Graduation thesis of art interior design 1 on graffiti art in interior design
Abstract of graduation thesis of art interior design
This paper aims to study the application of graffiti art in interior design and analyze its future development. Through theoretical research and field investigation, this paper analyzes the concrete application of graffiti art in modern decoration design, and points out the feeling of graffiti art to indoor space and the way of graffiti art.
Content of graduation thesis of art interior design
Key words: graffiti art, way, interior design, vision, emotion.
Plattner, an architect, believes that "interior design is much more difficult than designing a building containing these contents. At this time, because in interior design, you must deal with people more, study people's psychological factors and how to make them feel comfortable and excited. " Graffiti art provides us with new possibilities and innovations in the humanization and personalization of interior design.
First, the way of graffiti in interior design
"Graffiti" is undergoing unique changes while people's living standards are improving, from fairy tales to street art to unique artistic styles.
(A), a short graffiti art.
Graffiti, allusions from "Yuchuan subset? Lu Tong has a son who likes to scribble and often makes Lu Tong's books dirty and messy. Somehow, Lu Tong wrote a poem: "Suddenly, the case was overturned and inked, like a crow painting a poem. "Therefore, the word graffiti has been derived and has been passed down to this day. However, I came into contact with the word graffiti when I was a freshman. In the first class, when we were designing colors, the teacher brought his four-year-old daughter's graffiti works. He also said that while your color is constantly improving, you have lost your understanding of the most essential color. Color is not the product of thinking, but your original feeling about things. This is graffiti, which is the beginning of graffiti art research.
The characteristics of short-lived graffiti art mainly include: color personalization, inner cry and environmental catharsis, forming a unique personalization; The content is diversified, everyone's heart is different, and the graffiti works inadvertently created are different; The vague and short-lived graffiti art is a personal unconscious creative process. It doesn't have enough purpose and arbitrary expression, which is a manifestation of the short life of graffiti art.
Short-lived graffiti art creation is gradually sought after by young people, and many personalized creations are less and less used in indoor space. For example, "modern young couples often scribble on the wall to create different pictures when decorating indoor space." This may not be a work of art, but it will become a decorative pattern.
(B), life-long graffiti art
There is such an advertisement in the17th Golden Calf Award. The content mainly tells the story of a blind old man who lived on a wall at home for more than ten years. When he comes and goes, when he draws the first stroke on this white wall, she may not think it is a work of art, but in the eyes of her descendants, it is not only a work of art, but also a beautiful memory. However, after the old man died, the empty room left only time and a straight line on the wall. In this graffiti work, what we see is the feeling of human nature and the love between people, not just a painting. As an old man, he inadvertently creates amazing pictures, but at the expense of her life. Can't this be called an art form?
Lifelong graffiti art refers to the graffiti process of creating paintings consciously or unconsciously for a long time. It not only stores people's short-term feelings, but also keeps a memory forever.
The characteristics of life-long graffiti art mainly include: complex colors, long-term graffiti, forming a variety of colors and inspiration; The content is emotional, and this graffiti art is left to myself as people's emotional sustenance for the house; The purpose is vague. Although graffiti is written every day, it is only the superposition of shouts again and again, and there is no purposeful graffiti creation.
Lifelong graffiti art has a unique creation for everyone. Maybe only one handprint can be left on the wall today, and there will only be one more tomorrow, but it will become a graffiti work over time. The picture scroll in the opening ceremony of Beijing Olympic Games is not only a manifestation of graffiti art, but also an art drawn by countless people. I believe it doesn't necessarily have a strong sense of picture, but it carries the emotional sustenance of many people.
(c) A special graffiti art-mural painting
Wall painting refers to decorating a picture with painted graffiti on a decorative wall. In modern times, many people give up the traditional wallpaper and wooden frame. For them, there is no doubt that they are doodling, but the graffiti picture has also become beautiful.
Specialized graffiti art mainly has the following characteristics: color fusion, because graffiti art has become a commodity, it has a certain sense of picture; With the simplification of content, the world of painters will be single and beautiful; The purpose is very clear, it is no longer a vent but a commodity, so it has its purpose.
