Rural April poems - Recipe Complete Network

Rural April poems

translate

The fields on the hillside are lush and the flat rice fields are sparkling.

The sky is misty and rainy, cuckoo birds are singing and the earth is thriving.

In April, there is more farm work, and rural farmers are busy in the fields.

It is also a kind of mulberry, picking mulberry leaves and raising silkworms.

centre

The whole poem highlights the intense and busy work in the countryside in April. The whole poem is like a colorful picture, which not only shows the poet's love and praise for the rural scenery, but also shows his praise for the working people and working life.

Make an appreciative comment

This poem describes the scene of early summer in rural areas in the south of the Yangtze River in a simple way. The first two sentences focus on the scenery: green plains, Shirakawa, Zigui and misty rain, and a few strokes outline the unique scenery of the water town in early summer. The last two sentences are about people. The picture mainly highlights the image of farmers transplanting rice in paddy fields, thus setting off the tension and busyness of rural labor in April. Call before and answer after, interweaving into a colorful picture. In April in the south of the Yangtze River, the hillside is green, Yuan Ye is green, and green trees, grass and seedlings are displayed in front of the poet, which is a world dominated by green. In the green Yuan Ye, rivers and canals crisscross, and the roads are full, flowing and white; Paddy fields filled with water are also white. Looking up, the green fields and the white water are all shrouded in faint smoke. Is that fog? A cigarette? No, it was a drizzle. From time to time, a few cuckoo calls came from the trees and the air. The first two sentences of the poem describe the scenery of Jiangnan in early summer, with broad vision and delicate brushwork; Bright colors and hazy artistic conception; Dynamic and static combination, vivid and colorful. "The rain is like smoke in the sound of the sub-gauge", and the drizzle like smoke seems to be summoned by the sub-gauge, which is particularly sense of realm. "In April, there were few idle people in the countryside, and only silkworms were planted in the fields." The last two sentences are about busy farming in early summer in Jiangnan. Mulberry picking, sericulture and transplanting are two major agricultural activities related to food and clothing. Now is the busy farming season, and every household is very busy. Don't take the last sentence of the poem too seriously, thinking that every family picks mulberry to feed silkworms first, and some people transport seedlings and some transplant them; Some people put silkworms into the field first, some people put silkworms into the field first, some people are only busy with one of them, and many people have to do something else. "Planting fields only when raising silkworms" is just a simplification, which outlines the busy atmosphere of rural farmers in April. As for not directly saying that people are too busy, but that there are few idle people, it is deliberately euphemistic and soothing, in order to maintain a leisurely tolerance in people's busy tension, which is in harmony with the watercolor-style hazy colors described in the first two scenes.

References:

/view/ 12506 1.htm

Interviewee: 7 fgame 0 1- magic apprentice level 1 5- 14 19:52

Modify the reply: 7fgame0 1, and the reply you want to modify is as follows: the integral rule is closed.

translate

The fields on the hillside are lush and the flat rice fields are sparkling.

The sky is misty and rainy, cuckoo birds are singing and the earth is thriving.

In April, there is more farm work, and rural farmers are busy in the fields.

It is also a kind of mulberry, picking mulberry leaves and raising silkworms.

centre

Make an appreciative comment

References:

/view/ 12506 1.htm

/kloc-answer within 0/0000 words.

References:

If your answer is quoted from other places, please indicate the source.

Egrets fly in front of Cisse Mountain, ②

Peach blossom and flowing water mandarin fish fertilizer. ③

Green bamboo hat, ④ green hemp fiber,

There is no need to return to the oblique wind and drizzle.

author

(730~8 10)

Zhang, with the same word, was originally named turtle age. Wuzhou Jinhua (now Zhejiang Jinhua) people. When Su Zong was in the Tang Dynasty, he was waiting for the imperial edict from the Hanlin. Later, because of the incident, he was demoted, pardoned and returned, and no longer entered the official position, living in rivers and lakes and becoming a fisherman. He is the author of Xuanzhenzi and Quantang Poetry, and recorded nine poems. Fishing songs, also known as fishing songs. This is the song of Jiao Fang in Tang Dynasty. There are two kinds of single and double tones, monotonous 27 words, five sentences and four rhymes; Two-tone 50 words, squeak. Zhang's "Fishing Song" has five songs. Ten volumes of "The Elephant of the Southland" and eight volumes of "White Horse Without a Horse Card" have not been published in the world (according to Zhenqing's "Wandering Xuanzhenzi Zhang Bei"). According to Yan Naizhang's friendship, Zhang Zhuan, Xuanpinlu and Zhuan all recorded the Zhang incident in the Tang Dynasty, all based on this monument). Zhang is a rare scholar. At the age of sixteen, he passed the Ming Classics and was deeply appreciated by Tang Suzong. He had to wait for the Hanlin imperial edict to grant Sargingo a document to join the army. So he changed his name to He Zhi. Shortly thereafter, due to prison affairs, Nanpu Wei was demoted and pardoned, so that he would no longer be an official.

