Li Kuchan (1 899065438+1October1-1June 9831) was originally named Li Ying, Li Yingjie, a native of Gaotang, Shandong. I grew up in a poor family and studied painting under the influence of folk painters. 19 19 participated in the work-study program affiliated to Peking University (also known as the French Museum) and studied sketch and western painting from Xu Beihong in the amateur painting research association affiliated to Peking University. 1920 entered the Chinese Department of Peking University to study Chinese, and 1922 transferred to the Western Painting Department of Beijing Institute for Nationalities. During this period, I often pull rickshaws at night for a living. To this end, classmate Lin gave him the word "bitter Zen" (bitterness is the experience of suffering; Zen, a freehand painting, was called Zen painting in ancient times. 1923 Bai Qi Baishi studied Chinese painting as a teacher and became the first disciple of Qimen. The old man Baishi gave him a calligraphy cloud "Bitter Zen" (the first stroke and thoughts have not been defected since the next generation, and the true temperament can be tested); I think "English (bitter) has passed me, and English is invincible." If you don't talk to each other and don't care about the name, there is no ghost. "1925 After graduating from Beijing Institute for Nationalities and Arts, he became a Chinese painting teacher of Beijing Normal University, 1930 professor of Hangzhou Art Institute. At the beginning of the Anti-Japanese War, he resigned and lived in Beijing. Because of his close contacts with patriots on weekdays, he was once arrested and imprisoned, and he was unyielding in prison. 65438-0946 Professor of Beijing Institute of Ethnic Arts, 65438-0950 Researcher of Institute of Ethnic Fine Arts affiliated to Central Academy of Fine Arts. Later, he served as a professor in the Department of Traditional Chinese Painting. He is good at freehand flower-and-bird painting. His works inherit the fine tradition of Chinese painting and integrate Chinese and western techniques into one furnace. He often takes pine, bamboo, plum, orchid, chrysanthemum, stone, lotus, fish, chicken and eagle as the theme, and has a unique style of bold and unrestrained brushwork, magnificent momentum, eye-catching and vivid image, and has established a new style of freehand brushwork of flower and bird painting. The long screen is huge and attracts more attention from the world.

Lou Shibai (1965438+June 2, 2008-2010 65438+February 2008 13), formerly known as Lou Shao Huai, once used Ming Lou Shao Huai, and read the words. Liuyang, Hunan, 19 18 was born in Beijing; 1942 graduated from the Fine Arts Department of Fu Jen Catholic University, majoring in painting; Before his death, he was a national first-class artist, a member of China Artists Association, a director and vice president of Chinese Painting Research Association, a researcher of China International Painting and Calligraphy Research Institute, a consultant of Yanjing Painting and Calligraphy Society, an honorary professor of China Painting and Calligraphy Correspondence University, a director of Beijing People's Association for Friendship with Foreign Countries, and a member of Beijing CPPCC. He fully inherited the characteristics of Qi Baishi's artistic techniques and made some innovations. His paintings, especially those of ducklings, have a vitality in simplicity. There is a saying in the art world: Qi Baishi's shrimp, Xu Beihong's horse, Li Keran's cow, Huangzhou's donkey and Lou Shibai's duckling.

Xu Linlu, a native of Penglai, Shandong Province, was born in 19 16. He is a flower-and-bird painter, calligrapher and connoisseur of ancient and modern calligraphy and painting in China. He is now a librarian at the Central Institute of Literature and History. Member of China Artists Association and China Calligraphers Association, President of Beijing Flower and Bird Painting Research Association, Honorary President of Beijing China Painting and Calligraphy Society, Vice President of China Senior Painting and Calligraphy Research Association, Honorary Dean of Shandong Penglai, Sichuan Jiazhou and Henan Kaifeng Painting and Calligraphy Institutes, Honorary Professor of China Painting and Calligraphy Correspondence University and Beijing University of Technology. I studied at home since I was a child, and I love learning books and painting. 1939, thanks to Mr. Xinyu Pu's guidance on the concept and techniques of painting and calligraphy; 1945, Qi Baishi and I became teachers, 13 years I got the true meaning. He has been engaged in painting and calligraphy for more than 60 years, read and studied the works of nearly 10,000 famous artists in past dynasties, absorbed the brush and ink techniques of Shi Tao, Zhu Da and Wu Changshuo, and creatively absorbed folk art and Peking Opera art into his own paintings. After more than half a century of hard work and dedication, he has formed his own unique artistic painting style, and his works enjoy a high reputation at home and abroad.

