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A 100-word introduction to the big-headed son

In an ordinary small house, there lived a big-headed son, a small-headed father and an apron mother.

In their ordinary lives, there is always laughter full of joy.

The warmest home has become the source of love for each of them.

As a result, warm, beautiful and touching stories happened in this ordinary cabin... The story of the big-headed son and the little-headed father was originally published in Shanghai's "Look at Pictures and Talk" and Gansu's "Mom's Painting"

Later, based on these stories, CCTV and Oriental TV jointly produced a 78-episode cartoon "Big Head Son and Little Head Dad". Unexpectedly, it became an instant hit and was deeply loved by children. It occupies an important position among domestic cartoons.

position, and also won the 14th Golden Eagle Award for Cartoon Film.

China's contemporary classic cartoon "Big-Headed Son and Little-Headed Dad" is a series of fairy tales. It is composed of many small and interesting stories. It is a cartoon that is very suitable for Chinese children to watch.

This is an ordinary and ordinary family. Three vivid images are created in the film. The big-headed son is a lively and lovely big-headed child, and the little-headed father is a father who gives the big-headed son the satisfaction of his imagination and a loving heart for him.

Childlike innocence, apron mother is a family of three, and the profound meaning of these three images is to reveal the true status of fathers, mothers and children in contemporary Chinese families and the specific cultural connotations they each represent.

The child is at the head (big head), the mother is in the middle, and the father is last (small head); the father is in charge of outside and the mother is in charge of inside (apron). They are the epitome of modern Chinese family education.

This is the most suitable animation for Chinese children to watch.

Love is the most nutritious food for children.

In the process of children's growth, superior material care is necessary, but not the most important.

What they need most is a father with a small head and a mother with an apron, just like the "straw hat" revealed by the famous German writer Erich Kestner. Parents should create enough memory capital for them, because love is a lifelong thing.

Something that cannot be forgotten.

But it has characteristics that no family has, because it is composed of strong reality and strong fantasy.

The book creates three vivid images.

Children are lonely and mature precociously. This is the common knowledge of almost all parents.

But the big-headed son is like a naturally growing plant, growing happily and healthily.

Because he has a happy and happy family.

Dad Xiaotou is a competent father. He can play all the games with his child and is his child's loyal partner.

The patience and carefulness of the little-headed father are rare. He and his son can get into an extra-large paper box and play the game of two small houses.

In the child's imaginary world, they are as real and interesting as the green sun and blue stars.

There are endless interesting stories, but what is commendable is that they all come from the world of trivial things in daily life. The messy, broken, mechanical, and monotonous daily life is painted with rich colors here. We marvel at the almost repetitive nature of each piece.

There are so many nutrients in the trivial matters.

The world is small and limited. Her superb narrative and dialogue skills make every story full of lively and interesting content.

Especially the depiction of Big Tou's son's imagination, psychology, habits, language and life shows her keen observation and extraordinary artistic skills.

Maybe it's because the author is a woman. She gives a lot of understanding and appreciation to Da Tou's son's naughty and sometimes lawless mischief, and even a little indulgence.

There is no doubt that she is asserting the rights of children, the right to develop their nature without restraint.