Shangdangmen Shangdang means "taking heaven as the party". The existing Shangdang Gate and the Bell and Drum Towers on both sides were built by Ma Dun, the magistrate of the Ming Dynasty. In the ninth year of Hongzhi in the Ming Dynasty, Ma Dun, the magistrate of Luzhou, carried out large-scale renovations and reconstruction of the original Bell and Drum Towers after six years of his tenure. , majestic and strong", this is today's Bell and Drum Tower, this is today's Shangdangmen. Shangdangmen is located on West Street in Changzhi City, Shanxi Province. It was the gate of the ancient Shangdang County Government Office. It was first built in the Kaihuang period of Sui Dynasty (581-600). It was destroyed by war in the Jin Dynasty. The existing Shangdangmen and Zuoxin Bell Tower are It was rebuilt during the Hongwu period of the Ming Dynasty, and the drum tower on the right was added during the Tianshun period. The bells and drums are arranged in parallel on the second floor. One is called "Wind Chi" and the other is "Wind Moves" to express the meaning of towering like clouds. It has now become a symbol of Changzhi City. Visitors can have a panoramic view of Changzhi city when they climb the tower. Shangdangmen is a symbol and symbol of Changzhi. It is located on a high hill at the north end of Fupo Street in the center of Changzhi City. It was the gate of the ancient Shangdang County Office. "Shangdang" is a place name that existed during the Yin and Shang Dynasties. In the southeastern region of Shanxi Province today, it roughly includes the current Changzhi City, Jincheng City, Yushe, Zuoquan, Heshun County in the central Shanxi region, and Anze County in the Linfen region. Regarding the meaning of "Shangdang", "Shiming" explains: "The party is the place. It is on the mountain, and its place is the highest, so it is called Shangdang"; the local chronicles said: "It lives on the top of Taihang, the terrain is the highest, and it is close to the sky. For the party." In other words, Shangdang refers to the highest place on Taihang Mountain. After Qin Shihuang unified China, he established Shangdang County. The county government is located in today's Changzhi City. Shangdangmen was built during the Kaihuang period of the Sui Dynasty (about 581 to 600 AD). Its gate tower is 1,500 meters above sea level, as high as the top of Taihang Mountain, and is very majestic. Climbing up the gate tower and looking into the distance, the scenery of the ancient city of Shangdang is vividly visible, and you can have a panoramic view of the distant mountains and near water. In the first year of Jinglong of the Yong Dynasty (707 AD), when Li Longji was appointed as the official of Luzhou during the Tang, Xuan and Song Dynasties, he lived in the Luzhou Yamen in Shangdangmen. Based on the architecture of the Sui Dynasty, he decorated the Shangdang Gate and built nearby buildings such as the Dressing Building, Flower Viewing Building, and Defeng Pavilion. After he became emperor, he returned here to build the Feilong Palace, Shengrui Palace, Wangyunxuan, etc. During the Jingkang period of the Northern Song Dynasty, the Jin soldiers went south in a large scale and captured Longde (today's Changzhi City). Shangdangmen was destroyed in the fire. The current Shangdangmen was rebuilt in the Ming Dynasty. The Shangdang Gate faces north and south. It is condescending, tall and independent. The gate has a double eaves and mountain-like structure. There is a bell tower on the left side of the gate and a drum tower on the right side. One of the bell and drum towers is called "Wind Chi" and the other is "Yun Dynasty". It means that the Shangdang Gate built in Shangdang towers into the sky. The two floors have high bases and are arranged parallel to each other. The buildings are high and the doors are low, the heights are staggered, and the masters and slaves are separated, which fully reflects the majesty of the feudal government and is full of national style. As a key provincial cultural relic protection unit, Shangdangmen has been repaired and painted many times in recent years. Today's Shangdangmen is more majestic and youthful. The Chenghuang Temple is located on Chenghuang Road in today's urban area. It was first built in the Southern Song Dynasty, was later destroyed, and was rebuilt in the second year of Hongwu in the Ming Dynasty (1369). There are three mountain gates, worship pavilion, main hall, health pool, stone arch bridge, lady hall, etc. The top of the Temple of the City God is a cantilevered mountain, with three-liter bucket arches between the seven beams and the golden pillars. The four walls of the main hall only play a protective role and do not bear the pressure of the roof. The structure is unique. After earthquakes, although the walls collapsed, the beams remained safe. The carvings of its pillars and beams are bright and vigorous, with both the architectural style of the Ming Dynasty and the characteristics of local traditional art. They are the essence of the historical relics of ancient buildings in Jieyang City. Zhengzhou City God Temple is located on the north side of Shangcheng Road, Zhengzhou City. It was built in the early Ming Dynasty and rebuilt in