Question 2: Ask for a picture of Beethoven Will this one do?

Question 3: Ask for a picture: Beethoven head sketch, to be simple, children Beethoven head sketch

Question 4: Beethoven head of which country's money There is this kind of money? If it does, it probably belongs to the collection of ~

Question 5: How to describe the back good-looking front ugly? Is it "Beethoven"?

Harmony: Beethoven

Question 6: What is the most shocking thing that Beethoven left to the world? Beethoven related information In April, 1787, a young man went to Vienna to see Mozart, the great musician of the time. The man, who was not very good-looking, short and smart, showed off his piano skills in front of Mozart, and even Mozart, who was known as a child prodigy, was amazed by him. He immediately said to his friends, "This young man will make waves in the music world." Mozart's prediction was immediately realized in less than ten years, this person is the famous Beethoven.

Beethoven was born on December 16, 1770, in Bonn on the Rhine near Cologne, Germany. Beethoven's father, Johann, was a mediocre alcoholic, and his childhood was anything but happy.

His father wanted his son to become a second child prodigy, so that he could enjoy the glory and wealth, so he forced him to learn the piano, and when he failed to do so, he was severely beaten. Beethoven spent his childhood under such a miserable and painful fate. Beethoven's talent, coupled with the hard work of the latter, the degree of higher and higher, and even his teacher sighed to himself.

At the age of twelve, Beethoven was hired as a court musician for the ancient piano and organ, and took on the responsibility of supporting his family. Beethoven's attention at court was growing, but he had a big heart, and in 1787 he traveled to Vienna to study with Mozart. Unfortunately, his mother became critically ill in Bonn and died soon after he returned home. This was a great blow to Beethoven, and he stayed in Bonn for another five years.

In order to realize his dream, Beethoven went to Vienna again in 1792. This time, Count Waldstein was very helpful, and in return, Beethoven wrote a piano sonata, Op. 53, which he dedicated to Waldstein.

In Vienna, Beethoven studied under Haydn for a year, and then with Schenker, Abrezberg and Salieri, especially the latter, for ten years.

Beethoven gave his first concert in Vienna in 1795, playing his own Piano Concerto No. 2, which was so well received by the Viennese people that it made him famous.

His Symphony No. 1 came later, and in the same year he published three piano trios for which Beethoven established a reputation as both performer and composer.

In the next five years, he wrote the Piano Sonatas Nos. 1 to 11, and the Piano Concertos Nos. 1 to 3, as well as the Piano Concerto No. 1 to 3. And the Piano Concertos No. 1 to No. 3. In 1799, Beethoven completed his "Symphony No. 1". With his marvelous imagination, he wrote a succession of masterpieces that shocked the music world. These works are filled with the joy and enthusiasm of life, and express an unprecedented freedom of expression, breaking through the strict forms that bound even Mozart.

Beethoven was at the height of his fame when he was on his way to a great success, but a misfortune befell him - he became deaf.

~ The Giant Who Couldn't Hear ~

This was a cruel blow, and Beethoven gradually withdrew from the group for fear of being recognized as deaf, becoming more and more isolated.

At this time, he fell in love with a seventeen-year-old girl named Giulietta Gucciardi. He fell in love with a seventeen-year-old girl named Giulietta Gucciardi. The famous Piano Sonata No. 14, "Moonlight," is the work of their love affair.

In 1802, Beethoven moved to the quiet village of Hellequin, an hour's drive from Vienna, where he completed his Second Symphony. But his ear disease worsened and he suffered so much that he wrote the Heiligenstadt suicide note, a statement of misery and misfortune. Later, Beethoven's confidence was rebuilt by Kant's philosophy. "The best way to forget one's misfortunes is to work hard". He returned to Vienna at this time, and in 1803 he wrote his thunderous "Heroic" Symphony No. 3, which was intended to be dedicated to Napoleon. The piece was originally intended to be dedicated to Napoleon, but because Napoleon was crowned emperor, Beethoven was outraged and painted over Napoleon's name, renaming it the "Hero Symphony".

In the same year, Beethoven wrote the brilliant Violin Sonata No. 9, Croce. In 1804, Beethoven completed his Piano Sonata No. 21, "Waldstein". In 1804, he completed his Piano Sonata No. 21, "Waldstein", followed the next year by his Piano Sonata No. 23, "Passion", and his unique opera, "Fidelio". In this series of works he showed his true ability to mesmerize the world with "Waldstein" and "Passion". In 1806 he added the Piano Concerto No. 4 and the Violin Concerto in D major.

