Quickboard, at first, is not a form of literature, but the folk jingle. It became an art, and those who sang it became performing artists, which was unexpected by previous generations. In the past, this line of work was originally a "beggar" begging for a living, called "counting to treasure" or "singing lotus flower". They went from one end of the street to the other, beating in their hands and singing in their mouths, often followed by groups of children. They have been rich people look down on more, get a little charity time less, so its lyrics are mostly harsh and mischievous random curses, from the heart of the good words are not.

The second talk of the rut of the counting of the treasure

The Middle East: the eyes are afraid of blindness, the ears are afraid of deafness

The nose is afraid of gas

The leaky house is afraid of cloudy rains

Planting crops is afraid of no harvest

The toad is afraid of drought

The fly and mosquito are afraid of the dryness of quietness

The selling of popsicles is afraid of cold

Sore foot is afraid of jumping rope

The foot is afraid of jumping rope

The foot has a sore and is afraid of the cold

The foot is afraid of the cold. I'm afraid of jumping rope

Trains are afraid of going off the tracks

Ships are afraid of typhoons

Cars are afraid of breaking down

Bicycles are afraid of hitting a mud puddle

Watching a movie is afraid of a blackout

Watching TV is afraid of not being able to see the image

Playing chess is afraid of people interrupting

Playing mahjong is afraid of not being able to win the match

Mahjong is afraid of not being able to win the match

When you play, you're afraid of being able to win the match.

Dancing for fear of breaking an ankle

Dance halls for fear of no lights

Tax evaders for fear of checking accounts

Food sellers for fear of hygiene checks

Swimming pools for fear of stopping the water supply

Soccer games for fear of high winds

Parents for fear of their children being disobedient

Children for fear of no one to care for them

Pens for fear of not being able to go down

Their pens for fear of not being able to go down.

Books are afraid of unclear words

Students who don't study hard are afraid of exams

Teachers are afraid that students won't be able to concentrate in lectures

The timid are afraid of walking in the dark

For those who fall in love, they are afraid that someone will be eavesdropping

One-seven: I went out of the west side of the city

I saw a grasshopper and a cricket bragging

A grasshopper said to me, "I am not going out to the west side of the city, but I want to go out to the west side.

The grasshopper said, "In the south mountain, I ate a spotted tiger with one mouthful"

The cricket said, "In the north mountain, I ate two live donkeys with two mouthfuls"

Previously, the sky was cloudy before it rained

Bricks were lifted before the wall was built

The mouth was opened before the food was eaten

The cup was served before the drink was consumed

You don't believe me when I tell you

You'd be surprised if you could walk with your buttocks facing away from the road

If you do.

He hates all the corrupt officials and the corruptors

Shaking the stripes:

There is a big sister who looks good

Standing in the doorway, she looks around

There are two guys coming, and they are talking and laughing

Hey, this guy looks like a plantain

This guy is a good guy, and he is a good guy! This one said, "Her features are so handsome."

That one said, "Her figure is so slim."

This one said, "It's a pity her feet are so big."

That one said, "It doesn't matter if her feet are big, she can sit firmly."

Fa Fa: There's a boy who loves to lie.

People give him a nickname.

Originally, he was 32 years old

He had to make it look like 28

He talked to three people before and after

There were three of them

The first one was afraid of his bragging

The second one was afraid of his greasy skin

The third one didn't talk to him for a long time

This one girl fell in love with him a little bit.

But he sold black tickets at the movie theater

and cheated an old lady

who happened to be the girl's mother

Man Tatsu: I have nothing to do but go out to the west gate

There is a new grave outside the west gate

There is a coffin in the new grave

There is a dead man in the coffin

Oil ball: Liu Laoliu, 66 years old

Sitting at the door and chewing on a bone Sitting in front of the door gnawing on a bone

There is a dog from the south

This dog looks familiar

It looks like the body of Big Auntie's Big Auntie's body, Big Auntie's ears, Big Auntie's ears, Big Auntie's eyes, Big Auntie's head, Big Auntie's head. She was happy all day long

Cheerful, she had a warm heart

Funny and talkative

Loves to work, she wasn't lazy

Eats a lot of veggies, like tofu and bean sprouts, green vegetables and carrots, and jellies

Walks like a good boy

Her back isn't slumped over

She looks like she'll live to be more than 200

That's not saying much, but it's a lot.

Jiangyang: I have nothing to do but go to Nanxiang

There is a girl in Nanxiang

Married in the first month of the lunar calendar

And in March, she brought up a child

Wailai: There is a sister-in-law whose family name is Bai

She stood by the river and cried out

"My child fell into the water!

