(1) The bright moon has the connotation of missing, while short matsuoka is the burial place of Su Shi's wife.

Dwarf pine is a hill with dwarf pine trees;

During the Kaiyuan period of the Tang Dynasty, there was an official named Zhang in Youzhou. After his wife died, he left five sons, who were abused by his later wife. His late wife suddenly came out of the grave. This poem tells Zhang that there is a difference between life and death and there is no reason to meet each other. ; If you want to know the sad place, the moon shines on Matsuoka. Su Shi expressed his grief here.

(2) This means that Su Shi never forgets his wife and misses her every night.

2, the original poem:

Jiang Chengzi Mao Yi remembers the dream of the 20th day of the first month.

Song Dynasty: Su Shi

Ten years of life and death are two boundless, unforgettable without thinking. Thousands of miles away in a lonely grave, there is nowhere to talk about desolation. Even if you don't know when to meet, your face is covered with dust and your temples are like frost.

At night, I suddenly dreamed of going home, and the window of Xiao Xuan was being decorated. Care for each other without words, only a thousand lines of tears. It is expected that the heartbroken place, moonlit night and short pine hill will be held every year. (heartbreak: heartbreak)

3. Translation:

Two people have been dead for a lifetime and separated for ten years, but they miss each other but are at a loss and can't meet each other. I don't want to miss myself, but I can't forget it The wife's lonely grave is thousands of miles away, and there is no place to tell her sadness. Even if we meet, we shouldn't know each other, because I run around, covered in dust and cold as ice.

In the evening, I suddenly returned to my hometown in a vague dream, only to see my wife dressing up in front of the mirror in the small window. The two men looked at each other, and they didn't know where to start with a thousand words, only tears fell thousands of lines in relative silence. It is said that the grave mountain with bright moon and small pine trees is the place where I miss my wife every year.

4. Appreciate:

When Su Dongpo was nineteen, he married sixteen-year-old Wang Fu. Wang Fu is young, beautiful and very filial. They love each other deeply. Unfortunately, fate is impermanent and Wang Fu died at the age of 27. This is a great blow to Dongpo, and his inner and spiritual pain is self-evident. Su Shi said in the epitaph of the late wife Wang: "Ding Hai, the wife of Su Shi in Zhao County, died in the capital in May in the second year of Zhiping (1065). In Wu Jia in June, the funeral was held in Jingxi. At noon next June, it will be buried eight steps northwest of the tombs of the first gentleman and the first lady Li Kelong in Anzhen Township, pengshan county, northeast of Yumei. " In a calm tone, it is extremely painful. In A.D. 1075 (eight years of Xining), Dongpo came to Mizhou. On the 20th day of the first month, he dreamed of loving his wife, Wang, and wrote this song "When Tears in the Spring Sound in the Sky", which was sung through the ages.

In the history of China literature, there have been "Mourning Poems" since The Book of Songs. From the appearance of mourning poems to Su Shi in the Northern Song Dynasty, Pan Yue in the Western Jin Dynasty and Yuan Zhen in the Middle Tang Dynasty, they are the most famous mourning poems. In the late Tang Dynasty, Li Shangyin also wrote a mourning work. Their works are both sad and touching. Or write that after his lover left, he was lonely and sad, and it was sad to see the relics; Or writers are rich and expensive, recalling the past and lamenting the beauty of the world and the impermanence of fate; Or express your profound thoughts and memories with trance-like words and colors, which makes people sad to read. Writing mourning in words is Su Shi's initiative. Compared with predecessors, the expressive art of Su Shi's mourning poems is different. The first word is "dreaming", and the day of dreaming is clearly written. But although it is "Chasing Dreams", in fact, only the last five sentences are about chasing dreams, and the rest are expressing their feelings and complaining about sadness. They are sincere, simple and touching.