After leaving the palace, he often wandered around the rivers and lakes, calling himself a "smoker." This may be an imitation of Jiang Shang's story. Every time I fish, I don't want to fish.

Here are some things to see about Zhang Zhixing. Although Zhang used to be a senior official of the imperial court, after retirement, the county magistrate asked him to dredge the canal, but he was able to "take care of it as soon as he took care of it" (Yan's Monument). In addition, Zhang tasted the brown fur made of big cloth, and his sister-in-law heard that it was hand-woven, which was a great success. Although it is difficult to understand this heat, it lasted for ten years. Give each handmaiden one, and Zhang will marry him as husband and wife, calling him and Qiao Qing. People asked him why, and replied, "Yu Tong made him fish and pick nylon, reeds beat drums, and Qiao Qing made Su Lan earn laurels and make tea in bamboo." Lu Yu, the son of Jingling, and Pei Xiu, the school book lang, asked, "Who are the contacts?" Zhang said generously, "It's too empty to live in a room, and I've never left the world with a photo as a lamp. What contacts are there? " It is so open, which is the legacy of Zuo Zhuang. However, Zhang's nature is withdrawn and strict. "You can be intimate if you can't get it, and you can get a glimpse if you can't get it." Regard Xuanshang as dirt and screen lust as sand. "(Yan" Monument ")

Zhang is also good at landscapes. When he is drunk, he dances with the music of drums and flutes and writes fishing songs, which is beyond his reach. He also wrote a painting for the suggestion Li Chen, with ever-changing contents. The viewer was dumbfounded. Summer sitting in the name of more than 60 people, Zhang two words, potential is. He sighed and sighed. Li Deyu praised Zhang's "hidden name, obviously nothing, no poverty, no standard, no ratio", which made him famous in the Jianghu. Such a life made Li Deyu, who was in an important position in the imperial court at that time, envious.

In the autumn and August of the seventh year of Dali (AD 772), Yan Zhenqing was appointed as the secretariat of Huzhou, and Zhang came to visit. Yan Zhenqing released the boat, so please make it worse. Zhang replied: "I would like to think that Ye Fu is lucky to be able to return to the rivers and lakes in an instant." So it's a water play ("The Legend of the Immortals" contains Zhang's "Keeping the truth and nourishing the spirit, lying in the snow without cold, not entering the water"), and suddenly how to get away. Regarding the scene of Zhang's death, Yan's "Monument" only vaguely records, "How could I suddenly go?" . The New Tang Book Zhang Zhuan is ambiguous and may not be true. The fairy tale sequel "Xuanzhenzi" takes this opportunity to say, "Looking for water, thank Zhenqing, coming up", which is incredible.

Zhang's works, according to Yan's "Monument":

He wrote a volume of 12, with 30,000 words, entitled Yuan Zhen Zi. Therefore, Jing people are called Yan ... and are regarded as "internal solutions". Yuan Zhen also recorded fifteen volumes of "The Great Righteousness", of which 260 had five hexagrams.

