Su Shi, the "God of Poetry", is the most outstanding poet in the history of China's poetry culture. His achievements in the history of China's poetry culture are only slightly inferior to those of Qu Yuan, Tao Yuanming, Li Bai and Du Fu.
Su Shi is not only good at writing poems, but also proficient in lyrics. In the history of Song Ci, as one of the two representative figures of the bold school, Su Shi has an irreplaceable position. Besides, Su Shi is a calligrapher and painter.
It may be beyond many people's expectation that the "poetic god" should "copy" Su Shi, who is so powerful, and should also "copy". He not only "plagiarized" several people's works, but also copied them into an eternal swan song. Is it really "a big copy of the world's articles"?
Don't believe it, just look at you. Su Shi has a very famous work called Niannujiao Mid-Autumn Festival. This work of his combines his own famous sentences, as well as those of Li Bai and Cui Hao. What kind of work is this? Let's take a look together.
Niannujiao Mid-Autumn Festival
Yuyu Qionglou, coming and going by Luan, people are in the cool country.
The mountains and rivers are picturesque, and the smoke trees are vivid.
I clapped my hands and sang wildly, raised a glass to invite the moon, and became three guests.
Dancing and wandering in the wind, I don't know what night it is.
I want to ride the wind and turn back, so I don't need to ride Pengyi.
In the Crystal Palace, the flute was blown off with a loud sound.
This word is not plagiarized, and it is Su Shi's most wild word.
Su Shi's most wild word, Su Shi's ci style is bold and unrestrained, which is very unique in the Song Dynasty. However, when it comes to madness, it may not seem to be in line with his character. Su Shi is a very open-minded and very gentleman. Even if you touch a nose in officialdom, you never complain, and you are still full of fighting spirit.
However, the open-minded Su Shi wrote such a proud sentence in this poem "Niannujiao Mid-Autumn Festival" that "I want to ride the wind and return home, so why not ride Pengyi". This is also a relatively different word of Su Shi.
In the impression of most people, when it comes to the word "crazy", Li Bai may immediately come to mind. "Going out laughing in the sky, are we people of Artemisia?" is Li Bai's madness, and "since the world can in no way answer our craving, I will loosen my hair tomorrow and take to a fishingboat" is Li Bai's pride.
Compared with wild arrogance, Su Shi was a complete pupil compared with Li Bai, who was drunk and carried to see Emperor Xuanzong of the Tang Dynasty and dared to ask Gao Lishi to take off his boots. However, Su Shi is more open-minded than Li Bai. Even though Su Shi has been demoted many times, what he sees in his works is still a positive attitude.
Among the poets of past dynasties, if we want to say the craziest person and the most wild person who wrote the works, it is definitely Xin Qiji. However, Su Shi, who is quite accomplished in writing and belongs to the bold school, has to have a few wild works. This poem Niannujiao Mid-Autumn Festival is Su Shi's most wild work. Let's read it together to see where the madness lies, but this "wild" work by Su Shi is a whole "plagiarism".
Among them, the cool country mentioned in the poem is a remnant sentence of Lu Guimeng, a poet of the Tang Dynasty. And the word "Li Li" is very familiar to everyone, "every tree in Hanyang becomes clear in the water". "Li Li" refers to this sentence in Cui Hao's Yellow Crane Tower.
The first sentence in the next film is even more obvious. It is "till, raising my cup, I asked the bright moon, to bring me my shadow and make us three" in drinking Alone with the Moon by Li Bai. The penultimate sentence is an allusion in Zhuangzi's Happy Journey, but most of it is derived from the sentence in his previous work.
"I want to go home by the wind, but I'm afraid of Qionglou Yuyu" is another sentence in Su Shi's eternal swan song "When will the bright moon be there?" This poem Nian Nujiao Mid-Autumn Festival was written in 1083, but when is the bright moon? It was written in 1076, which shows that he is really quoting the sentence of his own work.
The last sentence is still quoted, which comes from an allusion in A Supplement to the History of the Tang Dynasty. It expresses that a man named Li Mou plays the flute very well, and may be able to split mountains and rivers. If his vital capacity is larger, he can shatter the flute.
Why does the conclusion say that Su Shi's first word is very crazy? First, between the lines, you can feel that the momentum of this word is different, and it has unprecedented domineering, which is different from previous works.
In particular, the quotation of Li Bai's sentence can be said to express his inner madness with Li Bai's wine, but it has a feeling of ruling the world. Perhaps Li Bai was already a representative of madness in the hearts of the people at that time.
Secondly, Su Shi's poem quoted seven or eight well-known allusions boldly, and there was no flaw in it. In the end, it actually became a swan song that was passed down through the ages, which was simply crazy.
The craziest thing is that he even copied his own sentences, which is equivalent to connecting all these allusions together to make a classic masterpiece.