The year of "Mao Yi" in the inscription refers to 1075 (the eighth year of Xining in Song Shenzong), and Su Dongpo was appointed as a well-known person in Mizhou (now Zhucheng in Shandong) at the age of forty. In fact, this word "chasing dreams" is lyrical except for the next five sentences about dreams. The first three sentences are ethereal, frank and touching. "Ten years of life and death are two boundless" where will you go, the dead are at a loss about the world, but the living are the same to the dead, aren't they? Lovers who love each other will never give up. Time flies and ten years pass by. "If you don't think about it, you will never forget it." Although people are dead, the beautiful scenes of the past are "unforgettable"! It has been ten years since Wang's father died. I think 16-year-old Wang Fu married 19-year-old Su Dongpo. Needless to say, the young couple have deep feelings, and what is more rare is that she is generous and sensible. In ten years, Dongpo was suppressed for opposing Wang Anshi's new law, and his mood was sad; When I arrived in Mizhou, I was busy with government affairs, and my life was tight. I lived by eating Qi Ju. In addition, Wang Runzhi (perhaps out of deep yearning for his beloved wife Wang Fu, Dongpo continued to marry Wang Fu's cousin, who is said to have the charm of her cousin) and her son are all by my side. How can I keep my dead wife in my heart year after year? I don't often miss it, but I never forget it. This deep-rooted feeling is hard to shake off. Because the author reached middle age, the feelings of husband and wife who had been worried about each other for a long time could not be eliminated for a moment. The author combines "not thinking" with "unforgettable" and reveals his inner feelings truly and profoundly by using the tension between these two seemingly contradictory mentality. How can he "not think" about his wise and considerate wife in the touching days ten years after her death? The past suddenly came to my mind, and the pent-up emotional undercurrent suddenly opened like a gate, which was hard to stop. So dreams are real and natural. "A lonely grave thousands of miles away, nowhere to talk about desolation." I am very sad to think that my beloved wife died prematurely in China thousands of miles away. In fact, even if the grave is close at hand, can you live and die painfully? This is a sentimental language that obliterates the boundary between life and death, and to a great extent expresses the author's loneliness, helplessness and eagerness to tell people, which is particularly touching. Then, "even if you meet, you shouldn't know that your face is covered with dust and your temples are like frost." These three short sentences confuse reality and dreams, and contain all kinds of personal troubles and resentments after his death, including his old appearance and physical decline. At this time, he was only forty years old, and his temples had already been "frosted". Even though she has been dead for ten years, it is a desperate and impossible assumption that she will "meet". Her feelings are deep, sad and helpless, which shows the author's deep nostalgia for her lover and vividly describes her personal changes, making the meaning of this word more profound.

Su Dongpo once described his father's teachings in an inscription on the grave of his late wife Wang Shi: "Women share weal and woe and cannot forget each other." And the word is dreamy, but it seems to be true. In the meantime, I'm afraid the truth is not just obeying my father's orders, but my life experience. What the author relies on in his heart and dreams is indeed a kind of bitter affection that is "unforgettable without thinking".

In the first five sentences of the next movie, I began to remember my dream, "I came to my hometown at night." This is a narrative about my sudden return to my hometown in my dream, where they spent their sweet years together and met again. "Xiao Xuan window, dress up." That small room, kind and familiar, her appearance, vaguely in those days, was dressed up. It's like a young woman who hasn't been married for a long time. She has a beautiful image and brings out the happiness of Su Shi's family. The author used such a common and unforgettable scene to express the eternal impression of his lover in his own mind. When the husband and wife meet, there is no intimacy of reunion after a long separation, but "caring for each other and caring for thousands of tears"! This is the extraordinary feature of Dongpo's brushwork, which is unique throughout the ages. The pain is only "speechless"; What is better than a thousand words is "silence"; It is silence that makes this dream feel infinitely desolate. "More is told in silence than in voice", and this is the victory of silence. Where do you start? Just let the tears overflow. A dream brought back the past, but the beautiful scene of that year did not exist. This is to melt the feelings of reality into the dream, making this dream feel infinitely bleak. The last three sentences return to reality from dreams. "It is expected to be heartbroken every year; Moonlight night, short Matsuoka. " It is expected that lovers buried in the ground will be heartbroken and reluctant to part with their loved ones in order to cherish the world on this mourning day every year. The author put himself in the position of imagining his dead wife alone in the cold and lonely "bright moon" night, which can be described as well-intentioned. Here, the author imagines the pain of the deceased to express his condolences. This expression is a bit like Du Like's masterpiece Moonlit Night. It doesn't say how you are, but how another person is, which makes poetry more meaningful. The last three sentences of Dongpo's ci are profound in meaning, painful and lingering, and memorable. In particular, the phrase "moonlight night, short Matsuoka" is desolate and lonely, which makes people sad and lost. The so-called "everlasting, everlasting; One day both will end, and this endless sorrow will last forever "(Bai Juyi). This infatuation is really earth-shaking.