Its fifteen volumes of "Great Justice" are unknown today. There are many versions of Xuanzhenzi, which are divided into the first, middle and second volumes:

Qie Qi Chu Jian Liu Shi Subset, the thirteenth episode of Bu Zhi Zhai Series, the sub-part of Jinhua Series and the first edition of Integrated Philosophy Series were photocopied according to Bu Zhi Zhai, which once referred to the collection of Taoist scriptures. This book was collected by Taixuan Department, an orthodox Taoist collection in the Ming Dynasty, but it is called Waipian of Xuanzhenzi, and it is also divided into three volumes: upper, middle and lower. Why is it called crooked film? Why is Xuanzhenzi different from the inner chapter? There are about 37,000 volumes of Tibetan Books. According to Yan stele and Xuanzhenzi's "30,000 Words", we know that Daozang collected the full text of Xuanzhenzi, which is the same as the fifth category of Daozang Collection. Zichui contains Xuanzhenzi Waipian, which is divided into three parts: Pen Preface, Luan Li and Ling Tao, and the last three volumes are based on it. Gui Youguang's comments on Xuanzhenzi in Ming Dynasty, both inside and outside, are not divided into volumes and included in the letters of various scholars. When it is closer to the original appearance of Xuanzhenzi, we can refer to it. Xuanzhenzi has no chapters, and there are also twelve books, twenty books, and Si Ku Quan Shu, which are subdivided into Taoists, Hundred Books Taoists, and Hundred Books Taoists. Anyone who enters the Ministry belongs to Taoism. In addition, "Speak" (Wan Weishan Tang Ben) contains one hundred volumes of "Xuanzhenzi Fishing Songs", which was written by He Zhi of Zhang Tang and recorded by Li Deyu.

The book Xuanzhenzi is similar in style to Zhuangzi, both of which are written in fables. His writing is vast and magnificent, and many dialectical truths are realized from relativism meditation. Zhang also has profound attainments in astronomy. Let's take a look at some of them to illustrate the author's superficial knowledge.

In Zhang's place, the heavenly king is called "God", the earthly king is called "humble" and the monk (the air between heaven and earth) is called "spiritual shortage". It says:

God said: I will one day. Only humble: I have land. Isabelle blamed the name of heaven and earth and asked him, "I look up at the sky and look down at it." In the emptiness, isn't it ridiculous? What if the emperor talks about heaven and earth? Only humble people said, "My land is big and thick, and Yuan Yuan, the capital, is a medium-high place, and its potential is enormous. The floor runs like an altar ... "The Buddha said," My God, being weak and tall is the beginning of transformation. When the middle-level members were transferred abroad, the line dried up. The dome is like a tent ... "Ling Huang said unbelievably," The sky is like an account, and Huxian hangs on it? How can there be peace if the land is like an altar? "The God said," The account of heaven is not in the county, and the floating wheel is always left, and the three lights move west. " Only humbly said, "there is a plate floating on the altar on the ground, so it is safe." "

(Xuan Zhenzi Bi Xu)

Zhang's theory of the relationship between heaven and earth is very close to China's theory of "covering the sky" in ancient astronomy. The difference is that Zhang does not think that the land is inclined, with the northwest high and the southeast low. Heaven and earth are invisible, which is consistent with the theory of Michelle Ye in ancient astronomy. According to Michelle Ye's theory, only celestial bodies (the so-called "three lights" of the sun, moon and stars and their tangible objects) and the earth are tangible and qualitative, and besides, they are infinite vanity. Celestial bodies are not attached to anything, but just float on the vitality and move freely. This is a place that attracts ancient astronomy (before the end of Han Dynasty). Further, we can see Zhang's subtle explanation of the relationship between the sun and the moon.

The sun and the moon are the same, and life and death have a cycle. Everyone who decides the wall element knows that there are times of thin erosion; People who reach the end of the cycle know the time of death and life. However, the bright moon is illuminated by the sun. The light emitted by the moon is a reflection of the sun's light, so the eclipses of the sun and the moon are regular, which is completely in line with modern astronomy. Of course, Zhang could not surpass the cognitive ability of the times, and failed to realize the true relationship between the sun, the moon and the earth, thus failing to reveal the secret of the solar eclipse. However, he attributed the solar eclipse to a natural phenomenon, which was bound to appear at some time, and ruled out the theological explanation of natural phenomena.

Look at Zhang's understanding of existence and its relationship again;

Nothing wrong, nothing wrong. Nothing is not, nothing is not, nothing is not. So, not today, not in the past; It is unusual that there is nothing now, not nothing in the past. If nothing happens to the husband, it has nothing to do with it, the past has nothing to do with it, and the future has nothing to do with it. Outdated people think that there must be others; People who exist at the same time think that otherwise it will be inevitable.

