The method of drawing fish is as follows:

Material preparation: a piece of paper and a black pen.

Operation steps:

1. First draw two arcs up and down on the paper. The arcs are the body of the fish. There is no need to close the two sides. Select one side. Draw two close ovals at the opening to become the mouth of the fish. Notice that the mouth is round and flat.

2. Then draw an arc lengthwise on a quarter of the body near the fish’s mouth, and draw fish eyes with circles between the arc and the mouth. This completes the fish head. painting. Pay attention not to leave the whites of the fish’s eyes.

3. Draw the fish tail directly on the open end on the other side. The shape of the tail should be appropriately enlarged. At the same time, use a curve to draw the fish tail, which will give people a feeling of the fish suspended in the water.

4. The dorsal fin and pectoral fin are also often drawn with curves, making the image of the fish more like swimming in the water. Use curved lines to depict the movement of the fish.

5. Finally, complete the connecting parts, check the proportions of each part, and whether the upper and lower parts of the fish tail are symmetrical.

Key points of painting:

1. Start studying decorative painting. Picture segmentation, point-line-surface composition, visual balance, and rhythmic arrangement of picture elements. Color matching, color distribution, etc., color psychology. Starting from learning the most basic rules of visual beauty will be of great help to art learning at any stage in the future.

2. Then start learning sketching and painting. First, learn structural sketching and use lines to express structural relationships and spatial perspective relationships. From simple geometric form sketches to complex geometric forms, to plaster heads and still life sketches. Learn how to use a pen and draw smooth lines. The purpose is to learn to express the spatial structure of objects.

3. Learn color composition and the rules of color use through still life and landscape sketching. This part echoes the color matching and distribution in plane composition. How to use color contrast to shape the volume of light and shadow, the performance of different object materials under different light sources, and color psychology.