the 14th year of Hongzhi (1501). Sitting north and facing south, there are mountain gate, front hall, music building, main hall, bedroom, etc. The buildings are all covered with glazed tiles, with rolling sheds and cornices protruding from all sides. They have exquisite shapes and compact structures. The Lelou is 15 meters high. It is a double-storey building with a mountain top. There are several dragons embossed on the main spine, phoenixes flying up and down, lotus flowers and lions on the left and right, which is very vivid. The two ends of the main ridge of the main hall are carved with spine-swallowing kissing beasts, and several rolling dragons are carved on both sides. They are also decorated with phoenixes and peonies. The hall is engraved with "Eight Immortals Crossing the Sea", green pines and cypresses, figures, birds and animals, and the composition is harmonious and exquisite. －－－－－－－－－－－－－－－－－ City God and City God Temple City God originated from the ancient worship of Shui (Hong) Yong (City) and is one of the eight gods in "Zhou Palace". "Cheng" originally refers to a high wall built of excavated earth, and "Huang" originally refers to a moat without water. In ancient times, man-made cities were built to protect the safety of the people in the city, so tall walls, towers, gates, trenches, and moats were built. They believe that things closely related to people's lives and production safety have gods, so the city and the god are deified as the protector gods of the city. Taoism incorporates it into its own pantheon, calling it the god who cuts off evil, protects the country, and rules over the souls of the dead in the underworld. The City God is a natural god. Wherever there is a city, there is a City God temple. The earliest City God Temple was built in Wuhu City God Temple in the second year of Wu Chiwu (239) in the Three Kingdoms period. Historically, there are documented records of Tang Dynasty people such as Zhang Shuo, Li Deyu, Li Yangbing, and Du Mu offering sacrifices to the City God. After the Song Dynasty, the city god began to be personified, and most of them were worshiped as the city god by heroes or famous ministers after their death. For example, Suzhou worshiped Huang Xie, Lord Chunshen during the Warring States Period, Shanghai worshiped Qin Yubo, Beijing worshiped Wen Tianxiang and Yangjiao Mountain, Hangzhou worshiped Zhou Xin, and Kuaiji worshiped King Pang was worshiped, and Su Jian was worshiped in Nanning and Guilin. In the first year of Qingtai (934), the late emperor of the late Tang Dynasty, the city god was granted the title of king.

In the first year of Hongwu (1368), Emperor Taizu of the Ming Dynasty decreed that the city gods of the four cities of Kaifeng, Linhao, Shuhe, and Pingchu should be crowned kings. Their positions would be of the first rank, and they would be the same as the "Three Dukes" of the human Taishi, Taifu, and Taibao, as well as Zuo and You. The prime minister has the same rank, and the city gods of each prefecture, state, and county are granted the titles of duke, hou, and uncle. That is, the city god of the prefecture is the supervisory clan's city god Wei Linggong, and his position is the second rank; the state city god is the supervisory clan's city god Xianyouhou, and his position is the third rank. The county town god is the supervising Si clan's city god, Xianyou Bo, with a rank of fourth rank. He has also rebuilt the town god temples in various places. The scale is exactly the same as that of the local government yamen. Mianqi mourning clothes are also prepared according to the level. In the third year of Hongwu's reign in the Ming Dynasty (1370), during the official ceremony, the title was removed and the title was only called "the god of the city god of a certain prefecture or county." He also ordered that the city god temples in various places were not allowed to worship other gods. It is said that Taizu Zhu Yuanzhang was born in the earth temple, so He had great respect for the Tutu Temple and the "superior" City God of the land. During the Xiaozong period of the Ming Dynasty (1488-1506), Putian's anti-Yuan hero Chen Wenlong (1232-1277) was named the Fuzhou City God, and his uncle Chen Zan (1232), the anti-Yuan hero. —1277) was named the Xinghua Prefecture City God. In the original Putian County, there was the Xinghua Prefecture City God Temple, which was founded in the second year of Hongwu in the Ming Dynasty (1369). It was located in Miaoqian Lane, Changshou Street, and consisted of Zhaoqiang, Waicheng, Gate, It consists of the corridor, the Yimen, the middle gate, the main hall, the back hall and the two-sided guard house. It covers an area of ??24 acres (some say 18 acres). It is as big as the Xinghua government office and the Putian County government office. It is one of the five major palaces and temples in Putian. ; The main worship is Chen Zan, the great city god, commonly known as the City God. The temple is now a key cultural relic protection unit in Fujian Province. In addition to the Xinghua City God Temple, there is also the Putian County City God Temple built after the Fucheng God Temple. In 1353, Xinghua County moved from Youyang to the new county town god