Bottom line: beauty and bright moon are affectionate.

2. Part I: Your guests know that there is a great demand for this product.

The second part: Spring breeze poetry is true.

3. Part I: Clothes that fit well look good.

Bottom line: clothes are the best.

4. The first part: praise the needle with a good hand.

The bottom line is: cut the spring carefully.

5. Part I: Cold clothes iron the spring breeze.

Bottom line: Colored lines increase the length of the day.

6. Part I: Your guests know that there is a great demand for this product.

Part II: New clothes made by famous teachers.

7. Part I: Fat, thin, short and long.

Bottom line: Try your best to be meticulous.

Extended data:

The story of Spring Festival couplets

As a unique literary form, Spring Festival couplets have a long history in China. From the Five Dynasties and Ten Kingdoms, the Ming and Qing Dynasties were particularly prosperous, and it has been 1000 years since its development. According to legend, in ancient times, there were two brave brothers and sisters, one named Shen Tu and the other named Lei Yu, who lived in Dushuo Mountain in the East China Sea. They often stand under a big peach tree and repel many scary wild ghosts.

Legend has it that Emperor Taizong was often awakened by nightmares when he slept, so he ordered two generals, Qin and Weichi Gong, to stay outside his bedroom, so Qin and Weichi Gong became door gods.

About 1 100 years ago, Meng Chang, the monarch of the five dynasties after Shu, had a whim and thought it was too monotonous, so he wrote two lines and posted them in front of his house. During the Chinese New Year, the festival number was Changchun, and everyone applauded and received rave reviews, becoming the earliest Spring Festival couplets in China. Couplets gradually replaced Fu Tao and became the Spring Festival couplets used today.