Which comrade will help me to fish out my child"

There came a boy with a stick

Busy to ask the sister-in-law to understand

"Hey sister-in-law, what's the matter that's so tense"

"Oops, my child is in the river"

"My child is in the river, I'm not sure if it's my child. "Oh my child fell into the water"

"Calling sister-in-law, you do not worry

I'll fish you out"

Heh! The boy's movements were really fast

He plunged into the water

He touched the left side and searched the right side

and found a broken shoe

"Hey sister-in-law, your child may be in danger

I found a broken shoe"

The boy said, "Yes, I know. The sister-in-law said, "Yes, yes, yes, this is the shoe I dropped."

The boy said, "Hey, no, didn't you drop your child in the water?"

"Yeah, I'm from Sichuan

We call shoes "kids" in that part of the world

Oh!

Small talk: Bamboo beat, point to point

I'll sing you a little clapper song

Small talk: Feng Da Niang, out of town

Visiting relatives in the Northeast

Third Session: Appreciation of Famous Authors and Stories

l The Three Times I Beat Up the White Bone Monk by Li Runjie

We're talking about the Tang Monk who traveled to the West to fetch scriptures

He traveled a long way in a mountainous area, but he had to travel a long way in a mountainous area, so that the Tang monk could get the scriptures.

The Longevity Monk rode a white dragon horse

The Pig, the Eight Preceptors, and the Sand Monk followed him closely

The three of them went ahead

they were missing the Great Sage, the Monkey King, who was causing havoc in the Palace of Heaven

It was getting late in the day

and they were feeling the wind from the mountains was cold and clear

They were about to find a place to stay for the night

they were looking for a place to stay. They were about to find a place to stay for the night

When they heard the sound of bells in the distance

They followed the sound of the bells and walked towards the front

They saw a temple covered with red bricks and green tiles. -Tianfo Temple

They walked into the main hall

Seeing the statue of Rudraksha sitting on the lotus platform

Eighteen luohans smiling with kind eyes

They kneeled down

and prayed in secret: "May the Buddha bless my disciple!

They were praying here

They heard the Buddha answering

Talking about the skills of singing quick-playing boards

Wang Fengshan Oral Zheng Wenkun Collation

The predecessor of the quick-playing boards is the counting boards, which were reformed and improved through a long period of practice by quick-playing board actors, who learned the strengths of other forms of art. After a long period of artistic practice by the performers of the quick board, they borrowed the strengths of other forms of art and continuously reformed and developed it into a form of musical art. Some of the veteran performers in the long-term singing process, but also formed a different style of genre. For example, comrades such as Li Runjie and Gao Fengshan have their own distinctive singing styles and have many merits to learn from.

Here, I sing a little bit of experience, roughly introduced. First of all, I started from how I reformed the counting of the treasure into a fast-paced board.

One, from "top board singing" to "half-talking, half-singing"

I started to sing counting to the treasure from the age of eight and begged along the street. At that time, the counting of the rattlesnake was done with both hands on the board, with both the big and small boards sounding at the same time. Two words in one beat, sung with the board up and down. For example:

Bamboo boards beat into the street, a street and two lanes of good trade,

There are also buyers and sellers, and there are also fronts and signboards.

This kind of singing is called "singing from the top of the board," and it's hard to sing and monotonous to listen to.

When I followed my master in Beijing Tianqiao, I often listened to Guan Shungui and Guan Shunpeng, two old artists who sang bamboo slate, and said long stories. These two old gentlemen in the singing of bamboo slate, without a big board, hand across the end of the section (small board), upside down the section, flashing the board to sing. The rhythm is a board with three eyes, also known as "black and red board". The "black" is the eye and the "red" is the board. This style is compact, coherent and playful. After they patiently instructed me, I tried to remove the big board, detached from the counting of treasures "three three seven" rhythm, upside down the section with the black and red board singing counting of treasures, and learned the "Guan Gong single sword to the meeting", "betting on the treasure" and other programs. After the performance, it was praised by some internal and external experts. At that time, this singing method was called "civilized counting treasure". After the liberation, under the leadership of the Party and the help of the masses, it has absorbed the nutrition of sister arts such as Peking Opera, Drama, Shandong Quick Book, Henan Liuzi, etc., strengthened the performance, enriched the rhythm, and reformed into today's fast board.

Some opera singers say that the way I sing quick-plate is "half-talking, half-singing". Right, this is the basis of my counting on the treasure, absorbing the bamboo board book of the black and red board singing method to constantly find out. There are five kinds of accompaniment to the stanzas of this kind of singing: upside down, linking, strolling, summarizing, and pinching. There are also five kinds of singing style: flash, rush, stomp, cut, throw. These five kinds of points and five kinds of plate style is the main body of the formation of "half-talking and half-singing" singing skills. In addition, to master the "half-talking half-singing" method, but also to talk about the difference between the horizontal board and the vertical board.