Specialized graffiti art has formed its own unique artistic value. In the process of interior space design, graffiti art, as an original expression, presents a visual style in environmental art design, which greatly enriches the cultural and artistic expression of public space. It also creates a picture conveyed by space vision. Wall painting can freely choose the content of expression. As the main part of home space, wall naturally becomes the carrier of graffiti art expression and the new language of indoor wall decoration.
Second, the impact of graffiti art on interior decoration
When graffiti art gradually enters interior decoration, people have begun to accept that the world is fuzzy. You don't have to be noble, elegant and reserved, but you must show your personal style. Designers apply the strong visual language and passion of graffiti art to interior design, which adds a new direction to the expression of modern interior design and provides a brand-new model for decorative space.
(A), the impact of graffiti on interior decoration materials
The personalized feature of graffiti art breaks through the traditional way, creating new decorative patterns and replacing traditional decorative materials such as wallpaper. Let the original single material disappear from the personalized decoration, thus highlighting the owners' alternative pursuit.
In the complicated decoration market, all kinds of materials are dazzling, and people increasingly feel that what they create can be comparable to all masters. This is not a sign of conceit, but a kind of confidence. It is a satisfaction to the heart, a cry to the soul, and a self-transformation to the external environment. The immediacy of graffiti art satisfies everyone who creates himself, allowing them to express their feelings quickly.
(2) The influence of graffiti on interior decoration style
As an interior decoration designer, interior decoration is like a series of cartoons. What designers have to do is to build a beautiful picture. With the passage of time, the style of pictures decorated by generations of designers is gradually changing. From reality to illusion, from life to imagination, but in the real world, people no longer need realistic pictures, but prefer virtual space, which is the improvement of people's values.
Graffiti art is a subversion of traditional aesthetics, as Pound sang in his poem: "This era needs an image to express its strange appearance of accelerating change, and a stage suitable for modern times, not a beautiful appearance of Athens." Graffiti art is changing people's aesthetics, making people look at the same world or even the same picture from different angles. Then what we need is innovation, to create a different perspective, a different perspective and a different world view. Only in this way can we build a beautiful picture; Art with creative value; A set of real decorative space.
(C) the emotional impact of graffiti on people
Any design is for people. Without people's design, there is no design value. This is what every designer knows. Therefore, any design should start from people, from people's emotions, and consider the way of design.
Graffiti art has a strong expressive force, which can fully reflect everyone's different emotional world. When a person picks up a brush, he is venting his deep feelings; Pursuing the virtual world in reality. No matter what kind of graffiti it is, it is transmitting an inner picture to the world.
Third, the value of graffiti art in interior decoration design
Graffiti art is the product of human emotions, and it has different values. In interior decoration design, graffiti art has certain social value, spiritual value and cultural value.
Graffiti art has created another side of the interior decoration world. It has established a field of design innovation in society, made people have a brand-new understanding and construction of design, subverted traditional aesthetics and created an alternative world view for people. Graffiti comes from emotion and belongs to the emotional world. It has changed everyone who can't create to create their own world, and it has also played a transformative role in this environmental world. However, the birth of a new decorative style will inevitably affect the design thinking of one generation or several generations, so it also has a certain role in cultural communication.
Graffiti originates from the emotional world in life, serves the real world, changes the future world and creates a new world view.
Conclusion: Graffiti art is an inevitable process from subverting the trend to claiming to be one side, because the development of human nature also promotes the development of graffiti art; Graffiti art entered the room from street art and became a decorative fashion, which is a natural result, because it vented personal feelings and conveyed the inner world; The development of graffiti art from primitive society to today is an innate prediction, because tenacious vitality has created a new artistic beginning.
Art Interior Design Graduation Thesis Part II The Artistic Value of Space in Interior Design
Abstract of graduation thesis of art interior design
Interior design, as a comprehensive art integrating art, technology and science, uses material and technical means to create a space environment with reasonable function, comfort and beauty, which meets the psychological needs of the audience. It is a redesign of architectural space. The art of indoor space is not the sum of the length, width and height of the space structure, but a part of the space itself, which is enclosed for people to live and move. It is the soul of interior design. Only by clarifying the artistic value of space itself can the origin of design really return.
