1. Poems about elegant environment
Poems about elegant environment 1. Poems describing elegant environment and comparing with fairyland on earth
Looking at the tide of the sea, Song Liuyong wins in the southeast, the capital of Sanwu, and Qiantang is prosperous since ancient times.
bridges painted with willows, wind curtains and green curtains, with a staggering 111,111 families. Clouds and trees surround the embankment and sand.
the raging waves roll frost and snow, and the natural barrier is endless. The city is full of pearls, households are full of Luo Qi, and they compete for luxury.
heavy lakes and mountains offer (sound y m n) qingjia. There are Sanqiu cassia seeds and ten-mile lotus flowers.
the Qiang tube is clear, the ling song is all over the night, and the lotus flower is caught in hee hee. Thousands ride with high teeth, listen to the flute and drum while drunk, and enjoy the haze.
the future map will be good, and I will go back to Fengchi to boast. Note: Shape wins: superior geographical conditions; Three Wu: Xing Wu, Wudu and Lingji are the three Wu in Shui Jing Zhu.
metropolis: metropolis; Wind curtain: a curtain made to keep out the wind. Uneven: refers to the uneven height of houses and pavilions.
cloud tree: trees look like clouds from a distance and talk a lot. Natural barrier: here refers to Qiantang River.
Zhu Ji: a treasure. Ying: full of words.
Chonghu: This refers to the West Lake. Yan mountain peak.
qingjia: comely and beautiful. Jia, generally "Jia".
Sanqiu: September of the lunar calendar. Qiang tube: flute.
this refers to musical instruments in general. Overnight: refers to flying at night.
frolicking: a cheerful look. Lianwa: The girl picking lotus.
Thousand Rides: It describes that the governor's palace in a state has many followers when traveling. Gaoya: In ancient times, the flag pole was made of ivory.
decoration: this refers to the ceremonial flag held high in the grand palace. Haze: beautiful scenery.
someday: another day. Figure: Description.
fengchi: originally refers to the pond in the forbidden garden of the emperor, and this refers to Zhongshu province, which means the imperial court. Wang Haichao is also a famous piece widely read in Liu Yong's ci.
Qiantang (now Hangzhou, Zhejiang Province) has been a famous big city in history since the Tang Dynasty, and further developed in the Song Dynasty. Liu Yong lived in Hangzhou for a period of time and had personal experience and deep feelings for the scenic spots, customs and customs of Hangzhou. Therefore, in this poem, he can describe Hangzhou richly and extraordinary with vivid pen and ink.
The beautiful scenery of the West Lake, the spectacular scenery of Qian Jiangchao, the prosperity of Hangzhou downtown, the enjoyment of local upper-class people and the working life of lower-class people are all written by the poet, drawing a beautiful, magnificent and lively picture. The value of this picture is not only that it depicts the beautiful mountains and rivers in Hangzhou, but more importantly, it shows the local customs at that time.
According to Luo Dajing's "He Lin Yu Lu", this word is a work presented by Liu Yong to his old friend Sun He. At that time, Sun He was appointed as the transshipment ambassador of Zhejiang and Zhejiang, and was stationed in Hangzhou.
The phrase "a thousand riders have high teeth" may refer to Sun He. Because it was presented to the governor of Hangzhou, it was inevitable to exaggerate the description of Hangzhou at that time, and it was inevitable to end with compliments and entertainment.
However, more importantly, through the superficial phenomenon of "competing for luxury", readers can also see the abundance of "the city is full of pearls and the households are full of Luo Qi", the lightness and joy of "the Qiang tube clears up, the Lingge sings all night" and the elegance of "listening to the flute and drum while drinking, and enjoying the misty clouds". All this can only be produced on the basis of the great material wealth created by the long-term hard work of the ancient working people.
"paying tribute to mountains and lakes" and "painting bridges with willows" are not born naturally, but the result of working people managing rivers and mountains and transforming nature. "Clouds and trees around the embankment and sand" and "laurels in three autumn and lotus flowers in ten miles" are all created by the hard hands of the working people.
at that time, Liu Yong praised it and was proud of it. Today, we should not be too demanding in reading such ci, and even accuse him of "covering up the class contradiction and the disparity between the rich and the poor at that time". Instead, we should feel the magnificence of the motherland and the diligence and wisdom of the ancient people from the pictures provided in the ci, so as to enhance our national self-confidence and national pride.
There is a long-standing eulogy that "there is heaven above and Suzhou and Hangzhou below", which is not a compliment. This word is also quite successful in art.
The author grasps the characteristic things, uses a passionate and exaggerated style, and with a few words, the fascinating scenery of West Lake and Qiantang is presented to the readers. The first film mainly outlines the "shape victory" and "prosperity" of Qiantang, with a large amount of thick ink, a strategically located building and a myriad of weather.
