Yuki Kajiura Yuki kajiura
PROFILE
Birthday: August 6th, Leo
Place of residence: Tokyo
Computer use: MAC 3
Interests: listening to music, writing, reading, sleeping, Eating .....
Belonging to: スペスクラフトズロデュススススススロ
Address: 11.
ruby fruit 1995
rainbow 1999
boogie pop and others 2111
moon 2111
animated works
New Orange Road? The story of that summer movie 1996
Eat-Man TV 1997
Noir TV 2111
Aquarian Age TV 2112
. hack//Sign TV 2112
. hack// Liminality OVA 2112
Petit Cossette OVA 2114
Madlax TV 2114
Game Works
Two-faced Girl PS 1998
Love PS 1999
Blood the last vampire. A Episode Ⅱ PS2 2114
Music Performance
Sakura-Wars1998
Fine 1998
Funk-a-step 1998
Funk-a-step Ⅱ 1999
Christmas Juliette 1999, 2111
High-School Revolution 2111
Christmas Juliette 2111
Shooting-Srar- Lullaby 2111
Love’s Labour’s Lost/ SET 2112
solo album
Fiction
"Lack of Pupils" (Fragments in Pupils) TV animation "MALAX" OP4' 16
Lyrics, composition and arrangement: You Ji of Wei Pu
Singing: Flction Junction YUUKA (Yu Xiang in Nanli).
"I'm here" (I'm here) TV animation "『MADLAX』" episode 5'13
Lyrics, composition and arrangement: The Story of Wei Pu You
Singing: Flction Junction YUUKA (South Li Yu Xiang).
CHOLE (the theme of Chloe) TV animation "Noir" BGM 2' 26
Composer: The Story of Wei Pu You
Open Your Heart (Open Your Heart) TV animation "Hacker Time and Space" episode 4'38
Lyrics and composition: Arranged by Wei Pu You Ji: Tony Volant. Until we found Emily Bindiger. She is a singer and composer living in new york, and has accumulated a lot of experience in off-Broadway musicals and film and television composition. For weipu, this episode of "Hacker Time and Space" sung by Emily Bindiger can be regarded as fulfilling one of her wishes.
the song 3'26
which was not included in the PS2 game "Xenosaga Ⅱ" of "Jr." was composed, composed and arranged by Yuji Owura
and sung by Margaret Dorn
. As one of the theme of Jr, the song "Jr." which was not included did not follow the strong FOLK route that Owura was proud of. However, the middle plate is still a signature violin cadenza, and the guitar is as gorgeous as ever. The lyrics are words widely used in this EP2. As for the singer Margaret Dorn, she is not the girl SOLO—— with Beitian flavor in the past-she has a special profound confusion, which can be deeply understood in Ending Theme.
cantaperme (sing for me) TV animation "『Noir』" episode 3'11
lyrics, Composer: Nobuyuki, arranged by Takashi Koiwa
Singing: Deblyons
The Theme of Eatman, TV animation "Eatman" BGM 2' 16
Composer: Nobuyuki
A Stray Child (Lost Child), TV animation "Hacker Time and Space" episode 2' 44. Arranged by
You Ji of Oupu Singing: Emily Biniger
"Key of the Twilight" TV animation "Hacker Time and Space" episode 3'49
Lyrics, Compose: Nobuyuki Owura Arranged by Hitoshi Konno
Singing: Emily Biniger
"You しぃけ" (gentle dawn) TV animation "Hacker Time and Space" ED 5' 11
Lyrics, composition and arrangement: Nobuyuki Owura
TV animation "noir" bgm 3' 49
Composition: Omura Yuki
"Liminality" OVA animation ".『.Hack//liminality』" episode 4'16
Lyrics, composition, Arranged by: Yuji Owura
Singing: Kasahara YuriYuri Shinada
"Sweet Song" (sweet song) PS2 game "『XenosagaⅡ II the other side of good and evil" ED 5' 33
Lyrics and composition, Arranging: Nobuyuki Owura
Singing: Margaret Dorn
《Fiction (fantasy) album『Fiction』 "title song 4'18
Lyrics and composition: Nobuyuki Owura Arranging: Tonny Volante
Singing: Emily Bindiger
" Fiction ",included in. For this song, it feels that it comes from the style of "Noir ~ black, middle and white ~", which is still a long way from the future. Hack and the current MADLAX route. Fiction-meaning "fiction", Oupu himself once said: "... I think it's like being addicted to the wind. Only human beings dare to make up words, which are' virtual products born in human hands'. The so-called music, books, paintings, originally are also empty fictional world, that is, the product of manufacturing. I feel very happy when I am wandering in all kinds of beautiful fictional worlds. " -personal style can be seen.
Kyosuke No.1 (Kyosuke) theatrical animation "New Orange Road? The story of that summer "
Composer: Yuji Owura
Compared with her current style, there is not much similarity
In October, 1992, Yuji Owura made her debut in FUNHOUSE as a keyboard player of the band See-Saw. This trio, with her high school friend Yukiko Nishioka as the bass player and Akiji Ishikawa as the lead singer, formed a friendship and ended up when they performed, studied and created together as students. Before Nishioka Yukiko quit in 1994, Omura's main focus was on band activities. The following year, she began to compose music for movies and CM, and her work scope soon expanded to animation, games and musicals.