temple. In the 20th year of Hongwu in the Ming Dynasty (1387), the Pinghai town god temple was built after the Wei Dynasty was established. In the late Southern Song Dynasty, the Second Young Emperor built the Huating Renhe City God Temple after he crossed to Fujian. In the fifth year of the reign of Emperor Kangxi of the Qing Dynasty (1660), the people of Puxi were forced to move to Hanjiang Fengling and the Lijiang City God Temple was abandoned. They rebuilt the temple here, also known as Li. After the restoration of the border, they moved back to Puxi and rebuilt the temple. The Lijiang City God Temple in Hanjiang remained unchanged and is now a famous Taoist temple in Hanjiang District. The statues and accompanying gods in the Chenghuang Temple are generally as follows: in the main hall. The Great God of the City God is enshrined, with statues of the Eight Generals, Judges, Bull Heads, Horse Faces, Black and White Wuchang, Bells and Drums, as well as the Ten Palaces of Hell, Eighteen Divisions and other hell statues on both sides. There are more supporting gods in the Fucheng God Temple. There are plaques such as "Strict disciplines", "Awesome righteousness", "Protecting the country and sheltering the people", "Selfless in my work", "Practical articles", "Carrying forward righteousness", etc. "Why don't I worship you?" "Good and evil will be rewarded in the end, right and wrong will be self-explanatory", "Good deeds have been done so far, and my heart is clear, and evil deeds have made me cold" and other couplets. The core of these plaques and couplets is to praise the merits and virtues of the City God and to encourage people to do good and not do evil. In addition, there are stone tablets, stone carvings, etc. These cultural monuments are an important part of the City God's culture. Every Lantern Festival on the 13th of the first lunar month, the birthday of the City God on the 19th of May, my mother’s birthday on the 8th of June, the Qingming Festival, July 15th and the 15th of October, the Temple Fair will be held. Activity. These temple fairs are large in scale, wide in scope and large in number of people. In the Chenghuang Temple, money, rice, clothes, quilts, medicine, coffins, etc. are given out every year. The largest charity event in the Chenghuang Temple is on the 25th day of the twelfth lunar month every year. There are also small-scale charity events on the first and fifteenth day of each month. alms. There are also activities to uphold justice and resolve disputes. In the old society, every year on New Year's Eve, there would be a puppet "Lu Opera" on the stage of Fuchenghuang Temple. Because there were many poor people at that time, on the 30th night, due to hiding from debts, it was difficult for a family to repay, and there was no way out, so I had no choice but to go to the City God's Temple to watch "Lu Opera" to "keep up the New Year's Eve". Some people who are kind and charitable send people to bring "red envelopes" and secretly give them to the poor. Lu'an City God's Temple is located in Miaodao Lane, Dabei Street, Changzhi City, Shanxi Province. It was founded in the 22nd year of Yuan Dynasty (1285), and rebuilt in the 5th year of Hongzhi in the Ming Dynasty (1492) and the 14th year of Daoguang in the Qing Dynasty (1834). The existing main hall and corner hall of the City God's Temple were built in the Yuan Dynasty, the dormitory, theater, Xuanjian Tower, etc. were built in the Ming Dynasty, and the verandas and ear halls were built in the Qing Dynasty. The City God Temple was built to worship the City God, who is the god who protects the city in ancient myths and legends. The Chenghuang Temple covers an area of ??12,229 square meters and has a construction area of ??5,175.03 square meters. The longitudinal axis is 408 meters long. From south to north, there are six dragon walls, Hongmen, wooden archway, stone archway, mountain gate, heavy tower (Xuanjian Tower), theater building, Xianting, central hall, bedroom and the east and west of each courtyard. Buildings such as side halls and corridors. Tiantai Nunnery Tiantai Nunnery is located on a tan-shaped isolated mountain at the entrance of Wangqu Village in the north of Pingshun County, Shanxi Province. Tiantai Temple is a small Buddhist temple. It is adjacent to the Zhang River in the west, with farmhouses lined up on the north, south, south, and south. It is boundless as far as the eye can see, with mountains and rivers in the distance, and the scenery is excellent. Tiantai Nunnery was first built in the Tang Dynasty. There is a Tang stele standing on the east side of the courtyard, and the handwriting is unclear. The Buddhist hall in the temple is nearly square in plan, with three bays wide and three bays deep. The bright rooms on the front and side are relatively large, and the secondary rooms are only half of the bright rooms. It is very rare among the existing early buildings in China. The eaves columns are round all the way around, with simple eaves and tiles, glazed ridges and beasts resting on the top of the mountain, balconies between the columns, overlapping capitals, gentle roof slopes, and flying wings, which reflect the style of Tang Dynasty architecture.

