1, Shi Dabin
The main shapes of Shi Dabin pot are monk's hat, diamond flower, hexagon, flat book, melon edge and octagon. Its mud is warm and dignified, and its shape is calm, which can be described as a model of pot art.
Shi Dabin's early works are mostly big pots with many antique styles. During his friendship with literati, he observed the drinking habits of literati, so he changed the big pot into a small pot.
In the production, the racket method can be used in one go, which enriches the modeling. Once the small pot was introduced, its elegant temperament deeply attracted the majority of scholars. What's more worth mentioning is that it is proud of having a time pot.
2. Chen Mingyuan
Chen Mingyuan's pot-making style is a connecting link between the preceding and the following, which not only has the simple and elegant style of Ming Dynasty, but also pioneered the realistic bionic technique. In the history of teapot development, he is a master with exquisite skills and comprehensiveness.
In Chen Mingyuan's works, the geometric form of light goods is "simple and generous, reasonable in structure and rigorous in technique"; The natural form of flowers and goods "generalizes exaggeration, stems from life and is higher than life, and is good at learning from and inheriting the excellent traditions of the Chinese nation."
3. Gu Jingzhou
Gu Jingzhou was born in Yixing, Jiangsu, the hometown of teapot. He studied with his grandmother at the age of 65,438+08. With a high understanding and deep love for purple sand, he became famous in the industry two years later, and then came to Shanghai to copy the famous purple sand works of Shi Dabin in Ming Dynasty and Chen Mingyuan in Qing Dynasty.
It is in copying and imitation that his skills have advanced by leaps and bounds. Some imitations even surpass the original works in artistic value and are collected by many museums.