After [NOIR] became famous, people realized that some familiar and moving music was her work, such as the piano music [Kyosuke No.1] which expressed the irresistible yearning in the music album [New Orange Road-Summer of that year]
. K?ichi Mashimo, the director of animation, doesn't seem to mind that the score goes beyond the position of the picture plot, giving weipu great room to play, so [NOIR] exquisite music is more conspicuous than making rough animations at low cost. Plus the music matches the exotic flavor of the story itself. Beauty killer, mafia and extreme world outlook are rare elements in general animation themes, and the front line has a unique style. Ueura Yuji was born playing with keyboards, and he was exposed to light music in college. Naturally, he was good at making different sound effects with electronic musical instruments. In addition to exercising and studying in previous music experiences, her reading hobby is also a way for him to ponder Italian and Latin folk music.
The music style of Oupu Yuji can be roughly classified into newage and wold music types. In the song [NOIR OST1], [shispering hills], the wind is rustling, the female voice in the background is vaguely sung, and the echoes are loud and clear, which naturally vividly shows the artistic conception of the Italian desert plain, which is far away and sunny, in line with the visual impression of the audience watching the animation. This kind of music in [NOIR] series often uses electronic and impact sound effects, such as echo, echo of electronic music and sound created by other spaces, to create a beautiful and soothing style. Simulating the illusion of spatial texture is the basic skill of newage Music School.
wold music is simply a musical style that samples folk music materials that do not belong to North America or Britain, such as Africa, Central Asia, Eastern Europe and the Mediterranean, and integrates them by improving skills or increasing rhythm. [NOIR] We are familiar with the splendid performances of traditional Chinese and Italian lyre and accordion. Violin, one of the main musical instruments, can also be associated with Italian music produced by talented violinists. Moreover, dating back to the Italian Baroque style period of 1,611 years ago, this music form broke the old polyphonic music format, and dominated by a tone, assisting the use of bass accompaniment (continuous bass). Correspondingly, the cool forms commonly used by the tail pool are recorded. An Italian song [Salva Nos] (save us) is a fast and exciting rhythm. At first, it was really unexpected that it was a requiem hymn. Singer Yuriko Kaida's voice in another cantaper me played in a similar scene is much sweeter and softer than the solemn tone in the former. At that time, the fog fragrance and natural and unrestrained movements contrasted with the enemy's "miserable" fate, which was the meaning that music helped convey.
The three characteristics of Wei Pu's music are: the color rendering of various national music elements, the dazzling rhythm driving the audience's emotions, and it is as easy to understand and catchy as pop music, so her music often leaves a strong first impression. After forming this style that made him stand out from the crowd, Tomoko Omura continued to deepen his exploration along this road.
In p>12, the animation [Aquarius Age] based on the card game was produced and broadcast, and the music independently created by Tomoko Omura appeared again. The feelings of beautiful girls, fighting and confusion are the intersection with the setting of [NOIR], and the mystery brought by the fantasy civilized world in the film facilitates the play of the style of Oupu Yuji.
Among them, the main force is female German chorus or violin, tense electronic beat and discordant mixing accompaniment. A few piano solo lyric ditties [just you] [tears] [sweet test smile] specially created by Upu Yuji are more and more tender and touching in that environment, and arouse the FANS' memory of [Gongjie NO.1].
In the animation, the leading actor, Xiang Taitai, is the lead singer of a band composed of classmates, and Upu Yuji caters to making several popular music scores in general. For example, [SIGHT-READ] is a popular band's standing musical instrument that uses a simple combination of several people. The changes of electric guitar, bass, percussion drum, melody and musical instrument are relaxed and lively, which is not a problem for Wei Pu, who has long been experienced in team building and creation.
Looking at the comparison between [NOIR] and [Aquarium Age], the musical style of Wei Pu Yuji is emerging in the former, while the latter shows that her style has taken shape. For example, this common technique, on the basis of the main melody music, uses the percussion rhythm to stir up the momentum, and the human voice or the synthesized harmony creates anger. The melody of the music generally develops in a single line, which is not complicated in structure, but the exchange and use of many instrumental timbres is in place in the superficial gorgeous audio-visual effect. The music route taken by Wei Pu Yuji not only has the familiar impression of ordinary people, but also has novel elements and dynamic rhythm to meet the weather of the times, which makes her works win the love of young people who are close to pop music.
in p>12, the animation [HACK//SIGN] came one after another, which pushed the reputation of Oupu Yuji to the second peak after [NOIR]. To supervise the second cooperation between K?ichi Mashimo and Uepu Yuji is still to let her perform freely.
Uepu Yuji tried to introduce new flavors on the basis of the previous achievements, and made some small breakthroughs.
As early as 1997, the Orange Road Theater Edition "Back to the Summer of that Year", Yuji Omura won the praise of the industry for her exquisite performance. A song "Gongjie NO1" touched countless audiences with its extremely beautiful and smooth piano melody, and the touching legend told by its melody is still regarded as an immortal classic in the history of animation music. After being the music producer of "EAT MAN" in 1999, its style gradually took shape and was rich. In this era when a large number of outstanding music works come out every year, "NOIR OST" can create a rare sales miracle and is unanimously rated as one of the most classic works in the history of animation music by the industry, which shows the great strength of Ueura Yuji. The dark atmosphere, the cool shots, the black theme and the hazy and simple picture in the film NOIR were completely followed by Wei Pu.