Dayunyuan Dayunyuan, formerly known as Xianyan Temple, is surrounded by peaks 25 kilometers north of Pingshun County. It was founded in the third year of Jin Tianfu (938) in the Five Dynasties. The main building, the Great Buddha Hall, is a relic of the Five Dynasties and is majestic. There are 21 square meters of murals from the Five Dynasties in the hall. There are still mountain gates, Tianwang Hall, back hall and two verandas in the temple, all of which were built in the Qing Dynasty. In front of the temple, there is Zhangshui lingering, and the scenery is beautiful. Outside the temple, there are cliffs and more than 20 cave dwellings. It is said that this was the place where Ma Sanbao, a general of the Tang Dynasty, garrisoned troops. It is now a national key cultural relic protection unit. Shihui Village, 23 kilometers away from Pingshun County, was called Xinfeng Village in ancient times. The mountains and rivers here are beautiful and the scenery is charming. It is a good place for people to visit and sightsee. There is a poem that praises: "Xinfeng Village is three miles long, with a Guanyin Hall in every mile. Seventy-two connected caves, seven halls, eight temples, and nine lions squatting. Nine dragons play with pearls in Dayun Courtyard. The ancient scenery in the mountains is intoxicating." Now, The three Guanyin Halls have collapsed over time and have disappeared. The seventy-two connected caves are said to be the places where Ma Chao escaped from his troops during the Three Kingdoms period, and the remains are still vaguely visible. As for the ladder to heaven, the pedal to heaven, and the seven halls. The Eight Temples and Nine Lions also underwent great changes due to the vicissitudes of life, and most of them were damaged. Only the Dayun Courtyard at the foot of Long'er Mountain is still well preserved. Walking along the winding mountain road in the northeast of the village for two or three miles, the undulating peaks of Long'er Mountain will come right in front of visitors. What's amazing is that the nine branches of Long'er Mountain are like nine giant dragons wrapping around from three sides, forming an almost closed circle. In the middle of the circle, there is a huge hill like a huge treasure. Dayunyuan is located at the foot of this "Baozhu" mountain. Ancient literati called this beautiful shape "Nine Dragons Playing with Pearls and Dayun Courtyard". Dayunyuan was built in the third year of Jin Tianfu in the Five Dynasties (AD 938), and was originally named "Xianyan Temple". The Great Buddha Hall was built in the fifth year of Dafu. In the first year of Xiande of the Later Zhou Dynasty (954 AD), the Seven Treasures Pagoda outside the temple was built. The tower is exquisitely shaped, delicately carved and original. By the first year of Jianlong in the Northern Song Dynasty (960 AD), there were more than 100 palaces. In the eighth year of Taiping and Xingguo's reign in the Northern Song Dynasty (AD 983), the temple was renamed "Dayunyuan" by the emperor's order. It is paved with raised cornices, 3 bays wide, and 6 rafters deep. The projection plane is nearly square, the roof slope is gentle, and the shape is simple and very Tang Dynasty style. Dayunyuan is one of the nine Five Dynasty wooden structures preserved in my country. The Five Dynasties murals in the Great Buddha Hall are rare masterpieces among ancient Chinese murals. In 1988, it was announced as a national key protected cultural relic by the State Council. There are 21 square meters of murals from the Five Dynasties existing in the Great Buddha Hall, which can be identified. The east mountain wall is painted with "Vimalakirti Sutra Changes". When Manutu was ill at home, Sakyamuni sent Manjusri to visit him. On the hospital bed, Vimalakirti was dressed in light yellow hospital clothes, half lying on his side in the brocade tent, leaning forward, with a solemn and passionate