(Xuanzhen Zidao Spirit)

This passage sounds mysterious, but its basic idea is only one, that is, the existence of things is transformed from generation to generation in the process of time. The concrete things that exist now must have never existed in the past; What doesn't exist now must exist relative to the past. We can't say that things that have never appeared in the world are gone today. The disappearance of existing things is different from the "nothingness" that has never appeared in the past. Today, something suddenly comes from nothing, and something different from the past has been preserved until now, because times have changed. (The former has a process problem from scratch, while the latter has a process problem from scratch. If there is no connection and no difference between the past and the future, it is because the time difference between them has been removed (that is, the relationship between the present and the future has been discussed abstractly, and the time factor of this relationship has been excluded). People all over the world think it's right to look at and discuss whether there is a difference in time, but some people don't think so. They think it is wrong to rule out the time difference and talk about whether there is a time difference, but some people think it is correct. To see if it has something to do with time is a dialectical light that Zhang flashed in metaphysical meditation. Time was originally associated with the movement of things. If there is no material movement, there is no time. Although there are various forms of movement, the most basic form of movement is still the mutual transformation process of things' existence (presence or absence). And the stipulation of time depends on the speed of material movement (Einstein confirmed this, the faster the object moves, the slower the time passes, and vice versa). Of course, Zhang did not have developed scientific knowledge to lay the foundation for his concept of time and space and material movement, but he revealed the internal relationship between time and material movement (from scratch, from scratch) in speculative philosophy, which is really commendable. The following are two passages from a famous monk (384-4 14) in the Northern and Southern Dynasties, which may help to understand Zhang's contribution to this issue.

..... there is nothing wrong with seeking the direction of things; There has never been anything to blame today. I have never seen it before, and I don't want to find out; There is nothing in the direction, so we know that things will not go. Seek today, not today. It means that the past was comfortable, not from now to the past, but now is comfortable, not from the past to the present.

("Zhao Lun Things Don't Move")

But again, everything has its own reason, so there is no reason. There is nothing, there is something, and there is nothing. Although nothing is nothing, nothing is empty; Although there is nothing, there is nothing but truth. If there is no truth, there is no trace, but there is no difference, then one is cited.

(Zhao Lunbu's Vacuum Theory)

In the previous paragraph, Seng Zhao denied the connection between material movement and time, and only saw the discontinuity of time and movement, but did not see their continuity. But Seng Zhao revealed the contradiction between time and movement, which is undoubtedly meaningful in the history of cognition. Zhang Ze acknowledged the contradiction and thought that the mutual transformation of things appeared with the passage of time, which broke the revealed contradiction gap and developed dialectics. In the latter part, Seng Zhao reveals the contradiction between the existence of things and space. Things have their existence and non-existence. Saying there is something that doesn't exist doesn't mean there is absolutely nothing. The existence of things is unity of opposites. If nothingness is not included, it can only be understood as an absolutely eternal existence, and concrete things are always closer to extinction with each passing day. In this respect, Zhang He is very close. "There is nothing, nothing is nothing." Existence without nothingness is unreal, and existence without existence without existence is not what we call nothingness. Compared with the two, Seng Zhao's exposition should be clearer, but he went on to say that from the existence of specific things, "everything is not true" and things are just "imaginary numbers", so they are far away. Because concrete things can be born or destroyed (change the form of existence), but the material world exists forever, which is proved by the "law of immortality of matter" in physics. As for its logical mistakes, it is often committed by the idealistic world outlook, so I won't discriminate them today. And look at Zhang's On the Origin of the World, in which it is not difficult to see the difference between him and:

Husband has nothing, no beginning; Nothing, nothing at first. There is nothing to do, nothing to stand for, and nature is in it. The abundance of husband's nature, vitality, wind transport, water gathering, awareness, ventilation, everything is ready. Empty all over the body, popular and used, water gathered to see, knowing the gas and thinking about life, gas and meaning. The body can be thick and thick, and it can be used gradually. If you see something, you can observe the changes. If you think about life, you can understand it. If you want to build it, you can explain it in detail. It is a body that knowledge can be thick, and the wind can gradually make it clear, the water can be considerable, the thought of knowledge can be turned into knowledge, and the meaning of reason can be detailed.

(Xuan Zhenzi Bi Xu)

With or without mutual transformation, the world is gradually formed. After the creation of the world, it was not illusory, but the air everywhere rushed in, popular, water gathered, gas was fluent, and there was a sense of knowledge. This includes both simple materialism and knowability.

