Zhang Ailing's works fully reflect women's self-awareness, and women are a gender group that is shaped and spoken. In Flower Xie, compared with men, women are a molded and tamed sex, and their living space is narrower and more closed, which reflects their "hysterical" anxiety about survival; The female body is only the booth of female charm and the carrier of male desire. Let women's bodies reflect the significance of nation-state, but it is another duty imposed on women's bodies by men in a specific historical period.

Women have been in a suffocating and depressing social position for a long time and have been deprived of the right to speak. The loss of this right makes women the object of definition and speech in real space and poetic space.

There is no love in the family and there is no love in the world. Quan Chang thinks she is a burden. In such an environment, I'm afraid only death awaits Chuanchang. But after her death, Chuanchang became a loving spirit, and the love of her parents, brothers and lovers, which she could not enjoy before her death, was realized one by one. Because of death, crosstalk has become an empty symbol, which can be defined by others. The inscription on the tombstone became the end of her life, representing her life. She became an angel and an elf, completely forgetting how she died sadly and piteously in a family environment without love and heart!

The women in Zhang Ailing's novels are mostly conservative women, who do not stand on their own feet and regard men as the sustenance of their lives. She thoroughly pointed out the psychological weakness of women from the perspective of internal vision. There is a "slave consciousness" in women's hearts, and women always look for dependence outside themselves. For unmarried women, the crisis of "losing marriage" makes them unaware of the existence of human spirit, and marriage is essentially to find the dependence of life and become their only goal in life.

Women are walking on thin ice, but they are committed to marriage transactions and become commodities in marriage transactions. It is not difficult to understand why the heroines in Zhang Ailing's novels are always running around, trying their best to increase their charm through commodities, expecting to be transformed into commodities in male society, and increasing their social value as much as possible in the process of transformation, in order to obtain higher social status and better social treatment in the most important transaction in life.

Zhang Ailing's novels are a world about women. In her narrative process, Zhang Ailing reveals that when the concepts of "men are superior to women" and "men are outside and women are inside" are deeply rooted and have deeply assimilated women's thinking consciousness, women cannot get out of the patriarchal society. As a real and socialized gender, women are deeply introverted.