Content of graduation thesis of art interior design
Keywords: interior design, architectural space, artistic value
The interior design industry originated in Europe in the mid-20th century, and the initial practitioners were composed of artists and architects. In China, architecture and interior design were completed by architects before liberation, and artists gradually participated in it after liberation. It was not until the reform and opening up that interior designers transformed from architects and arts and crafts artists gradually appeared. Interior design, as a comprehensive art integrating art, technology and science, is a redesign of architectural space by using material and technical means to create a functional space environment to meet the psychological needs of the audience according to the spatial form and use function. Its characteristics are mainly reflected in solving the aesthetic problems of space entity, virtual body, technology and economy from the artistic point of view.
The theme of interior design is space. What is space? Empty means there is nothing in it, nothing, nothing. Between two things or two time periods, within a certain range. In the dictionary, space is defined as "an existing form of material movement, expressed by length, width and height, which is the expression of the extensiveness and extensibility of material existence &; Hellip& amphellip has objectivity and infinity. As far as the universe is concerned, space is infinite and boundless, and as far as every specific individual thing is concerned, space is limited &; "hellip& amphellip" shows that space is a concept beyond the exact concept definition and difficult to express in words. Herman & middot Herzberg, a famous Dutch architect and educator, believes that "space symbolizes everything that broadens or removes existing restrictions and develops more possibilities, so space is a concept relative to certainty. It is closed, depressed, clumsy and imprisoned, divided into carriers and partitions, classified and established, predetermined and unchanged, and clearly understood." The certainty here refers to the entity that encloses the space, and the gap outside the entity is the space, which is invisible and invisible, indicating existence by non-existence.
Indoor space originates from architectural space. Without architectural space, there is no indoor space environment. Since we build tangible building entities to form a closed space, and human activities are also carried out in the "empty" part, the focus of interior design should undoubtedly be this "empty interior". However, some people misunderstand interior design as an "interface design" and decorative beautification, exaggerate the decorative value of visual representation more and more seriously, and lack attention to the design essence & mdash& ampmdash; a deep understanding and exploration of space. Faced with an indoor space surrounded by interfaces, the usual practice of "decorators" is to decorate several surfaces separately, and then combine them to form the so-called interior design. They have been trying to create the most beautiful "box", completely losing control of the content, and form is more important than content, just like the French architect Jean &; Middot As Nouvel said, they "want to create an aesthetic miracle". In order to achieve their goals, they turn to decoration instead of space, and the result will be empty, superficial, grandiose and lacking in foundation. Without realizing the meaning of space, any decoration on the interface of space can only be superficial, which will not only disturb our vision, but also confuse the essence of space design.
We can regard the indoor space of a building as a geometric "entity" or a usable volume in a three-dimensional space. This thought first appeared in Laozi's Tao Te Ching during the Spring and Autumn Period in China. "Think of it as a tool and use it as a tool." Carve the family into a room, and when it has nothing, it has a room. Therefore, there are advantages and disadvantages. "This means kneading clay to make a container. Only when there is a hollow place in the blood vessel can the blood vessel function. Dig doors and windows to build a house, and use the empty parts in the doors and windows walls to have the function of the house. Therefore, the convenience of "having" is that "not" plays a role. This philosophical view of "being" and "being" is a portrayal of the significance of architectural interior space. If "existence" is defined as concrete matter, that is, the enclosure of architectural space, then "existence", that is, indoor space is the structural mode, space-time relationship, movement and change form of concrete matter. Master architect Frank &; Middot Lloyd middot Wright's organic architecture theory also advocates that "the internal space of a building is the main body of the building, and the room itself should be exposed, otherwise the building will lack modernity" and "the new entity of the building is the internal space enclosed by the roof and walls". In his view, "space is not a negative, illusory nothingness, but a powerful development force, which can push open the wall, cross the floor and even uncover the roof". "This inner meaning is exactly what I believe now, and it is a great thing that architecture wants to express". Space art is not the sum of the length, width and height of space structure, just like a poem is not just the sum of some beautiful poems, and a painting is not just the combination of different color blocks. Its value lies in the "empty" part itself and the space enclosed for people to live and move. In addition to the only form of length and width space, indoor space &; Mdash& ampmdash is not only for people to watch, but also gives us three-dimensional space, that is, the space where we stand. This is the soul of interior design and its artistic value.