The real world is created out of nothing, and the process of creation is natural. There is neither a question of who is the creator nor a question of what is created from the creator. He said:

What is without me is called meta-nature, and what is without creation is called enlightenment.

There is no place for the last creator of the world. This theory of natural creation can be said to be a way to deny the theory of God's creation.

Since the world created itself, where is the Tao? Zhang believes that "supreme Tao" is imperceptible, and "I know that supreme Tao is nothing" (Bhikkhu). Tao wants nothing but nothing, he said:

..... there is nothing better than Tao. ..... patrol Liuhe, you are not guilty if you don't get what you want? Out of nature, it is inevitable to stay away from it, isn't it evil?

("Xuanzhenzi Luan Kun")

The "Tao" here obviously refers to laws and rules. When it comes to nothingness, it is impossible to get it because of searching up and down, and the sensory organs can't grasp the law of the movement of things; It is said that there is, because even if we transcend nature and deliberately get rid of it, we can't lift its constraints after all, and the law is objective and universal. These are all flashing thoughts. Of course, it is impossible to seek the existence of Tao by "going out of nature". Law is the inherent property of the movement of things. Without movement (nature), there is no regularity (Tao). Zhang seems to have a tendency to separate the relationship between exercise and the law of exercise. The so-called "creation" is of course the premise of the hypothesis, but setting the premise itself shows that he does not understand the relationship between the two. Moreover, the following discussion only talks about the scope of nature, without seeing that Tao is only the attribute of things in the natural process.

To sum up, it is not difficult to see that Zhang was indeed a great philosopher in the Tang Dynasty. Although he has no solid scientific knowledge as the foundation, the philosophical proposition with scientific factors put forward by him in The Kingdom of Speculation is indeed a valuable ideological heritage.

Nine poems by Zhang Quan.

Full Tang Poetry, Volume 308.

Yangzhou Poetry Bureau Edition

Volume 308 _ 1 There are too few songs about Zhang.

Huayuanling is here, Bixuqing is here, and Xia Hongming is here. There is no limit to ghosts, and there is no limit to achievements.

Volume 308 _2 Empty Zhang Song He Zhi

No self-awareness, natural elements; Nothing to create is the end of nature. The outline is awkward and the shape is awkward. It is possible to look back into your eyes and think of your own thoughts.

Volume 308 Zhang Wuyu Song _3

In front of Mount Cisse, egrets fly freely, plump mandarin fish swim happily on the river, and peaches floating on the water are so bright and full. An old man in the bank, wearing a green bamboo hat raincoat and a green raincoat, braved the wind and rain and fished leisurely. He was fascinated by the beautiful spring scenery and didn't even go home in the rain.

The fishermen on the fishing platform are as brown as fur and set sail in twos and threes. Being able to ride the wind and waves, the white waves of the Yangtze River have never been worried.

Fishermen fish in Ruoxi Bay, and long boats are home to the West and the East. Snow on the river, wind blowing on my face, wearing clothes with a smile.

The owner of Songjiang Crab House is happy, and rice and soup are also * * * rice. Maple leaves have fallen, flowers have withered, and drunken fishing boats don't feel cold.

In Caoqing Lake, on a full moon night, fishermen in Baling are singing. Catch a car, catch a boat and enjoy the immortal storm.

On the last day of Volume 308_4, I recalled Zhang's Memory of Jiangnan.

The Yellow River flows around the county seat in the west, so there should be no baby tour.

In order to remember the watercolors in Jiang Chun, I went to Wuzhou with my dream.

Volume 308 _5 Fisherman Zhang

In August and September, the reed flowers fly, and the old man in Nanxi catches fish again.

In autumn, mountains loomed, and wild fields loomed through railings.

Holding the fishing rod, looking for the path, combing the white hair at sunset.

On the other hand, deciding whether the Crown Prince is right or wrong is a matter of being kind and thinking.

Interpretation of words

Yugezi: It was originally a song name, and later people wrote words based on it, which became a epigraph name.

Mount Cisse: In the southwest of Xing Wu County, Zhejiang Province.

Siniperca chuatsi: It is called Siniperca chuatsi by the people, with fine scales, yellowish brown stripes and delicious taste.

You: A hat. A hat made of bamboo chips and leaves is used to keep out the rain.

