The calligraphy world does not reject thin gold calligraphy, but there are very few people learning it and it is difficult to innovate.

Thin Gold Style is a font created by Zhao Ji, Emperor Huizong of the Song Dynasty. It is a very unique calligraphy style in the history of calligraphy. Because it is very different from traditional calligraphy styles such as Jin Kaili and Tang Kai, it can be It is called an original creation in the history of calligraphy, and its representative works include "Thousand-Character Classics in Regular Script" and "Poems of Hefang". The thin gold font is agile and fast, and the handwriting is thin and strong, even thin without losing its flesh. The large characters are especially graceful and graceful. It is a font with a unique style.

Xue Yao of the Tang Dynasty is the ancestor of the thin gold style:

Xue Yao learned calligraphy from Chu Suiliang. He was thin, hard and spirited, his pen was fine and powerful, and his structure was sparse, but it was more dangerous than Chu Suiliang's calligraphy. Jin is more delicate. He does not imitate Chu's calligraphy step by step, but develops and creates something. It has become a habit and he is the last stream of Chu's calligraphy.

Features of Slender Gold:

Slender Gold is a font with a very unique style. Based on the image theory, this book style should be a "thin body". Using "gold" to change "tendon" is a sign of respect for the imperial book.

Song Huizong's calligraphy strokes were thin and hard. He first learned from Huang Tingjian, and later learned from Chu Suiliang and the brothers Xue Ji and Xue Yao. He mixed various calligraphy styles, absorbed the strengths of others and came up with his own ideas, and finally created The unique "thin gold book" style has great influence. The calligraphy of the Song Dynasty is known for its charm and charm. Zhao Ji's thin gold calligraphy embodies the similar aesthetic taste of the era. It is said to be "the beauty of the sky and the leisure and leisure"; it also has a strong personality, which is said to be "like bending iron and breaking gold". .

This style of calligraphy has never appeared in previous calligraphy works. Chu Suiliang's thin brushes are only slightly the same, but most are different. Compared with the calligraphy of Xue Yao in the Tang Dynasty, it can be said to be the closest. Maybe Zhao Ji changed the style from Xue Yao's "Shi Cong Shi", but his creation is obviously much more mature than Xue Yao. This is a very mature calligraphy style, and Zhao Ji has given full play to its artistic personality.

This kind of calligraphy style, which is thin, crisp and sharp, requires extremely high calligraphy skills and cultivation, as well as a calm and calm state of mind. Of course it is not easy for others to imitate. Many descendants have studied his calligraphy, but those who have mastered his marrow are as few as the morning stars. Jin Zhangzong once imitated Huizong's thin gold calligraphy and inscribed famous paintings and calligraphy in Mingchang's palace that were robbed from the Song Dynasty, such as "The Spring Outing of Lady Zhang Xuan and Guo Guo" which is said to have been copied by Zhao Ji. The writing style is weak and the shape and quality are poor.