The interior design of the Republic of China shows the interior design style of the Republic of China, which is mainly manifested in the comprehensive design of materials, modeling, color, space, decoration and other elements. Among the historical limitations, the interior style of the Republic of China roughly reflects the aesthetic psychological needs of young people who pursued simplicity, harmony and openness at that time.
1. Spatial organization in interior design in the Republic of China. The interior design of the Republic of China pays attention to the use of group indoor space and the geographical environment of each space in the form of spatial organization. People-oriented? Humanized functional application, maximizing the use of each space's own functional application. In terms of spatial organization, the style of the Republic of China pays more attention to people's habits, rather than focusing entirely on functional layout.
2. Modeling in interior design in the Republic of China. Designers in the Republic of China opposed the tradition in the modeling design of furniture, decorations and other indoor items. Influenced by the western architectural school, designers advocate the interior design of pure geometric modeling without any decoration on the surface. Regardless of plane modeling or three-dimensional modeling, neat geometric modeling gives people the enjoyment of functional mechanical beauty. In 1933 "Art Style", the second issue of "Living Room Design and Housewives' Room Interior Design Works" created by Mr. Lei Guiyuan, geometric interior modeling styles are everywhere. It can be seen that the western minimalist style influenced the interior design of the Republic of China at that time.
3. Colors in the interior design of the Republic of China In the interior color of the Republic of China, a large number of solid colors were used, and the overall pursuit of simple geometric effects of colors, color design focused on harmony and tended to be unified. The color of geometric effect gives people a sense of simplicity and atmosphere. Although the designers of the Republic of China learned that different colors will bring different psychological hints, such as warm colors bring positive and exciting psychological feelings, and cool colors bring negative and depressing feelings. However, in terms of indoor colors, we still believe that all the colors in the space should be coordinated and unified, and we should oppose exaggeration to meet the aesthetic needs of contemporary people.
The reference of interior design style in the Republic of China to contemporary design: Designers in the Republic of China controlled the combination of traditional elements in China and new western design elements, and used new materials and technologies to some extent. Mix and match? Style, that's what I think? Old Chinese style? Style. Through the understanding of the interior design style of the Republic of China, we can get the contemporary? New Chinese style? Style or? New mashup? Some reference and enlightenment of style. The so-called China and the West during the Republic of China? Mix and match? Style is not a simple mashup of two design elements, which should be satisfied first? People-oriented? Our design concept should meet the needs of consumers and pay attention to the functionality of design and the comfort of life.
The design style in the Republic of China is the combination of tradition and modernity, east and west, art and technology, which is similar to the modernization and futurization of contemporary design style development, but with different elements, but the direction is the same. Due to the gradual evolution of consumers' requirements for indoor space environment, the combination of elements will integrate different design elements such as time, geography, materials and forms into an indoor space, but it is still necessary to maintain the harmony and balance of design basis, rather than the forced integration of different elements and styles. It should meet a basic design tone, meet the functional needs and aesthetic requirements of consumers, take a fixed design style or concept as the leading factor, and combine with other design elements to present a diversified unity and comparative balance.
The combination of elements in contemporary interior design should focus on maximizing the cultural connotation and symbolic significance of various elements, and show the new elements produced by the combination of various cultural elements in their own design concepts, just as designers in the Republic of China combined different elements from China and the West to produce the style of the Republic of China.
The Enlightenment of Interior Design Style in the Republic of China to Contemporary Design In contemporary mainstream design, the new Chinese style produced by the combination of Chinese and Western has become the mainstream aesthetic generally accepted by the public. It can be seen that a single design style can no longer satisfy the contemporary aesthetic of interior design, and with the gradual development of interior design, the new Chinese style will also become a single design style, because with the passage of time and the development of society, people will be subjected to more and more cultural shocks and influences, such as the cultures of different classes, nationalities and countries. In the design, these new elements are combined with the old elements in the past and presented to the current mainstream cultural environment and consumers with a new attitude, thus giving the public a buffer to accept new culture and art and becoming a bridge for social and artistic development. Another inspiration of the style of the Republic of China is that the design is inclusive and the design ideas are equal and open.
The shapes, colors, spatial organization, materials, technologies and so on in interior design all represent their respective cultural connotations. The style of the Republic of China took the lead in breaking the conventional aesthetic concept and design criteria, boldly integrating Chinese and western elements, and finding a balance between functionality and artistry in seemingly incredible collocation. In the contemporary design concept, this bold combination of elements is needed to reflect the freedom and individuality in artistic pursuit. Under the background of modern culture in the pluralistic era, the combination of elements promotes the renewal and development of interior design style.
Analyzing the style, design technique and design concept of interior design in the Republic of China, and finding out the essence and connotation of the first batch of new design styles combining western elements with eastern elements can help us to further clarify that this mix and match style of elements is the development direction of contemporary interior design in the Republic of China. Inherit and develop this? New Chinese style? In the interior style, we should not only consider the cultural background and historical details contained in various elements, but also grasp the unity of artistry and functionality, and explore the essence of design with diversified and multi-element design ideas.