Father Chen and mother Chen gave birth to a little boy named Chen Gangsheng.
Of course, he, MADE IN HONGKONG.
Chen Gangsheng, later took the stage name Jackie Chan.
In 1995, Chen Gangsheng said at the MTV Lifetime Achievement Award: "I will be a big American star, like Stallone, Arnold Schwarzenegger." In fact, he wanted to be Bruce Lee.
Ten years later, Chen Gangsheng returned to Hong Kong.
In February, news of a new film came out, and occasionally there was news about Nicholas Tse tightening his tightrope and rolling his eyes. In October, the beautifully bound disc "New Police Story" appeared on the DVD market.
There is a crazy fan of Phoenix Film Channel (Phoenix Channel probably relied on those 50 Hong Kong movies to survive as an adult. This fan has undoubtedly visited this channel every time he turned on the TV in the past five years. There are incomplete statistics. Since the 1970s, Shaw Brothers Golden Harvest and Wu Jinquan
To this day, the King, who has watched every film probably more than ten times, called me late at night and said excitedly: "New Police Story! It's really worth watching."
The dark night at twelve o'clock is full of hope at six o'clock in the morning.
I spent my early youth lying in bed and finished reading "New Police Story".
The plot is about five rich kids (who are unknown to Jiang Yi and Wu Yanzu) who are named "Ji" for different reasons: they are extremely bored and hate extreme sports.
A game started with the police.
GAMESTART.
Movies in recent years often use games to dispel seriousness.
It expresses an attitude towards "seriousness" conveyed by the film to the audience and the whole society's feedback and refinement: people are afraid of taking on responsibilities that they cannot bear, so even serious people begin to be ashamed to admit themselves.
In Enemy-Police Traffic Peak, policeman Chen Guorong experienced depression after a huge failure. With the encouragement of PC1664 (fake policeman Nicholas Tse), he completed the overall construction of the film with a perfect success.
This film has everything a complete film lecture should have.
There is Jackie Chan, the absolute number one male.
There is the beauty Yang Caini, and the well-known story of Yang Caini’s ten years. If you choose Yang Caini, are you afraid that Jackie Chan will not have the intention to watch it for ten years?
Zhou Huimin is also back, and she only shoots advertisements. A magazine compared the photos of the two beauties. In ten years, the thirty-year-old Yang was actually much better than the thirty-seven-year-old Zhou Cangsang.
Heartache.
Beauty, it is not enough to treat yourself well.
Several wonderful supporting roles of small characters are certainly the most convenient method of Hong Kong movies. I remember Partridge and Five in the era of King of Flowers and Zhang Daming and Wong Yifei.
Little characters are always the highlight of Hong Kong movies.
Not to mention Nicholas Tse and Charlene Choi, the king of supporting roles in Hong Kong films: "I'm just a part-time worker" and the one who plays the chief are all very familiar supporting roles in Hong Kong films.
Even at the end, Wu Bai's cameo as the down-and-out father made people laugh: Wu Bai's appearance will never change in this life.
There is even a LEGO brick worker character who cannot speak in the LEGO exhibition hall, which suddenly adds a cuteness to the noisy fight and resolves the blood and violence.
There are hot action scenes and there are also gags.
In terms of the arrangement of the scene, there is a somewhat stylized nine-person action in the opening, and there is also a linear and dynamic scene where the bus loses control.
A large number of pop-point principles were used in the composition of the picture, including the leaking orange car in the scene where the bus lost control and the colorful building blocks of the ocean ball in the LEGO exhibition hall.
The funny details are still Jackie Chan's experience, but they give way to the performance of the supporting actors.
It echoes the solemn and rigorous attitude structure with detailed care.
The arrangement of the plot strictly follows the psychological scheduling of Zhang Yiyi.
Realistic approach interspersed with a dash of postmodern tailoring.
The most typical part is that Nicholas Tse said in the middle: "That dress means something to me." At the end, when Jackie Chan's opponent fell to the ground in a magnificent victory, there was suddenly an explanation of the past. It was superfluous, but it expresses Jackie Chan's filming.
It doesn’t mean it starts at the end but ends at the end.
In short, whatever you want, not much, but always a little.
This is a Jackie Chan production that has a decent overall score. It cost a huge sum of 160 million and the audience can see where the money was spent.
The modest sum of 160 million kept the old Hong Kong movie fan awake late at night, so excited that he couldn't tell.
Do you know how long we've been away from the law?
Since modern postmodern times.
During our off-duty hours, we thought we were done with the kitchen clean and drove around to the Cattleya Shangri-La Buffet at Golden Hange Ichiban Restaurant.
It has been too long since we had a serious and simple dinner with our loved ones at the dinner table in the evening, consisting of scrambled eggs, cabbage and tomato soup, and a plate of sliced ??braised pork.
I have seen so many new Hong Kong movies where a few newcomers were confused and chatted about a few scenes to create a scene.
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