plate, we should not make it ambiguous. The lines will be harder, which will make the texture of the plate more real.
① why does a plate appear in many still life combinations? Let's analyze it from several different points. First, the combination of the plate and the jar is just complementary in shape, one is on the high side and the other is very flat. Second, the dark color of the jar will be suitable with the white plate. Third, the plate can hold some fruits. The combination of the fruit and the plate can be said to be very natural.
A good sketch requires different combinations of shapes and reasonable distribution of black, white and gray. It can be said that it is appropriate to arrange a white plate in a group of still lives with darker colors.
② The plate in the following work exists entirely for the sake of the continuity of the picture. First of all, this work is a big overlook, so it will be very difficult to arrange the space. At this time, some long still life is needed to enrich the picture, and the position of the white plate is just right, connecting the pears at the back with the still life in front, and at the same time making this empty area very rich.
The placement of still life must be helpful to the picture, instead of being very redundant. Of course, we can also adjust the position subjectively in order to make the picture more comfortable and reasonable.
① First of all, let's talk about the most common white disc. At the beginning of the article, it was mentioned that the shape of this disc is relatively conventional, but it is difficult to get started. As long as we grasp the perspective law, it is still relatively easy to draw.
Secondly, several places with thickness on the plate were marked by Xiaozhi for everyone. In the detail part, we should pay attention to the fact that the projection of still life on the plate will change according to the internal shape of the plate. At the same time, the inside of the plate is curved, not very flat, and there should be a feeling that the middle is slightly concave. We must grasp the details.
② The second type is white blue and white porcelain. Compared with the plate above, it is thinner in thickness and more slender in shape. At the same time, there will be many patterns. These patterns are very beautiful. We should not ignore them because it is difficult to draw them. We should know that these details are very helpful for us to express the shape, because the patterns will change according to the changes in shape. If we draw this change, the perspective inside the plate will be stronger. It is important to pay attention not to draw these at the beginning, but to draw them later when adjusting the picture.
(3) The third type is a relatively deep plate, the edge of which is relatively high, and we can also understand it as the thickness of the plate. If you encounter this kind of plate, you should draw that kind of depth when you draw it. There is a distance from the edge to the bottom, and then there will be some occlusion when fruits or vegetables are placed inside. The detail part is to pay attention to the interpenetration of lines.
④ The fourth type is stainless steel dinner plate, which is relatively rare and difficult to draw. First, its shape is too large, but it is regular, and its texture is stainless steel, which makes its own black, white and gray levels richer and more difficult to draw. This kind of plate will have many small turns, and there will be many heavy colors and bright colors. If you encounter it, you must draw it carefully and patiently. If you encounter this angle in the picture below, you should also pay attention to the perspective change of the plate and the shape of the still life in the plate.
⑤ The fifth type is a fruit bowl. The one in the picture below is dark, and then a bowl with a large curvature. This bowl is characterized by a smooth surface and a little glass feeling. In addition, it is black, so its highlight will be stronger. Except for the deep edge line of the bowl, the rest of the color will be a little gray, which will have a crystal clear texture. If it is a frosted bowl, don't draw the highlights so strongly, you can draw them a little rough.
⑥ The last one is a bowl similar to a dinner plate, with a long shape and a certain depression in the middle. The texture should be plastic and smooth. It is very suitable for putting some fruits like bananas and cut watermelons. There are some small lines and black edges in the plate, which can be noticed. Especially when there is nothing in the plate as shown in the picture below, it depends more on the details and texture of the plate.
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