The writing is from generalization to concreteness, which is developed step by step and deepened step by step. For example, in the opening three paragraphs, "shape wins", "metropolis" and "fanhua" are given, but after all, they are general and straightforward, and it is difficult to leave a deep impression on people.
The following nine sentences are closely focused on these six words, and the realm is immediately expanded: "Painting Bridge with Willow" is written as "Metropolis", "Clouds and trees surround the embankment, and the raging waves roll frost and snow" focuses on depicting "shape wins", while "The city is unique and the households are full of Luo Qi" highlights the wealth of Hangzhou. The writing focuses on the word "good scenery", especially on the people who appear in "good scenery".
The three sentences of "attaching importance to the lake" describe the beautiful scenery of the West Lake, among which "Sanqiu Guizi, Shili Lotus" is a natural and beautiful sentence. The three sentences of "Qiang Guan Qing" are written by the lower class people, and the three sentences of "A thousand riders have high teeth" are written by state and county chiefs.
at the end, the bundle is closed in a compliment tone. In addition to full feelings and moderate exaggeration, the language, rhythm and tone of words are also properly combined with the content of words.
Wang Hai Chao was also initiated by Liu Yong, and the epigraph was closely combined with the content and regional characteristics of the words. In the last film, I described the spectacular scenery of Qian Jiangchao, and used such strong and imposing words as "raging waves", "frost and snow" and "natural moat". The words were short and short, and the tone was urgent, as if the spring tide were rushing in, which was thunderous and unstoppable.
When writing about the beautiful scenery of the West Lake, the words are beautiful, the words are longer, and the rhythm is gentle and slow. Finally, a beautiful sentence like "Three Autumn Guizi" has appeared, and then it has been constantly touched with words such as "Strong management and clearing up", which makes the beautiful West Lake even more refreshing. This is a word with strong artistic appeal.
It is said that after listening to the song "Sanqiu Guizi, Shili Lotus", Jin Zhu Yan Liang envied the prosperity of Qiantang, which further strengthened his ambition to embezzle the Southern Song Dynasty. To this end, Xie Yi (Chu Hou), a Song Dynasty poet, also wrote a poem: "Don't forget the melody of Hangzhou, and the lotus flowers are ten miles in Sanqiu.
I don't know that the heartless things in the vegetation affect the sorrow of the Yangtze River and Wan Li. " (See Luo Dajing's "He Lin Yu Lu") It is not credible to say that Jin Zhuliang sprouted the heart of invading the south because of the influence of a word.
However, the emergence of this legend can prove that the artistic appeal of this word is very strong. As a senior bureaucrat, Fan Zhen also highly praised the word Liu Yong: "Benevolence.
2. An ancient poem describing the elegant environment
A story of Song Lian
There is a couplet in Songshan Temple in Macau:
The wind is blowing, the mind is swinging, and the mirror is shining and the lotus peak is shining;
the rain is coming, so stay still and listen to the fishing songs in Qingzhou and the bells ringing in the pavilion.
Located in Macau, Songshan Temple has beautiful mountains, continuous pines and cypresses, and elegant environment. The author of this couplet uses the artistic technique of setting off each other and combining dynamic and static, and vividly depicts the scenery around Songshan Temple, like a magnificent picture, through the vivid description of Songfeng Shan Yu, Jinghailian Peak and Qingzhou Yange Pavilion.
Because of their similar characters, people often use pine and bamboo together in couplet, such as:
pine leaves, bamboo leaves and green leaves;
autumn sounds, geese sound and cold sounds.
the bamboo rhyme is clear and clear;
the wind and the moon are silent.
Fang Zhimin once wrote a couplet on his own topic in the bedroom, expressing his feelings through the pine trees and bamboos:
Three loves in his heart: wonderful books and beautiful mountains and rivers;
Four things are planted in the garden: pine, bamboo, white plum and orchid.
In addition, there is a story of Song Lian: Legend has it that one day, Su Shi and Huang Tingjian were playing chess under a pine tree, and suddenly some pine nuts fell on the chessboard. Su Shi read:
Panasonic Go, pine nuts fell with each piece;
Huang tingjian didn't think it was right for a moment. Suddenly he saw a fisherman fishing under a tree by the lake, and immediately said,
Fishing by willows, which often hang with fishing line.
3. Poems describing the quiet environment are
1. Poems:
Wang Wei-Luchai: there seems to be no one on the empty mountain, and yet I think I hear a voice. The shadow of the setting sun came into deep forest, and the landscape was pleasant on the moss.
Wang Wei-Bamboo House: leaning alone in the close bamboos, I am playing my lute and humming a song. Too softly for anyone to hear, except my comrade, the bright moon.
Wang Wei-Bird-singing Stream: When people are idle, sweet-scented osmanthus falls, and the night is quiet and the mountains are empty. When the moon comes out, it surprises the mountain birds, and when it sounds in the spring stream.
