Shanju Qiu Ming Lesson Plan (Zhang Jinbo) Lesson Plan Teaching Design Teaching Idea: The most common way to teach ancient poetry is to read and talk about it. This is also a method of teaching that is difficult to come up with new ideas.

The key to expressing new ideas in poetry lies in arranging appropriate forms according to the content and characteristics of the poetry being spoken.

A distinctive feature of Wang Wei's poetry is that "there are paintings in the poetry", which is also recognized by later generations.

"Mountain Dwelling in Autumn Twilight" best embodies this characteristic, and it also clearly reflects Wang Wei's ideological recluse tendency in his later period of creation.

By guiding students to study this poem, they can gain a better understanding of Wang Wei's creative style and gain a glimpse of the whole thing.

I think that the best way for students to grasp the characteristic of "paintings in poems" in Wang Wei's poems is to restore the text of the poem to a landscape painting.

During the teaching process, I first led the students to familiarize themselves with the content of the poem, and then hand-painted a banner scroll on the blackboard, and then transformed the content of the poem into various contents of the scroll painting: the title of the poem? Residence in the Mountains in Autumn Ming? as

The title of the painting is placed in the upper right corner of the frame; the bright moon shines among the pines, and the clear spring rocks flow upward.

The four lines of "The sound of bamboo return to Huannu, and the lotus moving under the fishing boat" are the main body of the picture. Put it in the center of the picture; change "After the new rain in the empty mountain, the weather will come late in autumn" into "Evening autumn after the rain", as time release

On the left side of the painting, put "Wang Wei's work" as the inscription below "Autumn Evening After the Rain".

This can more intuitively express the characteristics of painting in the poem.

Finally, you will find that the last couplet of the poem cannot be placed in the picture frame. At this time, Wang Wei's life and thoughts are introduced so that students can understand Wang Wei's reclusive feelings.

Teaching objectives: 1. Understand the characteristics of paintings in Wang Wei’s poems.

2. Understand the reclusive tendency revealed in Wang Wei's later poetry.

Teaching Difficulties: Savor the mountain village scenery described in the poem, and understand the poet's yearning for a secluded life.

Teaching process: 1. Introduction: After studying two ancient poems, Li Bai's "Sleepwalking Tianmu's Song of Farewell" and Bai Juyi's "Pipa Xing", today we turn to the study of modern poems.

Since Tao Yuanming of the Eastern Jin Dynasty and Xie Lingyun of the Southern Dynasty founded the landscape pastoral poetry school, their landscape pastoral poetry has been praised by some outstanding poets.

In the Tang Dynasty, it began to be praised by people. Wang Wei and Meng Haoran were the representative writers of landscape pastoral poetry in this period.

Today, we will study a modern poem by Wang Wei, "Mountain Dwelling in Autumn Mist".

2. Introduction to Modern Style Poetry my country's classical poetry is divided into two types: ancient style poetry and modern style poetry. Modern style poetry was produced in the Tang Dynasty and is divided into regular verse and quatrain: (1) Regular verse is the name of the poetry style.

A type of modern poetry.

The rhythm is strict, hence the name.

It originated in the Northern and Southern Dynasties and matured in the early Tang Dynasty.

Eight sentences, four or five rhymes.

The two middle alliances must face each other.

The second, fourth, sixth and eighth lines rhyme. The first line may or may not rhyme, but usually rhymes with flat tone.

It is divided into five characters and seven characters.

Referred to as the Five Laws and the Seven Laws.

There are also six laws occasionally.

If there are more than ten sentences in each poem, it is classified as rhythm.

(2) Quatrains are "quatrains".

Also known as "jumping sentence" or "sentence breaking".

Poetic name.

"Jie", "Duan" and "Jue" all have short meanings, and the fixed pattern is only four sentences, hence the name.

Mainly five-character and seven-character, referred to as Wujue and Qijue.

There are also six character quatrains.

Both level and rhyme have certain requirements.

Introduction to the author Wang Wei (about 701-about 761), courtesy name Mojie, was born in Puzhou (now Yongji, Shanxi).

A landscape and pastoral poet of the Tang Dynasty.

His poems seem shallow but are actually deep, seem light but are solid and plump, are exquisite in body and object, and expressive in description. They have unique achievements.

He is also proficient in painting, good at painting distant scenes, figures, bamboos, etc.

There is "Wang Youcheng Collection".

3. Poetry reading guidance 1. Listen to the reading.

2. Combine the annotations to understand the whole poem.

3. Read the whole poem.

Reading guidance: The first couplet of the poem tells the time and place, and can be read in a narrative tone.

The chin couplet and the neck couplet are the main parts of the poem. They describe the beautiful scenery of the mountain village in the evening. They also express the poet's leisurely feelings and should be read in a brisk tone.

The last couplet is a foil, and the couplet "Wangsunzi can stay" is the main theme of the whole poem. It should be read slowly with an affirmative tone to express the poet's satisfaction with his seclusion life.

4. There are paintings in poems (1) Explanation of the title This is a five-character poem written when Wang Wei lived in seclusion in Wangchuan.

He built a villa there and lived a semi-official and semi-hidden life.

The title "Mountain Residence in Autumn Ming", "Mountain Residence" means the villa where he lives in seclusion, indicating the location; "Autumn" indicates the season; "Ming" means evening, indicating the specific time.

The scenery described in the whole poem is the scenery seen in the mountain house in the autumn evening.

(2) Later generations’ evaluation Wang Wei was a famous landscape and pastoral poet during the prosperous Tang Dynasty in my country.

His poetic writing style is fresh and natural, which brings my country's landscape pastoral poetry to another peak after Tao Yuanming and Xie Lingyun.

Later generations gave him a high evaluation. Su Shi praised him and said: "When you taste Mojie's poems, there are paintings in the poems; when you look at Mojie's paintings, there are poems in the paintings."

?This poem is a representative work of ?poems with paintings.