[Language] "Dunhuang Bianwen Collection Lushan Yuangonghua": "No; Nothing. " Empty, empty, empty, long, short, short, short, short, short, short, short, short, short, short, short, short, long, short, short.
Generally used as predicate and attribute. Verb-object structure
Discrimination ~ is different from "penniless": ~ straightforward; Can be used with metaphor; It refers not only to property; More extensive; The object of application is not only individuals and families, but also groups and countries. "Poor as a church mouse" is figurative; Can no longer be used with metaphor; Mainly refers to property; Only applicable to individuals or families. [Example] Before liberation; My home is ~.
Nothing.
2. The four-character idiom ppt used in China's poetry appreciation is often related to foil. Can be divided into moving into static and moving out of static. For example, Li Bai's "Looking at Lushan Waterfall" and "Looking at Qianchuan Waterfall" describe the first image of the waterfall. From a distance, it looks like a huge white practice hanging in the mountains, and the word "hanging" turns into silence. Another example: Wang Wei's "Mountain in Autumn Night": after the rain, the mountain is empty and stands in autumn night. The crystal stone in the stream, the bamboo language of the laundry girl at home, the lotus leaf in front of the fishing boat, when you are here, your friend's prince, spring has passed, what does it matter? . Couplets describe the bright moon in the sky, pine trees are full of trees, which is a description of static scenery, and the clear mountain spring flows through rocks, which is a description of dynamic scenery. Because of the abundant water after the rain, the mountain spring flows through the rocks and makes a sound, which reflects the tranquility in the mountains. In the appreciation of ancient poetry, the combination of emptiness and reality is relative. There are generally three types of "emptiness" in ancient poetry: the world of gods and ghosts and dreams, such as Li Bai's "Climbing in the Dream of Tianmu Mountain", dressed in colorful clothes, all the clouds in the sky come after the wind, one by one; The scenery that has passed away, such as Su Shi's "Red Cliff Nostalgia", "Talking and laughing, strong crossbows go up in smoke", reproduces the historical facts of burning red cliff; Imagine the future scenery, such as Liu Yong's Rain in the Rain, "Where to wake up tonight, there is a faint breeze on the bank of willow". The "truth" in poetry is a real scene, fact and truth. The combination of "emptiness" and "reality" in ancient poetry is generally manifested as: on the contrary, they form a strong contrast, complement each other and form a rendering contrast. For example, Jiang Kui's ". The real scene is the bleak situation seen by the poet who wrote "Let Wheat Green". An emptiness and a realistic contrast convey the poet's feelings of past prosperity. Another example is Ouyang Xiu's "Walking on the Sand", "Plum blossoms are waiting in the pavilion, willows are sparse on the stream bridge, and the grass is warm and swaying. Sorrow is drifting away, and the distance is like spring water. Inch by inch, my heart softened and my eyes were full of tears. "Through the scene of early spring, I compared the parting feelings of' pedestrians' and wrote emptiness. Through Pedestrian, I wrote the tragic image of missing my wife. The wife misses her husband, and the husband misses his wife. Reality and reality coexist, thus expressing the feelings of parting to the fullest. The combination of light and shade and silence for example: Chai Lu (Wang Wei) "There seems to be no one on the empty mountain, but I think I heard a voice. At dusk, the mountains are deserted and lonely. Occasionally, hearing the voices of a few people not only does not break the mountain, but also makes it more quiet. The last two sentences are the contrast between light and shade: a ray of sunset shoots into a beautiful forest, and the afterglow of sunset hits a piece of moss, which further triggers the feeling of darkness. Here, the sound is quiet, set off and contrasted. (2) Lyrics, which are the expression and expression of the author's thoughts and feelings in an article or work. The relationship between emotion and scenery Poets write poems to express their thoughts and feelings. In order to achieve this goal, he needs to write about scenery-natural or surrounding scenery, to arouse feelings and convey feelings to readers. The handling of emotions and scenery is very important. If handled properly, he will arouse the feelings of readers and let them sing with him. Generally speaking, scenery and emotion are harmonious. Write sad feelings with sad scenes; Happy to write mourning; The scene of mourning, the scene of appreciation, such as: the wind scattered (on the restaurant topic) (Song) in "spring is a long time, the lake is drunk." Yu Qi is used to knowing West Lake Road, and she is arrogant in front of the restaurant. Singing and dancing in the fragrance of red apricots, swinging in the green Yang Ying. The warm wind is ten miles beautiful, and the flowers are over the clouds. The original boat will return in spring, and the rest will be paid. " Tourists go