Hemp fiber: rain-proof clothes made of thatch and brown hemp.

No need: no need.

To annotate ...

(1) This piece of music was originally a famous piece by Don Jiao Fang. Divided into monotonous and disyllabic. Monotonous 27 words, flat and flat rhymes, and Zhang's tone is the most famous. Disyllabic, fifty characters, and rhyme. Fisherman's song, also known as fisherman or fisherman's music, is probably a folk fishing song. The author wrote five "Fishing Songs", which is the first one. According to the Chronicle of Linz, Zhang Zeng had an audience with Yan Zhenqing, the secretariat of Huzhou, and asked Yan Zhenqing to help him to replace the boat because it was worn out, and wrote "Fishing Song". The inscription "Jade Grid" is named after Zhang's poem "Jade Grid". "Zi" is the abbreviation of "Qu Zi".

② Cisai Mountain: Taoist Rock, near the Yangtze River in Daye County, Hubei Province. Mountain name. In the west of Huzhou City, Zhejiang Province.

③ Mandarin fish: commonly known as "flower fish" and "mandarin fish".

④ Bamboo hat: a hat made of bamboo sticks and leaves.

⑤ Hemp fiber: grass or brown raincoat.

translate

Egrets fly freely in front of Mount Cisse, peach blossoms are in full bloom, the water is fast, the mandarin fish in the water is very fat, and the peach blossoms floating on the water are so bright. An old man on the river bank, wearing a blue bamboo hat and green hemp fiber, braved the oblique wind and drizzle and fished leisurely. He was fascinated by the beautiful spring scenery in the south of the Yangtze River and didn't want to leave for a long time.

judge

This word describes the fishing scenery of Jiangnan water town during the spring flood. This is a landscape painting written in poetry, with clear mountains and rivers and the image of a fisherman.

The first sentence "Egret flies in front of Mount Cisse" and "Egret flies in front of Mount Cisse" point out the position, and "Egret" is a symbol of leisure. It is written that egrets fly freely, setting off the leisure of fishermen. The second sentence, "Peach blossoms and flowing water are fat for mandarin fish", means that at this time, peach blossoms are in full bloom, the river is skyrocketing, and mandarin fish are gaining weight. The pink here contrasts with the water, showing the lakes and mountains in front of the Cisse Mountain in late spring and exaggerating the living environment of fishermen. Three or four sentences "green bamboo hat, green hemp fiber, oblique wind and drizzle don't have to go back" describe the fisherman's fishing mode. The fisherman wore a green bamboo hat and green hemp fiber, and forgot to return in the oblique wind and drizzle. "Oblique wind" refers to a breeze. The whole poem is bright in color and vividly shows the fisherman's carefree life interest.

This word expresses the author's love for freedom and nature in the beautiful water town and the idealized fisherman's life. What attracts us more in the poem is not the leisurely fisherman, but the picture of the spring river rising and misty rain in the peach blossom season in Jiangxiang in February. The green hills in the rain, the fishing boats on the river, the egrets in the sky and the hearts on both sides of the river are brightly colored but soft, and the atmosphere is quiet but full of vitality. This not only reflects the author's artistic ingenuity, but also reflects his lofty, profound, carefree and refined interest. After this poem was sung, it was not only sung by many people for a period of time, but also spread abroad, which opened a precedent for Japanese poets living in China to write lyrics. Five poems by Emperor Xie Chen and seven poems by his courtiers were all adapted from this word. In addition, the old banknotes are all in Huzhou, and I am afraid they are not. Zhang's "Fishing Songs" has five words * * *, which are divided into poems about Magnetic Mount, Fishing Terrace, Songjiang and Lake, all of which are about the pleasure of fishing in Jianghu, and their places are not in Huzhou. According to Lu You's Book of Entering Shu, Mount Cisse is a Taoist priest in Ezhou: "A Mount Cisse in this city is the so-called' Egret Wind in front of Mount Cisse' in Xuanzhenzi's Poem of Fisherman." When Su Shi lived in Huangzhou, he visited the land, and there was a saying: "Yuan Zhen's language is extremely beautiful, and I hate that its curvature is not transmitted, so I added it to Huanxisha." (For the postscript of Xu Fu's Partridge Sky, see Yuefu Elegant Poems) Su Shi's poem Huanxisha says: "Egrets fly in front of Cisai Mountain, and the sails are tiny outside Sanhua Island." Sanhuazhou is in the middle of the Yangtze River, opposite to Mount Cisse. Xu Fu's poem "Partridge Sky" says: "Before the egrets fly to Mount Cisai, the peach blossoms are flowing and the fish are fat. If the court finds Yuan Zhenzi, it will clear the fishing line of the Yangtze River. " Also, Mount Cisse is next to the Yangtze River.

