Musician

1989: Formed the band "Face" with Ouyang, the bassist of the current "Overload" band. Started performing at major rock parties in Beijing. Well received. Known as the most developed guitarist at that time.

1994 Hong Kong Coliseum Rock Chinese Music Concert with He Yong

1991: The single "Give Me a Little Love" was included in the "China Fire One" compilation album. 1994: The "Face" band signed a contract with Taiwan's BMG Company. On December 17 of the same year, they went to Hong Kong to participate in the Red Kan Rock Chinese Music Force Concert, and served as the guitarist for He Yong, one of the three heroes of Moyan. 1995: The Faces released the album "Fire Instinct". After that, Acura also participated in the recording of the "Rock Beijing 1" and "Goodbye Zhang Ju" compilation albums. 1997: Formed the band "Translation" with Chen Jin and Xiaofan. Later, he cooperated with Dou Wei and began to create together.

Translated with Shan Xiaofan during the band period

In 1999, he collaborated with Dou Wei to release the album "Audio Hallucinations". In 2000, he collaborated with Dou Wei again to release the album "Yu Yu". In 2003, the band's first album "E-01" was released. In September 2005, together with Shan Xiaofan, he served as the music producer and guest performer for the entire "International Athletics Golden Grand Prix" in Shanghai. In October 2005, we collaborated with director Zhang Yuan to create the original soundtrack for the movie "Looking Beautiful". In 2007, he was invited by Li Yapeng to serve as the music director and music producer of the large-scale epic dance drama "Lu Ban Lu Rao", and completed the creation of the original audio album "Shangri-La of Love". In 2007, he was invited to serve as the music producer and live music director for the opening and closing ceremonies of the 2007 Second Asian Indoor Games. In 2007, he was responsible for the song production of the title song of the same name and the song "Elopement" and "Mercy" in singer Zheng Jun's new album "Chang'an Chang'an". Among them, "Chang'an Chang'an" was shortlisted for the "Best Arranger of the Year" in the Chinese Song Chart that year.

In 2008, Acura participated in the production of Pu Shu's new single "1/2008". On October 7, 2006, he served as the music producer and music director for the opening ceremony of the "First Portuguese-speaking Sports Games" held in Macau. On January 4, 2009, he was invited to produce all the music for the premiere of the second episode of John Woo's epic masterpiece "Red Cliff". On April 23, 2009, he was responsible for the music production for the premiere of the movie "Nanjing Nanjing". On October 16, 2009, he was responsible for the music production of the opening ceremony of the "11th National Games". In January 2010, he served as the composer, arranger and producer of Faye Wong's first single "Youlan Cao" (theme song of the movie "Confucius") after her comeback. In February 2010, he was responsible for arranging and producing the song "Legend" for Faye Wong for the CCTV Spring Festival Gala in the Year of the Tiger. In December 2011, he was responsible for arranging and producing the song "Wish" for Faye Wong, which debuted at Hunan Satellite TV's 2011 Beijing New Year's Eve concert. Edit this paragraph Social Evaluation Acura's new book "Thirty Years in September" was rated as a good autumn book by the "Beijing News". The reason for the legacy is Acura's previous two non-fiction works "Medical Affairs" and "Xiehe Medical Affairs" Cold thinking ability and professionalism are temporarily abandoned here, replaced by passion and indulgence, music and ideals. "Thirty Years in September" records youth and turmoil, resistance and transcendence, which belongs to both a person and an era. Faced with such a theme, Acura has reason to let its passion burn completely, but in the final analysis, the ideals of that era have long since disappeared, and the angry rock music has become a memory of youth, so Acura must try its best to think about time. To think about love, to think about life and death, to win transcendence. Author's Statement In Beijing in the 1990s, I once imagined with great enthusiasm that I was a musician. At a hormonal age, in a rough and majestic northern rock music atmosphere, I hope to play something more spiritual, more powerful, more essential...that is, something more awesome. When I imagine this, there is an imaginary audience in the audience. They are ignited by the instrument in my hand or the voice like Janis Joplin, and their hearts are swept by the strong wind. I went to the United States with a primary music dream that was limited to just a few guitars, playing a few complete songs, and a suitcase full of CDs. Working in the laboratory during the day and desolate at night, I spent most of the night wandering around one performance venue after another, reviewing music of all levels from all over the world.

Some nights, I can't help but sit at the table and write down every moment I want to express, moments that are so unreal that they will evaporate immediately in the light of the next day's reality. When I wrote "Thirty Years in September", I was no longer as excited as before. I hope the feeling of playing it will be the same as before. In fact, the more abandoned and falling life is, the more I look forward to playing. In the past, I imagined it was music, but now it is more realistic to pick up a pen, the cost is extremely small, and the skills are soaring. After I finished writing "Union Medical Affairs" in 2007, after receiving attention, I lowered my eyes and turned to the next story in my heart. About time, about eyes, about illusions, about the accumulation of layers of frustration and the sudden realization of the majestic beauty of a larger scene that we spend our whole lives inadvertently participating in...the stories and subtle emotions they involve have been accumulated in our chests, and we are not happy to express them. Most nights, when I get home from work, I am very tired. I tiptoe to my desk, dive into the silence around me, the air is thin, and I turn back time. In two years, I experience the hard work and intoxication after bit by bit. When the book was released, it was when these imaginary readers appeared one by one that they were possessed by real people, and their faces were clear: they had the same smiles on their faces as they had received literary and artistic codes in the crowd, because of the military training time twenty years ago. , eyebrows arched with nostalgia for medical school life, and eyes that couldn’t help but heat up after reading the love story on page 261. Among the crowd, some of them wore headphones and carried backpacks with their hands in their pockets, some loved drinking and eating spicy food, and some had threesomes. When you are over ten years old, you have wrinkles and bags under your eyes... And do you know what I imagined you look like when I was writing? It was just the beam of light that stayed with me until late at night, shining high above my head.