Chen Dayu (19 12-200 1) was born in Chaoyang, Guangdong. (19 12-2002) was originally named, later renamed as ao, and the word Dayu was used, so the line character was used. 1935 graduated from the Chinese Painting Department of Shanghai Academy of Fine Arts. 1946 Disciple Qi Baishi. 1948 lecturer of freehand brushwork flower-and-bird painting in Chinese painting department of Shanghai Academy of Fine Arts. 1950 Associate Professor, Shanghai Academy of Fine Arts. From 65438 to 0958, he was transferred to the Fine Arts Department of Nanjing Art Institute as a professor. He used to be the executive director of China Artists Association, the vice chairman of Jiangsu Artists Association and a member of Calligraphers Association. He is currently a member of China Artists Association, China Calligraphers Association and honorary director of the Fine Arts Department of Nanjing Art Institute. Engaged in Chinese painting art education for a long time. Good at freehand brushwork of flowers and birds, calligraphy and seal cutting. He studied under Yao Shiying, Ma and Zhu Lesan. Calligraphy is good at seal script and cursive script, and the Chinese painting "Bing Di Cheng Xiang" was selected for the sixth national art exhibition. Calligraphy seal cutting works have participated in the first, second, third and fourth calligraphy seal cutting exhibitions. 1980 held a solo exhibition in Jiangsu Art Museum, 198 1 held a solo exhibition in Shanghai Art Museum.

Li Keran, 1907 was born in Xuzhou, Jiangsu Province on March 26th. 13-year-old teacher studied traditional landscape painting from Shi Zhi, a teacher in his hometown, 16-year-old teacher entered Li Keran Teachers College, a master of Chinese painting in a private school in Shanghai (13). 1929 entered Hangzhou West Lake National Painting Academy with excellent results and was admitted as a graduate student. He studied western painting with Lin Fengmian and Crodo, two famous French painters. 1943 was employed as a lecturer of Chongqing Institute of National Arts, engaged in the teaching and creation of Chinese paintings. 1946 at the invitation of Xu Beihong, he was appointed as a professor of Chinese painting at the National Beiping Art College. At the same time, he studied under Qi Baishi and Huang and devoted himself to the research and creation of national traditional painting.

Chen Zizhuang (19 13 ~ 1976) whose real name is Fu Gui, also known as Jin Si, is also known as Lanyuan and Nanyuan Xialiba. In his later years, he painted a straight stone pot and was born in Rongchang, Sichuan (now Yongchuan, Chongqing). 19131June 15, born in yongxingchang (now yongrong town), Yongchuan county,1died in Chengdu in July, 1976 at the age of 63. 65438-0955: Researcher of Sichuan Literature and History Research Institute and member of Sichuan CPPCC.

Chen Zizhuang's family was poor when he was a child. He was enlightened in a private school when he was six or seven years old. He was influenced by his father since childhood and loved painting. Studied under the famous painters Huang, Qi Baishi. 65438-0950 entered the advanced research class of Southwest Military and Political University. His painting art is rooted in thousands of years of traditional culture. On the basis of studying China's traditional painting and calligraphy theory for a long time, he began to reform in 1950s, and gradually formed his own artistic thought and unique "Zizhuang style". Known as "Van Gogh of China".

Among them, Li Kuchan has a special position among his immediate disciples. He is the first disciple of Qi Baishi and the most outstanding one among all his disciples. He once said, "Everyone learns from me, but Li Ying (formerly known as Li Ying) takes my heart". Xu Linlu, Lou Shibai and Chen Dayu can only say that they learned from Qi Baishi and made innovations. Other Chen Zizhuang and Li Keran had a strong artistic accomplishment and personality before learning from Qi Baishi, so they only learned nutrients from Qi Baishi and developed their own style, not directly, but from him.

Knowledge level is limited, please correct me if there is anything wrong!