Second, horizontal and vertical board

Horizontal and vertical board refers to the singing of the fast board, the section of the two different ways to take, take a different way to play different, resulting in a difference in the basic rhythm.

Horizontal board: the index finger is inserted in the middle of the fourth and fifth fan of the section, the palm of the hand is facing upward, the back of the hand is rushing downward, the head of the section is facing left, the tail is facing right (referring to the small board held in the left hand), the thumb is resting on the head of the section, and the horizontal end is in the hand.

The method of holding the standing board: the index finger is inserted into the fourth and fifth fan of the section, the palm of the hand is to the right, the back of the hand is to the left, the head of the section is facing upward, the tail is facing downward, the thumb is resting on the underside of the knot of the spike of the small board, and the section is standing upright in the hand. This is the basic point of accompaniment produced by the horizontal board holding method, called the "upside down point". The beat is

×××× | ××××| one word, one beat, one board. If you sing fast with this kind of rhythm, you have to treat the rhythm as ○× ×× | ×× ××

Let the head plate, flash the plate to sing, so that the rhythm can be constantly and not chaotic strings into a line.

Standing board playing method: use the wrist to move the ring finger, push the section of the fifth fan to the right to hit the fourth fan, the thumb and quickly block it back. The sound rhythm is "tic-tac-toe", called "shaking point". This point is the basic point of the accompaniment of the standing board singing, "Tik" is the board, "da" is the eye, two words a beat, a board. Such as: ××××

| × × | ××××| × × × | , this is the "wobbly point" accompaniment to produce the rhythm.

After comparison, it can be seen that: the horizontal board take the law decided to flash the board to sing the main characteristics; the vertical board take the law decided to sing the main characteristics of the top. These are two different rhythmic laws.

Three, five kinds of dots and the role of playing

Jiezi is a fast-board actor's beat instrument, master it, you can play to save gas, help gas, refreshing and other effects.

①

The point of the upside down: it is the basic point of the accompaniment of the horizontal board singing (the method of holding and playing can be referred to in the second section). The "upside down" accompaniment is one word, one sound, typing without hitting the sentence, emphasizing the heavy beat, heavy word sound, highlighting the key sentence, not restless, not noisy, not chaotic, not stirring. The accompaniment is a "subversive" accompaniment, which emphasizes heavy beats and heavy phrases, highlighting key phrases, without agitation or disturbance.

②

Linking points: the same as the upside down point. Playing method is the ring finger upward flick the fifth small plate, the thumb close action, to the middle of the plate quickly moved to play: "da a tic" sound rhythm, is the joint point. This kind of point eye up board down, also known as the "anti-double point". Can play the role of articulation, fill in the blanks, joint words and phrases, joint rhythm, joint feelings.

3

Strolling point: hold the section of the small arm raised, thumb and ring finger open and bent, the small arm muscles tightened, with the wrist force strolling section "da da da da da da da da da", is to stroll point. Rhythm is to be round and full, generally used for "fast playing and slow singing" to set the mood.

④

Summary point: in the stroll point to take the basis of the law, with the tenacity of the wrist from top to bottom, the thumb and ring finger contracted violently, playing "dudu dudu dudu dudu da" of the long dulu to, that is, a summary of the point. Generally used for fast to slow, clear paragraphs, exchange of feelings, the actor to change air.

⑤

The pinch point: closely related to the pinch point, often pinch the board after the pinch point, is the pinch point. Pinch point and the theater stage static field means the same thing, the section does not sound, the actor with the heart plate to control the rhythm of the ups and downs. It is used to highlight the main plot, feelings, and lyrics. With the quiet show movement, to light show loud, to the audience to leave a more focused and deep impression.

These five points of use of the heart, but also must be linked to a good heart plate. What do you mean by "heart plate"? It is the actor's inner rhythm. Heart board strong, can make the rhythm of "fast but not chaotic, slow but constant, slow but not scattered", to help the actor to grasp the good suppression, Yang, staccato, frustration, ups and downs of continuous.

Four, five kinds of board singing

① flashboard: also called "black and red board" sentence compact, ups and downs jumping, rap and singing, word clever sentence playful. For example, the first four lines of "The Map of Hundred Mountains" are sung:

○The mountains are connected to the mountains and the mountains surround the mountains,

○The mountains and the mountains continue to be connected to each other and the mountains are set on the mountains.

○A red sun rises in the east,

○Watching the sunrise, you run to Dongyue to climb Mount Tai.

The above four lines are sung in five places with a flashing plate, so it is not clumsy and not awkward, and there is a saying in the singing, which is playful and beautiful, and combines the real and the imaginary.