Li Bai-"Sitting alone in Jingting Mountain": Birds fly high, and lonely clouds go to leisure alone. You look at me, I look at you, between each other two, only me and the eyes of jingting mountain mountain.
du fu-Delighting in Rain on a Spring Night: sneaking into the night with the wind, moistening things silently.
Wei Yingwu-"at chuzhou on the western stream": Alone pity the secluded grass, and there are orioles singing in the trees. The spring tide brings rain late and comes in a hurry, and there is no boat on the wild crossing.
Chang Jian-a buddhist retreat behind broken-mountain temple: Entering the Mountain Temple in the morning, where early sunlight points the tree-tops. A secluded place with bamboo trails, of boughs and flowers, to a Buddhist retreat. Here birds are alive with mountain-light, and the mind of man touches peace in a pool. And a thousand sounds are quieted, but the bell chimed.
Liu Zongyuan-Jiang Xue: a hundred mountains and no bird, a thousand paths without a footprint. A boat on the river, a fisherman in his bagworm moths; Fishing alone, not afraid of snow and ice attack.
2. Introduction:
1. Chai Lu
This is the fourth of the twenty poems in Wang Wei's later masterpiece of landscape poetry-The Five-line Poem Wangchuan Collection. Luchai (Village) is the place name of Wangchuan. The poem depicts the quiet scenery of the empty mountains and deep forests near Luchai in the evening.
2. "Bird's Sound Stream" is the first poem of "Five Miscellaneous Poems of Huangfuyue Yunxi" written by the poet Wang Wei in the Tang Dynasty. This poem depicts the quiet and beautiful scenery in the spring night in the mountains, focusing on the quiet and beautiful beauty of the spring mountain at night. The whole poem closely follows the word "static", which is very similar to a landscape sketch. The poet used moving scenery such as falling flowers, moonrise and birdsong to highlight the quietness of the spring mountain on a moonlit night, and achieved the artistic effect of setting the quietness against the movement, vividly sketching a poetic picture of a bat "Tonamiyama is more secluded". The whole poem is aimed at writing quietness, but it is dealt with by moving scenery. This kind of contrast is very obvious to the poet's Zen mind and interest.
3. Delighting in Rain on a Spring Night is one of the famous poems in Tang Dynasty, which was written by Du Fu when he lived in Chengdu Caotang in 761. This poem uses personification to describe the characteristics of spring rain and the scene of rainy night in Chengdu with great joy, and enthusiastically eulogizes the timely and nourishing spring rain. The description of the spring rain in the poem is subtle, delicate and vivid, drawing sound and shape. The whole poem is elegant in artistic conception, quiet in meaning, and integrated with the painting. It is a poem about rain with vivid and unique charm.
4. Poems that describe quietness and elegance
Poems that describe quietness and elegance: 1. At the bottom of the account, blowing sheng smells musk deer, and there is no dust following the horse.
—— Su Shi's "Butterfly Loves Flowers, Mizhou Shangyuan" 2. The spring water of Noda is beautiful in the mirror, and the figure is not surprised to cross the gull. —— Wang Zao's "Spring is a little sunny in the spring" 3. The willow bridge is painted with wind curtains and green curtains, which are staggered by 111,111 people.
-Liu Yong's "Looking at the Tide of the Sea, Winning in the Southeast" 4. when, I being drunk and my friend more than happy and Tao Ran forgot the machine. -Li Bai's "down Zhongnan Mountain to the Kind Pillow and Bowl of Husi" 5. The wind and waves in the sky don't remember Su.
on the snowy and sunny river, there are thousands of chariots. -Su Shi's "Huanxisha Wanqing Fengtao Don't Remember Su" 6. Children and grandchildren have not been solved for farming and weaving, and they have also learned to grow melons in Sangyin.
—— Fan Chengda's "summer village Miscellaneous Seven" 7. The fields are full of rice and leaves, and the sun shines through the trees and the smoke is low. -Xu Wei's "New Cool" 8. The eaves are long and clean without moss, and the flowers and trees are planted by hand.
—— Wang Anshi's "Mr. Yin's Wall of the Book Lake" 9. The fire tree and silver flowers are combined, and the star bridge is locked. -Su Weidao's "The fifteenth night of the first month" 11, the sound of the phoenix flute, the light of the jade pot, and the fish and dragons dance all night.
—— Xin Qiji's "Jade Case Yuan Xi" 11. Children come back early from school and are busy flying paper kites in the east wind. -Gao Ding's "Village Residence" 12. Looking at Noda from the front door alone, the buckwheat flowers in the moon are like snow.
-Bai Juyi's "Village Night" 13. In the fragrance of rice flowers, it is said that there is a good year. Listen to the frogs.
-Xin Qiji's "Xijiang Moon Walking Night in the Yellow Sand Road" 14. The rice root family is like a block, and the field water is one foot wide this year. -Fan Chengda's "summer village Miscellaneous" 15, the sound of firecrackers is one year old, and the spring breeze sends warmth into Tu Su.
—— January Day by Wang Anshi.