expression, and was telling Manjusri about himself. Mahayana proposition. Manjusri, who came to visit, and Vimalakirti sat side by side on the sickbed, facing each other, with sincerity on their faces, listening attentively and thoughtfully. The background of the picture is all set off by characters. There are many people including Shariputra, Xiangji Bodhisattva, Heavenly Kings, Arhats, etc., with graceful postures and different expressions. They are all centered on the ten figures in the front, echoing each other and integrating as one. At the top of the picture, the sky is flying, purple mist is lingering, and the goddess is scattering flowers, ready to come out. On the wall of the main entrance is Guanshiyin on the left and Dashizhi on the right. The two Bodhisattvas have their chests exposed and their bellies exposed, their faces solemn, graceful and childish. The back of the fan wall is painted with "The Transformation of the Pure Land of the West". At the top of the picture, the Bodhisattvas and their servants are talking to each other. During this time, the master, the servant Yin, and the others are in peace. At the bottom of the picture are 8 musicians who are singing, dancing and playing music. They play flutes and cymbals and wear long skirts with wide sleeves. They form a circle and dance gracefully. They are beautiful and charming. They are preserved on the arched eye wall and forehead for five generations. The colored sculptures cover an area of ??11 square meters, with solemn colors, simplicity and elegance. The murals of the Five Dynasties in Renyun Yuan are inherited from the style of the late Tang Dynasty. Both men and women regard plumpness as beauty, magnanimity and majesty. On a hill tens of meters high to the south of Dayun Yuan, there is a Seven Treasures Pagoda with carved bluestones. This is a relic from the Five Dynasties. It used to be level seven, but it is now level five. The base of the tower is octagonal, with a raspberry-shaped lotus petal base. The waistband of the first layer is carved with vividly carved auspicious animals such as Pegasus, lion, unicorn, and black bear. The waist of the second layer is carved with several dancing figures. There is a door on the front of the third floor. On the top of the door are two dragons playing with pearls, lifelike; on the west side of the door stand two heavenly kings with solemn and solemn expressions; around the corners, dragons and snakes are circling, which makes people marvel at the artistic skills of the ancients. The fourth floor of the carved tent is low-hanging, with false doors at the front and rear. The fifth floor has a large round cover with carved cloud patterns and orbs inlaid on the top. The entire tower has a beautiful shape and finely carved legs. It is a rare masterpiece of stone carving art. There are 72 connected holes on the earth cliff 100 meters south of Dayunyuan. It is said that this is the place where Ma Chao of the Three Kingdoms avoided soldiers. In addition, you can also see many historical sites and places of interest around Dayunyuan, such as the Grand Overpass and the Tomb of Sanbao, the Duke of the State during the Zhenguan Period of the Tang Dynasty. They complement each other with Renyunyuan, forming a beautiful cultural relic landscape. Faxing Temple: 20 kilometers southeast of Changzi County, there is Cilin Mountain with an altitude of 1,160 meters. There is a famous Faxing Temple on the mountain. Faxing Temple was built in the first year of Shending of the Later Wei Dynasty (401 AD). It is said that an eminent monk traveled to Cilin Mountain and admired the Buddhist scenery here very much, so he built the Cilin Temple on the mountain. In the first year of Shangyuan, Emperor Gaozong of the Tang Dynasty, Emperor Li Zhi went from Kaifeng to Taiyuan. On the way, he visited Cilin Temple, renamed it "Guangsheng Temple" and gave the temple two peonies.