sightseeing by boat, drink, sing and dance, so that readers can fully feel the joy of spring outing. Write "Fifteenth Conscription" in Han Yuefu with a funeral scene. "The 15th draft, eighty years later to return home. Everyone in the village, who is at home? From a distance, it is the royal family, with numerous pine and cypress tombs. Rabbits enter from the dog's sinus, and pheasants fly from the beam. In the atrium, tourists live in the valley, while in the well, tourists live in sunflowers. In the valley, they eat it as a meal and the sunflowers are picked as soup. The soup and rice have been cooked for a while, and I don't know who it is. When I went out and looked east, tears fell on my skirt. " Writing about veterans begins with "I can't join the army at ten, but I have to return it at the age of eighty", focusing on the scenes on his way home and after returning home, mainly using the method of writing about funeral scenes, and focusing on expressing the grief of his family's destruction and helplessness. Write mourning feelings in musical scenes, such as Taicheng (Tang Dynasty), Wei Zhuang's Jiang Yufei Jiang Caoqi, Liang Chen in the Eastern Jin and Song Dynasties (AD 3 17-589). These six dynasties all established their capitals in Nanjing, and they were all short-lived. The Six Dynasties were famous for their luxury. By the Tang Dynasty, the Six Dynasties had passed and extravagance had declined. Therefore, when poets in the Tang Dynasty went to Nanjing to mourn for the past, they were always sad for the Six Dynasties. When they saw the rain, the grass was growing by the river. Very sad. But when I came to Taicheng, I saw beautiful spring scenery, catkins flying and smoke cages lingering ten miles away. He thinks that the natural scenery is still so beautiful, but the personnel are completely different. The glory of the past-gone forever, has added a sadness. Therefore, this short poem not only uses the scene to set off, but also uses the scene contrast, which enhances the appeal and effect of the poem and is a very successful work. Cai Wei: "Once upon a time, I was gone, and Yangliuyiyi. Now that I think about it, it's raining. " Yi-Liu Yang, the beautiful spring scenery is intoxicating, but it is sad to leave; It's raining hard and freezing, but it's time for my husband to go back to his hometown. "Jiang Zhai Shi Hua" said: "Write a mourning with a happy scene, and write a mourning with the beautiful scenery of Syaraku, and double his sorrow and joy." In Li Bai's Song of Xia Sai, he wrote: "Five In the snow in Tianshan Mountain are cold without flowers. I heard a bright future, but I didn't see spring scenery. Fight with the golden drum at dawn and hold jade at night. This lofty sentiments are also the center of the whole poem. In this way, we feel the image of a soldier who is not afraid of difficulties and has an iron will. Here, the so-called "mourning" scene, since it is used to set off lofty sentiments, is not an exaggeration.
3. Five-grade Chinese book II 1 lesson four-character idiom. Four-character idioms in the first 1 lesson in the second volume of the fifth grade Chinese:
Singing a song, thousands of miles of green * * * flow, looking around, horses galloping, ribbons dancing.
2. Good words in the second volume of Chinese in the fifth grade 1 lesson:
Singing a song, a thousand miles of green carpet, soft rendering, sketching the flowing clouds of green * * *, standing for a long time, looking around, whispering about the wonderful realm, free and easy aftertaste, tangled clothes, dancing horseshoes, courtesy restraint, Ewenki shy wrestling west.
3. The fifth grade Chinese lesson 65438 +0 central sentence:
Why can't you bear to say goodbye to Mongolian and Chinese feelings?
Mongolians and Han Chinese have a deep friendship. How can they be willing to part immediately? Everyone stood on the endless prairie in the sunset, pouring out their feelings of farewell to each other.
4. Exercise characteristics: 1. Change the scenery step by step.
2. The language in the text is rich and beautiful, and rhetorical devices such as personification and metaphor are used properly, which enhances the grassland scenery.
Beauty.
3. Scenes blend, and the author writes the beauty of grassland scenery statically.
5. Original text:
Grassland Laoshe
This time I saw the grassland. The weather there is better than that in other places. The air is so fresh and the sky is so clear, I always want to sing a song to express my joy. Under the sun, it is thousands of miles away, not endless. There are mountains on all sides, the ground is green and the mountains are green. The sheep climbed the mountain for a while, and then came down again. Wherever they go, it's like embroidering big white flowers on an endless green carpet. The lines of those hills are so soft, just like Chinese paintings are only rendered in green, and there is no need for ink lines to outline them. The green * * * flows everywhere and gently flows into the clouds. This state is amazing and comfortable; I want to stand for a long time, I want to sit down and sing a beautiful poem softly. In this realm, even the steed and Daniel sometimes stand still, as if recalling the infinite fun of the grassland.