This word uses many artistic expressions, such as frustration, combination of reality and fiction, narrative sketches, etc., to express the author's thoughts and feelings of missing his dead wife. While mourning his dead wife, he also expressed his feelings about his own life experience, thus profoundly and sincerely expressing the feelings between husband and wife, which makes people sigh and sigh after reading it.

After Song Shenzong's death, Song Zhezong succeeded to the throne and appointed Sima Guang as Prime Minister. Su Dongpo was recalled to Beijing and promoted to a bachelor's degree in Longtuge. He also served as a servant of the little emperor. At this time, Su Dongpo was very appreciated by Queen Ren Xuan and the little emperor who was only twelve years old. He was very successful in politics. Su Dongpo misses his dead wife Wang Fu from time to time: "Ten years of life and death are two, and I never forget it. Thousands of miles away in a lonely grave, there is nowhere to talk about desolation. Even if you don't know when to meet, your face is covered with dust and your temples are like frost. At night, I suddenly dreamed of going home, and the window of Xiao Xuan was being decorated. Caring for each other requires no words, only a thousand tears. It is expected that the heartbroken place will be broken every year, and the moon will be loose. " This is a masterpiece of mourning for his wife.

Su Dongpo was deeply saddened by Wang Fu. "Night dream suddenly home, Xiao Xuan window, is grooming. There is nothing to worry about, only a thousand tears. " Yin and Yang are separated, reunion can only be expected in dreams, and only dreams have no time and space restrictions and can transcend all boundaries and restrictions. Simple and sincere feelings, painful where will you go, every time I read it, I am more moved by the feelings.

It should be said that Su Dongpo's popularity again is somewhat lucky. Such a great poet and writer is dizzy because of politics, and Perilla's life often makes people feel a little ironic, so we have reason to believe that Su Dongpo's mental state is relaxed and happy in this relatively stable and comfortable life, but Su Dongpo can't forget those difficult years that Wang Fu spent with him. Wang Fu's role in Su Dongpo's life is by no means as simple as that of a housewife. In Lin Yutang's Biography of Su Dongpo, he once wrote: ... Su Dongpo ... his temperament and natural hobbies prompted him to become a hermit. Social, cultural, learning and reading historical lessons and external responsibilities can only hide the true nature of people. If you strip a person of all the disguises given by time and tradition, his true nature will be presented to you. ..... He gets drunk occasionally, and even often wanders around the city drunk on a moonlit night. At this time, he became a big urchin in nature-maybe the creator just wanted people to look like this. "urchin", here Mr. Lin Yutang is commenting on Su Dongpo's free spirit in a commendatory tone, but isn't Su Dongpo actually a naughty boy? I'm not familiar with the world, I'm interested, I'm smart enough, I'm not introverted enough.

Wives are very stable, but husbands are often not. Husbands are often impatient, depressed and moody. Cheer up if you are happy, and scold your mother if you are unhappy. The trouble is that her husband is talented, so it's not as simple as scolding her mother. Su Dongpo often reveals some "inappropriate" arguments in his poems, asking for trouble. This shows how incompetent these roles will be in daily life and dealing with people. If there is no decent and elegant lady to arrange these "unsightly" vulgar things for her husband, I am afraid Mr. Su will not have a few days of leisure. In Michigan, they lead a hard life. Su Dongpo was very angry about the new income tax. The children grabbed his clothes and told him about it. He said, "Children are so stupid!" Mrs. Su said, "You are so stupid. What are the advantages of doing nothing all day? All right. I'll get you some wine. " Su Dongpo felt humiliated when he wrote this story into a poem. At this time, his wife washed the cup and heated the wine for him. This certainly made him very happy. He said that his wife was more virtuous than that of the poet Liu Ling. Because Liu Ling's wife forbids her husband to drink. It took Mrs. Su several years to find out her husband's character. It is a multifaceted personality, optimistic and happy-go-lucky, but sometimes fierce and stubborn. Mrs. Su is clever and witty. She is the daughter of a scholar and can read and write, but she is not a scholar. Wives also know that they have to keep the house, raise children and live. Because of this, Su Dongpo can't live without such a woman who can master the rudder. Only under the careful care of his wife, Su Can, can Dongpo have more leisure to "dance in the wind". It is precisely because of this that Mrs. Su has become the most trusted and dependent person of Su Dongpo. Many things are buried in Su Dongpo's heart. Most people don't know, but Su Dongpo's wife must know. Experience adversity, life and death, daily care and love, full of trust and comfort. What Wang Fu gave Su Dongpo was the simple and profound emotion of "caring for each other".