During the reign of Emperor Yingzong of Song Dynasty, Emperor Zhao Shu changed Guangsheng Temple to "Faxing Temple". Faxing Temple was in disrepair and dilapidated for a long time. In addition, it was located in the main mining area of ??Cilin Mountain Coal Mine. In the late 1970s, Faxing Temple became a temple. There are cracks in the temple foundation, the temple is tilted, and the courtyard walls are out of shape. There is a risk of collapse and destruction. After repeated investigations and studies by the county, city, provincial and central cultural relics departments, it was confirmed that the original site of this Northern Wei Dynasty building could no longer be restored, so it was decided to relocate Faxing Temple to Cuiyun Mountain opposite. Cuiyun Mountain faces the majestic Cilin Mountain to the east. The verdant Danzhu Mountains line the north. The silver-belt Tailuo Highway intersects with the Jiao (Zuo) Tai (Yuan) Railway. At the foot of the east mountain, the clear and bright Dan River flows all year round. , the mountain breeze blows, the pine waves roar, and the white clouds float. Entering the river is like entering a fairyland, which is refreshing and refreshing. The construction and relocation of Faxing Temple started in 1980 and has been basically completed. The newly built temple is located at the southern foot of Cuiyun Mountain, covering an area of ??60 acres, which is six times the area of ??the original temple. The newly built parking lot in front of the temple is connected to Cuizhuang Village at the foot of the mountain. At the entrance, two cypress trees that have always existed on the hillside and stretched forward are cleverly preserved. Like the welcoming pines in Huangshan Mountain, they welcome tourists with their evergreen green color all year round. There are benches under weeping willows around the parking lot for visitors to rest in the shade. Climb 60 stone steps from the parking lot to the mountain gate. This door is part of the reconstruction. The layout of the original site of Faxing Temple was originally established in the Tang Dynasty. It was repaired and expanded many times in the Song, Yuan, Ming and Qing dynasties. The one time in the Qing Dynasty actually took thirteen years. However, it was often damaged during the long history, and the mountain gate disappeared without knowing it. "The construction was started in the later Wei Dynasty, and the Tang Dynasty was completed and renewed in the summer. It was up and down several times." This is a true portrayal of the vicissitudes of Faxing Temple. The newly built mountain gate was rebuilt according to the dimensions of the ruins. After entering the mountain gate, there are Guandi Hall and Jialan Hall standing symmetrically on the east and west sides. There are three Guandi Halls, in the style of the Ming and Qing dynasties, which are dedicated to the God of Guandi. The Jialan Hall is a newly added building. Passing through the two halls and located on the central axis is the stupa. This pagoda plays an extremely important role in the development history of Faxing Temple. According to records, in the fourth year of Xianheng in the Tang Dynasty (AD 673), King Zheng Hui and Li Yuanyi, the thirteenth son of Emperor Gaozu of the Tang Dynasty, visited Faxing Temple when he was doing the history of Luzhou. Seeing the magnificent scenery here, he spent a lot of money to expand it and personally presided over the construction. This stone tower. He donated the 37 relics and Tripitaka he collected to the temple and kept them in this stone pagoda. The stone tower he presided over the construction is still perfect and stands as before despite being exposed to wind and rain for thousands of years. The appearance of the pagoda looks like a pagoda but not a pagoda, and looks like a palace but not a palace. This is unique among the existing ancient pagodas in my country. When the pagoda was built, it was during the Tang Dynasty when Buddhism was at its peak. King Zheng Hui gave the relics and Tripitaka, which had a profound impact. Later generations called this place a blessed place, which led to the prosperity of Faxing Temple. There is a burning lighthouse behind the stupa and in front of the front hall. On the pillars of the burning lighthouse, there is a sentence engraved on it: "Dong Xixuan, a Qing believer in the eighth year of the Tang Dynasty, built a Changming lampstand in this temple." Therefore, people also call it a stone carved Changming lamp. There are only three existing Tang Dynasty stone lighthouses in China. The stone lantern in Faxing Temple is the most exquisite in shape, the most meticulous in carving, and the most complete in preservation. It is known as a treasure of ancient stone carvings. The front hall, also called Yuanjue Hall, is the largest building in the temple. In the third year of Yuanfeng in Song Dynasty (1066 AD). The hall is about 8 meters high. The stone door frame, lattice windows and skeleton are all supported by stone and wooden pillars. The brackets are plump and the eaves are soaring. It is extraordinary, majestic and solemn. The top is six rafters hanging from the top of the mountain, with five ridges and six animals. Most of the 18 Buddha statues in the hall are clay sculptures from the Song Dynasty. In the hall, there is a stone Buddha platform with the word "concave". The central statue of Sakyamuni Buddha is about 3 meters high and sits on a square lotus platform. On the left are Manjushri and Samantabhadra Bodhisattva. There are two Dharma protectors at the sub-station in front of the stage. Avalokitesvara of the South China Sea sits with its back to the Sakyamuni Buddha statue. There are 12 statues of Yuanjue standing against the walls on both sides, either naked or naked, with round faces, high buns and beautiful eyebrows, solemn and handsome expressions, soft colors, and smooth and rhythmic clothing lines. In particular, the image of Yuan Jue, who holds his chin in one hand as if thinking, has an expression that overflows from the brows to the corners of the eyes, and the shape is graceful and lifelike.