Emphasizing the "leading role" of space in design does not completely negate the role of decoration. When organizing space by function, we should also consider the role of decoration, because simple space can't make people feel happy, and that kind of space will bring people formal monotony and emotional indifference. For example, American contemporary architectural aesthetician Tolbert &; Middot hamlin said, "Pure material functionalism can never create a completely satisfactory building". As a means to convey beauty, decorative art expression changes and beautifies the space environment and strengthens the space theme in its unique way, which is a logical reflection of the internal space, meets people's needs and resonates with people's aesthetic ideals. In a sense, the goal of indoor space design is to determine its decoration style according to the functional requirements, cultural connotation and combination relationship of the space, so that indoor space and outdoor decoration can be coordinated and unified, and each has its own place. But here, we must make it clear that interior design is a complex system, and all the elements in the system are not in the same position and play the same role. For example, space is in a dominant position relative to decoration, which affects decoration and other factors and becomes a decisive factor.
Although the soul of interior design is space, emphasizing the importance of space has not formed * * * knowledge in people's initial architectural activities. In the classical period, space has not been valued by people. The purpose of building a building is not so much to form a space, but rather to obtain the entity that encloses the space, and the space is only an appendage of the building. For example, in ancient Egypt, people built huge pyramids, not so much buildings as architectural sculptures, because the external form was relatively grand and the internal space was almost ignored; In ancient Greece, because the temple was not regarded as a place of worship, but a symbol of God's home, all religious ceremonies were arranged in the open square. Therefore, ancient Greek architecture pays more attention to the external modeling design of the building and ignores its internal space. In ancient Rome, people really began to enter the state of space enclosure, but at this time, the tall and majestic architectural space was always a symbol of national authority and dignity, completely ignoring people's inner feelings. In the early _ _ _ _ period, the church was an auditorium for public meetings and a place for religious ceremonies and prayers. Architects began to consider space according to human factors in their design. During the Byzantine period, because the Orthodox Church believed in it advocated equality and consistency among believers, it required the church to show centripetal nature, and the altar was close to the congregation, so the space developed to a centralized form that was more suitable for this requirement. During the Roman period, a horizontal space was built in front of the altar of the church, forming a cross-shaped plane, which was called the Latin cross, which has always been the most orthodox form of church space in Catholicism. Gothic architecture is accompanied by people's demand for further exploration of internal space. Architects have created an upward and forward spatial dynamic trend for people in space, which is unprecedented in volume. The innovation in Renaissance embodies the development and application of a kind of metrical aesthetics, trying to seek order, regularity and composition in space design. The connotation of architecture in Baroque period is very complicated and has its special development and achievements. It often uses irrational composition techniques to dispel the clear and simple geometric and logical relationship between space and form, create a new concept of space, and give space a sense of movement. During the period of modernism, the architectural space changed from the traditional static plane layout to the flexible, open and changeable modern plane layout, advocating simplicity and reducing the decorative factors to the minimum functional requirements. However, in the post-modern period, the architectural space gradually developed from homogeneous space to multifunctional complex, which was obviously rebellious and advocated a series of aesthetic categories that were incompatible with traditional aesthetics, such as contradiction, complexity and ambiguity.
From the development and evolution of architectural space, it is not difficult to find that people's cognition of the artistic value of architectural interior space has changed from initial neglect to gradual attention, but in any case, the charm of space in design is undeniable, it is the protagonist and soul, which is in line with the law of historical development.
Although our understanding of space today has promoted the development of interior design to a certain extent, no matter the design mode, goal, means, technology or concept, it has never stopped developing, just as it is impossible to run without economic growth, and interior design cannot progress without taking the future as its goal. Nowadays, with the further improvement of people's ideology and cultural literacy, the demand for higher quality living space is increasing, which requires designers to constantly improve and deepen the research on the artistic value of space in order to seek real and essential innovation and development and meet the requirements of the new era. This is the most direct driving force for the development of space theory and design, and it is also an effective means to stimulate the vitality of space design.
The charm of space is irresistible. Even though we may sometimes ignore it, the aesthetic feeling and artistic value of interior space design are finally reflected in this dynamic and living "space".
Literature of graduation thesis of art interior design
[1] Bruno &; Middot Saiwei Architectural space theory [M]. Zhang Xizan, translated. Beijing: China Building Industry Press, 2006.
[2] Herman &; Middot Herzberg. Architecture course 2&; Mdash& ampmdash Space and Architects [M]. , Gu,, translation. Tianjin: Tianjin University Press, 2004.
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