Zhang's "Fisherman's Song" went to Japan.

Sino-Japanese friendship reached its climax as early as the Tang Dynasty. Japan has sent 13 "envoys to China" successively, and China, Jian Zhen and Monk have gone through difficulties and obstacles to cross Japan, which is even more beautiful. Jian Zhen and Japan's Abe, China and Ma Lu's contribution to Sino-Japanese diplomatic relations has been recorded in history, and everyone knows it.

However, in order to establish a monument for Sino-Japanese friendship, there is still an envoy who will not go abroad. He is Zhang, a writer who calls himself a "heavy smoker" in the Tang Dynasty. Zhang's noun "fish lattice":

In front of Mount Cisse, egrets fly freely, plump mandarin fish swim happily on the river, and peaches floating on the water are so bright and full.

An old man in the bank, wearing a green bamboo hat raincoat and a green raincoat, braved the wind and rain and fished leisurely. He was fascinated by the beautiful spring scenery and didn't even go home in the rain.

A Qing Liu once praised it as a masterpiece. It is not only the ancestor of China's Tang Ci, but also the pioneer of Japanese Ci.

Zhang's Fishing Songs is like a rainbow bridge between China and Japan. According to the history of Japanese lyrics, the lyrics were introduced to Japan about 49 years after Zhang wrote "Fishing Songs" (AD 823, the 14th year of Heian in Japan). At that time, the emperor Emei read the reserve and was full of praise. He personally hosted a banquet in Hemao Temple to compose poems. At that time, royalty, literati and celebrities all sang Zhang's "Fishing Songs" with Emperor Emei. It is true that it is a pity that Zhang didn't go to the banquet to sing and discuss, but the negotiators scrambled to follow the example of Fisherman's Song, which aroused the resonance of the Chinese and Japanese people. Xia, an old poet in modern times, said in his quatrains about Emperor Esau: "Cragginess is like a vein with a tyrant ... peach blossoms float on Penglai." This is an excellent tribute to this point.

Japanese emperor Kuie had a deep understanding of China's poems and wrote five poems at the banquet, the third of which wrote:

After crossing the river bridge under the youth forest, the lake turned blue.

Fishing drunk, solo, no ebb and flow.

During the dinner, Prince Naoko, the daughter of the 17-year-old emperor, was brilliant. Her two harmony songs make the shrine feast more colorful:

The spring water is clear, and the fisherman has been alone ever since.

He Li Xiang? What's your name? Leisure songs in the pool send peace.

. Japanese modern scholar Pu Songyoujiu pointed out in the article Two or Three Questions about Yuediao Poetry —— The Legacy of New Sounds in Tang Dynasty in Japan that the genre characteristics of Yuediao Poetry are easily reminiscent of the poetry collections preserved in Volume 14 of Guo Jingji. This group of thirteen poems, centered on the five poems of Yi, are some genealogies of Zi Zi. It can be seen that the blood relationship between Zhang's "Fishing Songs" and Japanese words is unusual.

Comments:

Zhang's fishing song "Egrets fly in front of Mount Cisse" has a long history. The taste of Dongpo is used as a sentence in Partridge Sky and Huanxisha. However, the sentences he finished were not as clever as the original words. Taibai Bodhisattva crossing the river, Dear A 'e, and Zhang's fishing songs, the joys and sorrows of two families are indescribable.

References:

/view/398 19.htm

Respondent: 503598427- probation period level 1 5- 14 18: 17.

translate

The fields on the hillside are lush and the flat rice fields are sparkling.

The sky is misty and rainy, cuckoo birds are singing and the earth is thriving.

In April, there is more farm work, and rural farmers are busy in the fields.

It is also a kind of mulberry, picking mulberry leaves and raising silkworms.

References:

/view/ 12506 1.htm

How to cook Shandong bibimbap?

How many ways to wrap zongzi? How many ways to wrap zongzi?