In 1808, Beethoven released his Symphony No. 5, "Fate," and Symphony No. 6, "The Field," at the same time. In 1809, Beethoven completed his Fifth Piano Concerto, "The Emperor". These are all masterpieces that will never be forgotten.

Beethoven was a volcano of passion.

Beethoven's heart was filled with infinite emotions, subtle, extraordinary, harmonious and perfect. Beethoven intentionally puts his own ideas into his compositions. For example, in No. 5 "Destiny", the motive of the theme at the beginning is that the God of Destiny knocks hard on the door, and No. ...... >>

Question 7: "Celebrity Turn" Beethoven character analysis 300 This student, it is Celebrity Biography rather than Celebrity Turn Beethoven's most difficult and difficult period. The poverty of material life, the scattering of friends, the aggravation of deafness, the nephew's misbehavior, so that he was in the abyss of pain.

Vienna was a city of ostentation and artifice, and all the great composers who lived in Germany at that time were distressed by the hypocrisy of the city. The bullying, wild and uninhibited genius of the musician Beethoven was certainly not in a good mood. In fact, Vienna praised Beethoven's music, but was never kind to him.

Beethoven wrote several beautiful sonatas, each of which took him three months, but the total **** only earned thirty or forty dugas. A prince asked him to write a quartet, and he vomited his heart and soul to complete the work, but he didn't get a penny for it. He also faced endless lawsuits, either to get the stipend owed to him or to keep custody of his nephew. Beethoven lived in dire poverty.

In 1818, Beethoven wrote: "I am almost a beggar, but I must pretend that I am not strapped for cash", and he personally asked his most respected friend for help, but he never heard back. He was often unable to leave the house because his shoes had holes in them.

When he was thinking of leaving Vienna, some of the aristocrats of the time were convinced that Beethoven was a great musician, and did not want their country to be shamed by his loss; in 1819, three of the richest royal relatives promised to give him a sum of money every year to ensure his material well-being, on the sole condition that he did not leave. But their promise was not fully honored, and the subsistence payments failed to provide as much as they should have, and were simply stopped shortly thereafter.

After Beethoven passed 40, his friends and protectors scattered and died, and he became even more lonely. He wrote in his handwritten notes in 1826, "I have not a single friend left, and have become a solitary man in the world."

Since 1815, Beethoven has been completely deaf, and his only way of communicating with others is to write. The following two stories show that hearing loss caused great inconvenience to Beethoven's life and work.

Once when Beethoven was conducting a rehearsal, he slowed the music down considerably. The orchestra followed his lead, while the singers rushed straight ahead. There was so much confusion in the rehearsal that it had to be suspended twice, but Beethoven was deaf and could not tell the cause of the confusion. He looked to his left and then to his right in confusion, trying to figure out what the problem was from the expression on everyone's face, but no one signaled him to stop. Beethoven suddenly called his good friend Schindler over to him in a commanding tone, gave him the transcript, and gestured for him to write. Schindler could not bear to do so, and wrote only the following lines, "I beg you not to go on; I will explain it to you at home." It was then that Beethoven suddenly realized his embarrassment. He leaped off the stage in a single bound and called out to Schindler, "Let's go home!" Beethoven ran back to his apartment in one breath, and as soon as he entered, he collapsed on the sofa, did not move a muscle, covered his face with both hands, and stayed like that until dinner time. During the meal Beethoven said not a word, and his face had a look of dismay and extreme pain. At the end of the meal, Schindler wanted to say goodbye, and Beethoven detained Schindler from leaving, saying that he did not want to be left alone. When they parted, Beethoven again begged Schindler to accompany him to the doctor.

Two years later he conducted a successful program, the whole audience unanimously applauded, but he could not hear a thing. It was only when a female singer took his hand and asked him to turn and face the audience that he suddenly saw the whole audience standing up and waving their hats in his honor that he understood.

At this time, Beethoven was so isolated and self-contained that only nature could give him some comfort.

In 1815, Beethoven's brother died of lung disease, leaving a son, Karl. He poured his passion for his brother into the boy, but what he got was brutal torture. Beethoven wanted Karl to get a higher education, but Karl wanted to go into business. Beethoven had to agree to his business, but he was often in and out of the casino, owed a lot of gambling debts. 1826 (then 56 years old), Karl this unworthy son actually shot himself in the head, Karl did not die, but the Beethoven's tortured to death. "This terrible blow left him (meaning Beethoven) never to recover."