In this small word, I can't read a word that makes people feel "melodramatic", and the words are concise and dignified. The connection of each syllable has a sense of coldness and stagnation, just like the sound of crying. The depressed atmosphere spreads in this "repressed spring flow", making it difficult for people to breathe and escape.

What Su Dongpo can't give up after ten years is the kind of affection that affects each other. What he can't stand is not the loss of vigorous love, but the loneliness of being alone after losing his partner. "Even if you don't know when to meet, your face is covered with dust and your temples are like frost." What you see in your dreams are trivial fragments of the past life of your deceased relatives. Because in those trivial things, there is an indelible affection. What is the highest state of love in the world of mortals? Holding your hand is a realm, caring for each other is a realm, and life and death are also a realm. In this world, there is the most dignified and profound love called dependence. It is a long-term infiltration and a warmth that blends into each other's lives.

In the face of such affection, interpretation seems to be a kind of injury, and it is music that needs to be sung repeatedly in life and kept thinking in the quiet night. Countless people have generously given the word "farewell" to this poem. However, thousands of years later, we heard a similar sigh, which gave us a beautiful article worthy of repeated reflection and made us understand the pain in Perilla's heart more deeply. The thousand-year-old singing of the two literati shows the deepest affection in the world. This is Mr. Ba Jin's memories of Xiao Shan and Xiao Shan. I don't comment too much. As the end of this article, I extracted two paragraphs, which are the most profound interpretation of Jiangchengzi. In such an era of promiscuity, we are glad that we still have such feelings worth remembering forever:

She not only shared my pain, but also gave me a lot of comfort and encouragement. ..... I entered the door and saw her face, and all the dark clouds in my mind cleared away. I can pour out my dissatisfaction and complaints to her. ..... She constantly comforted me, expressed her trust in me and felt wronged for me. ..... Today, recalling the scene at that time, her tearful face is still vivid. How I wish her tears would disappear and her smile would reappear on her haggard face. Even if I lost my life for a quiet night in our family life, I would!

She left me 12 years ago. Twelve years, what a long day and night. Whenever I go home, a smiling face and a kind voice greet me, but when I walk into the yard, I only see some tall and short green trees without flowers. On the steps, I looked around, and I still remember the last time she left home. ...

I seem to be still standing on the steps waiting for the car to approach, waiting for a person to come back. Such a long wait. Twelve years. Even in my dream, I can't hear her crisp laughter. I only remember that the children went home with her urn. This urn was originally placed in my bedroom downstairs, on the chest of drawers in front of my bed.

Sorrow is useless. I must end all my dreams. I should cheer up, even for the last time. The urn is still in my home, and my dear face is still imprinted on my heart. She will never leave me, and she has never left me. After ten years as a "cow ghost", I don't feel lonely. I still have the courage to go to my ultimate goal-death. My legacy will be dedicated to the country, and my ashes will be mixed with hers and scattered in the garden as fertilizer for flower trees.

5. Introduction to the author:

Su Shi (1037-1101) was a writer, painter and gourmet in the Northern Song Dynasty. Zi Zi Zhan,no. Dongpo lay man. Han nationality, a Sichuanese, was buried in Yingchang (now jia county, Pingdingshan City, Henan Province). I have a bumpy career, profound knowledge, extremely high talent and excellent poetry, painting and calligraphy. Wang Yang in his works is unrestrained and fluent, and he is also called Ou Su with Ouyang Xiu, one of the "Eight Masters of Tang and Song Dynasties". Poetry is fresh and lively, good at using exaggeration and metaphor, and unique in artistic expression. Together with Huang Tingjian, they are called Su Huang. The uninhibited school has a great influence on later generations, and it is also called Su Xin with Xin Qiji. Calligraphy is good at running script and regular script, and can create new ideas. The pen is full of ups and downs, full of childlike interest. And Huang Tingjian, Mi Fei and Cai Xiang are also called Song Sijia. Painting is the same as literature. In painting, it advocates spirit likeness and "literati painting". He is the author of The Complete Works of Su Dongpo and Dongpo Yuefu.