We visited Chenbaerhu Banner. The car walked 150 miles before reaching its destination. One hundred and fifty miles are all grasslands, and the other one hundred and fifty miles are grasslands. Driving on the grassland is very free and easy. As long as the direction is good, you can go anywhere. When I first entered the grassland, I couldn't hear or see anything except some birds flying around. After walking for a long time, I saw a circuitous belt as bright as glass in the distance. River! There are many cattle and sheep, and they also see horses, and there is a faint whip. Almost there, almost there. Suddenly, as if blown by a gust of wind, a group of horses appeared on the distant mountain, and men, women and children immediately put on all kinds of clothes. These horses galloped and danced like a rainbow. This is the host welcoming the guests from afar dozens of miles away. When the master saw us, he immediately turned his horse's head, cheered and ran to lead the way in front of the car. The quiet grassland became lively: cheers, cars and hooves rang together. The car followed the horse over the mountain and saw some yurts.
Outside the yurt, there are many horses and many cars. Many people came to see us by horse or car from dozens of miles away. The master got off the horse, so did we. I don't know whose hand it is, but I always hold it warmly and hold it. Our languages are different, but our hearts are the same. Shake hands and shake hands, laugh and laugh. You say yours, I say mine. Generally speaking, it is national unity and mutual assistance.
Somehow, I got into the yurt. Pour milk tea, put milk tofu, and the host and guest sit cross-legged. Everyone is very polite, very enthusiastic and not at home at all. Soon, the hospitable host put the mutton on the big plate. The cadres toasted us, and the elderly in their 70s toasted us. We reciprocate, the host raises his glass, and we reciprocate. At this time, Ewenki girls, wearing pointed hats and a little shy in generosity, came to sing folk songs for the guests. Our fellow singers also sing very fast. Singing seems louder and more touching than any other language. No matter what you sing, the listener will always show a knowing smile.
After dinner, the boys performed horse riding and wrestling, and the girls performed folk dances. The guests are dancing, singing and riding Mongolian horses. The sun has set, and no one will leave. Yes! Why can't you bear to say goodbye to Mongolian and Chinese feelings?
4. Book 7 Unit 4-6 Four-character Idioms Attached to Translation Language ppt Sigh Stop tàn wéi guān zhǐ Release Meaning Sigh: Appreciation; Stop after reading: enough reading means praising what you see. Extreme language names stop. Pinyin jiá rán ér zhǐ explained that the voice suddenly stopped. (Stop: Onomatopoeic words are pronounced in their true colors. Běn sè dāng háng explained that the performance of this behavior is ten remarkable qualities: the original color of the object; The auxiliary word should be; Line: háng's continuous description should keep its true colors, and current use refers to the remarkable performance of books, which can make birds sing loudly; Describe the sudden stop of sound) stone breaking, landslide, stone crack, vibration, the original description of sound, high and low, unexpected encounter, indescribable fairyland metaphor, article discussion, novelty, surprise, dilemma (j ? j ? n tu ? w é id) Explanation: Dimension: Gu: the theory of poverty refers to dilemma. Both are in a dilemma. Word: Maogu Pinyin: máo gǔ sǒng rán English: Horror Russian: уас Explain horror: the hair of the fear body stands up and the back is cold. Describe ten hairs of fear: hair; Bone: refers to the back; Fear: I'm afraid my hair will stand on end; Cold ridge describes fearless and fearful (y ǔ wú lú n cí) speaking meaningless: it is unorganized and unorganized. Lv Shuqing won by a narrow margin. In contrast, raising chips is slightly better. In ancient times, using counting tools to praise bamboo was slightly better than raising chips. With a little modesty, I read the interpretation of jìn tài jí yán 65438. +0. Both looks and posture are beautiful and charming. 2. Make the appearance and aesthetic feeling fully displayed. Dissatisfied and happy. Describe satisfaction or pleasure. Looks depressed and fast. Explain the situation. Explain this power very generously. Go: Complement each other. Explain that two or two things cooperate with each other and show dual abilities and functions. Highlight the use bias; As a predicate; With praise, it is necessary to establish a point of view on writing a composition, that is, E79FA5E98193E7898E69D833133363373737, that is, writing a good composition is not a matter of one or two days, it needs long-term persistence, and clever ways to cope with exams are generally difficult to work.
It sounds difficult, but it's not. We just need to spend a little more time on our composition.