What a comfort it would have been to him if he had had some of the joys of kinship, apart from the dilemma of living without a roof over his head, the loneliness of his scattered friends, and the torment of his deafness. Unfortunately, however, his only relative, his nephew, was so unworthy. But all this could not bring Beethoven down. Misfortune does not take Beethoven by the throat; on the contrary, Beethoven wants to take fate by the throat!

Beethoven eulogized joy in the abyss of sorrow. Introducing the chorus into the symphony, composing the Ode to Joy, and gaining ...... >>

Question 8: Shigeo Fukuda's Poster Work "Victory 1945" Poster Designed in 1975, this poster for Victory 1945 uses a manga-like presentation to create a simple, witty graphic language that depicts the image of a bullet flying back down the barrel in reverse, satirizing those who started the war to reap the fruits of their own actions, with a profound meaning. This poster design, commemorating the 30th anniversary of the end of World War II, won the International Graphic Design Award. This kind of humor and fun in its design works can bring the viewers a kind of visual pleasure. Symphony No. 9 Poster Beethoven's Ninth Symphony Poster Series (1985-2001) In this series of works, Fukuda uses Beethoven's head as the basic form, and replaces the elements of the character's hair. Observing these works from a certain distance, one can recognize the figures in the posters. However, when we take a closer look at the hair part of the figure, it is composed of different graphic elements. Here, musical notes, birds, horses and other unrelated graphic elements are all used by Fukuda in this series of his posters, which enrich the connotation of the posters of the same theme, while being full of fun and reflecting the rich imagination of the designer. F" Poster Shigeo Fukuda's "F" poster series features Fukuda's initial F as the main image, with variations of the letter. This series is different from the Beethoven series, in which the outline of the hair is the basic form, and the graphic elements are replaced inside the outline according to the theme content. Instead, with F as the basic type, the author reproduces the graphic symbols or expressions that he used to use in his many graphic works in the past. For example, the use of the principle and technique of mise-en-scène, such as contradictory space and the reversal of the bottom of the picture, and the use of the images of a seated girl and a running animal, etc., make their works marked with Fukuda's signature. This makes his work marked with Fukuda's symbols and becomes another representative work in his heterogeneous homogenization. Keio Department Store Promotional Poster In a 1975 promotional poster for the Keio Department Store, Fukuda began to explore the principle of mise-en-scène by utilizing the relationship between the image and the background. The work skillfully utilizes black and white, positive and negative to form the legs of a man and a woman, repeated juxtaposition of the top and bottom, the legs of a white woman on a black background and the legs of a black man on a white background, complementing each other with the real and the imaginary, and creating a concise and interesting effect, with the technique of inverting the bottom of the picture with the positive inverted position. Poster Design for "Shigeo Fukuda Poster Exhibition" 1987 In the poster design for "Shigeo Fukuda Poster Exhibition", Fukuda expresses the state of four different viewpoints of a person sitting still in front of a stage in the same picture, using simple lines and surfaces to create spatial interspersions, and contrasting a large area of yellow color with black silhouettes of the person to create a strong visual effect throughout the picture. This blurring of spatial awareness has the characteristic of multiple meanings in visual expression.

Question 9: Can you talk about the feelings after enjoying Beethoven's Ninth Symphony "Ode to Joy", joy ---- is not easy, more indignation and feelings of martyrdom. Heroes with tears but can not gush out, can only use the back of the clenched fist to wipe away, laughing but busy tightening the face, in order to express reverence to God. As if a fighter, wearing a bloody robe standing on the high slopes, two fists dancing hard to hit the chest, let out the victory of the ha-ha sound, a lifetime higher than a sound, is the variation, is the sadness. Victory with open arms and hands to meet not flowers and ribbons, is the dome of the sky. The joy of his "praise" is not easy, the grand and solemn components overshadow everything. I also really hope that God will bring people easy joy, as Beethoven hoped, as Schiller wrote.

I don't understand music, I don't understand it at all, so I don't understand it well, but it doesn't stop me from listening to it and feeling a little bit. I remember when I was in elementary school, it was about 1956 57 years it, in our music classroom above the piano there is a plaster figurehead, high nose beautiful curly hair. The music teacher introduced him as Beethoven, a great musician, and told me a lot of stories about him and his musical creations. As a young girl, I don't remember anything else, just that he was a little deaf and a great musician. In all these years I never had the chance to enjoy a real live, central level symphony, and this time I did. The teacher was right, Beethoven, is great.

Since it's a symphonic chorus there are lyrics, and they were sung in a foreign language with Chinese subtitles next to it. It's Schiller's verse. It's good to read it, but it can be savored.