②

Catch the board: four or five sentences of more focused singing, a breath of fresh air. The word head bites the end of the word, resounding, as pearls falling from a jade plate, warm, fiery, unrestrained. Single only flash board to sing to sing a good catch board. For example, the "Hundred Mountains" in the two singing:

(1): ○ from Taipei, to Tainan,

○ Alishan, Taiping Mountain, Caoshan,

Jade Mountain, Baxian Mountain,

Metal minerals ○ in the mountains of the county of Andong,

Daxueshan,

DanDaShan,
LuanDaShan,

Main YueNanShan,
DaWuShan.

(2): ○Yellow Flower Mountain, Green Grass Mountain,

○Baekhe Mountain, Green Stone Mountain,

○Phoenix Mountain, Phoenix Mountain, Fenghuang Mountain, ○Ki

Lin Mountain, Jinmashan, ○Baibaoshan,

Yuanboshan.

③ Stomping board: a word a board top singing, words stacked on top of each other, sentence after sentence, upstairs, floor after floor, layer after layer to see the high, spicy and hot. For example, two examples of the "Hundred Mountains":

(1): the mountains are more than enough for a while, green mountains, green mountains, red mountains,

yellow mountains, gold mountains, silver mountains, copper mountains, iron mountains, strange peaks

junling mountain ranges, mountains stacked with a good piece of beautiful rivers and mountains. Instead of slowing down, it uses the "pinch point" and "pinch point" to cut off the words and rhythm. However, the emotion is not broken and the spirit is threaded through. The following is an example of the "Hundred Mountains":

Strange shapes and shapes of the elephant-nosed mountains,

If you are talking about production, you have to talk about Taiwan (cut the board),

Camphor Sucrose Metallic Ore ......

Here, the cut board I am treated as a natural paragraph to deal with. Singing here is two-thirds of the entire work, and in order to sing the bottom well, the speed has to be faster and save up your energy to sing the bottom well. The main purpose is to sing more prominently our rich and beautiful island - Taiwan.

5

Throwing the plate: a representative plate of the "half-talking, half-singing" singing method. The few words that can be sung on the board are consciously thrown off the board in a vernacular way, as if the board had fallen off, and then it can be dragged back and landed on the board. There are angles, strength, strange in the flat, novel and unique, bearing the top and the bottom. For example:

(1): In Yunnan Province, you can't get enough of green mountains and green water

-"The Hundred Mountains"

(2): Let's say a stone is insignificant,

and when piled up, it's a high mountain.

--"Revolutionary Youth"

The "Yunnan Province" and "Let's say" are just two places to throw the boards.

Fifth, talk about the mouth of the air

The mouth of the air and the rhythm, spitting words are closely linked to each other, mutual constraints, interaction. According to the general rule, if the rhythm is not allowed, the mouth of the air is not even, the word is not true. Of course, if you want to spit out words, you need to practice "spouting". But if you don't have enough air, the words won't go far, you will be tired, and the audience won't be able to hear you. The skillful and appropriate handling of the spout is one of the most important skills in singing quick-pan. I'm sixty-four years old this year, the more I sing on stage, the more energetic I am, the more I don't gush out of gas, the more I don't change color, and the more the audience listens to me with ease and pleasure. The reason is that in addition to the use of "half-talking, half-singing" method, but also the appropriate use of the "save gas", "shaking the gas", "stealing gas

Saving gas: is a fixed gas mouth, in the singing of catching the board stomping board before the fixed inhalation of a breath, is to save gas, to do a deep inhalation and slow exhalation.

Shaking gas: is the use of performance to change gas. When performing on stage, the actor has saliva in his mouth or phlegm in his throat, what to do in this particular case? Can be in the paragraph transition, character dialog, etc., false hand or false step, false move to distract the audience's attention, seize this time to hurry to change the gas, called shaking gas.

Stealing gas: Stealing gas should be stolen to see, stolen evenly. Do not affect the words, do not destroy the sentence. For example, in the fourth section of the "mountain ○ ki, mountain ○ eight" two beats, that is, between the sentence and the empty sixteenth note, extremely short breath half a breath, which is stealing air.

The above introduction is only some basic skills. In singing, first of all, but also to understand the theme of the work, deepen the understanding of the characters and events, to experience the thoughts and feelings of the characters, and then do the arrangement of skills, processing.

This form of art is easy to perform, with simple props and a strong sense of encouragement, and is popular with the general public. I hope it grows strong under the sun and rain of the Party, more colorful and fragrant.

Originally published in the "Tianjin Singing" magazine, issue 4, 1979, the netizen smiley little typing organization.