In this film "The Taste of Sand", it is obvious that the ending is excessively stretched by the director in order to add new ideas. If the story ends when men and women visit the old man again and learn that the old man has passed away and the treasured tableware is given to him-instead of letting the old man "preach" to the audience again through recording, there is no need to join the seemingly empty natural scene, and there is no need to call the park to buy it at last-the whole story will obviously be much better. The first half of the script is excellent, and some foreshadowing, ellipsis and argot all add a lot of color to the true story in the image.

For example, the first shot at the beginning was to compare with the early morning when the old man came to make bean paste; Men's frustration was hidden at first, and it was not revealed until they finally read a letter to the old man. But his relationship with the girl has always been vague: the bag of leftovers brought home revealed their unusual relationship, but it is impossible to judge whether the mother of the man or the girl was a couple. Of course, the best treatment is naturally the affection between men and the elderly, which exceeds the gratitude of ordinary people, but it does not reach the affection between mother and child. For men, the old man is not only a benefactor who teaches him to make red bean stuffing, but also a leper who needs to be "expelled". This dilemma happened to a person. Through his choice, he not only promoted the development of the story, but also established his own image for the audience. This "Fahati" approach is very effective for the whole film. Similarly, through the arrival of repeated hardships and overcoming the narrative mode that makes the characters grow up, and because of the flat treatment rather than the setting of violent conflicts, the taste and profound meaning of the story are infiltrated layer by layer.

Although "Hai Jie Diary" has a good reputation in the rankings, Zhizhi really didn't say much; Although The Taste of Sand is destined to be treated coldly, it does not prevent us from continuing to support Naomi Kawase. This may not only be because the director has an accident, but also the audience can't escape the blame. It seems that we are more easily confused by superficial flower heads and move on with prejudice. It's hard to change After all, big brother Hollywood is watching us.