Pioneers in the era of drama and painting —— samurai cartoons that hit the soul

Sometimes I wonder when I was happiest when I was a child. Every day after school, I take the change given by my mother, buy a saltwater popsicle or snack, sit in the neighbor's house where I rent picture books, and while eating delicious food, I turn over the Tang Dynasty, Romance of the Three Kingdoms, Count of Monte Cristo, Star Wars, Astro Boy ... This feeling is so cool! It was not until the adults shouted at the end of the alley that the children went home for dinner, only to find that it was dark.

The children born in the 198s all experienced the era of renting the villain's bookstore. In Japan, which is across the East China Sea from us, the same form of "borrowing the house" already existed as early as the Meiji period. After the war, Japan frantically printed money to alleviate the debt pressure, which led to inflation. The soaring prices made the red comics withdraw from the historical stage, and the price of comics has exceeded the consumption field of the people. At that time, the publisher immediately found a substitute for the red comic book-a loan comic book, and each comic book was rented at a price of 1-2 yen, which was very low compared with the new book with a retail price of 15 yen. This is a bit like the current joint venture model, where suppliers don't need to pay their own money to rent a house or store, and make a profit by earning the difference. Japan's postwar comics can be roughly divided into three stages according to the change of communication types: the red comic stage in the 194s, the loan comic stage in the 195s, and the weekly magazine stage after the 196s. )

At first, the loan houses mainly rented magazines and novels, and they also collected some old comics, but the quantity was not much. Those publishers only had to persuade the shopkeepers to buy from them, and those loan houses that were about to be eliminated by the times also had a second spring because of the appearance of loan comics. As soon as children can see their favorite comics for a little money, they flock to the loan house and scramble to pay for them. In addition to the low price, the comic book of the loan book has one of the biggest advantages, which is relative to the owner of the loan book. In theory, a comic book will be damaged only if it is rented for more than 2 times, so a comic book can generate profits repeatedly, which also reduces the operating cost of borrowing the house to a minimum. Shopkeepers who tasted the sweetness immediately took the initiative to contact publishers to purchase a large number of goods, and at the same time expanded their business scale to make more money with more comics. For a time, a large number of loan-based bookstores opened in Japan, and the popularity of loan-based bookstores reached an alarming level. There were as many as 3, loan-based bookstores in Tokyo alone, and more than 2, in the whole country!

in those days, Osamu Tezuka, represented by the red comic book "New Treasure Island" (named after the cover is mostly red), left his hometown and started his second journey to Tokyo for development. In this special historical period of Japan, excellent comic books with loan books also appeared one after another, which included many different types, such as time drama, detective, fighting, girl, queer and ninja. The comic books with loan books are rich in stories and hints of social dissatisfaction. They go deeper into the times and pay more attention to the deep needs of ordinary people, which is very suitable for the reading preferences of children and young people at that time. The germination of young comics gradually germinated in it, and the drama paintings (especially the young comics with strong stories and realistic painting style) that will be in full swing in the future will also formally embark on the journey from here.

At this time, several pioneers appeared in the comic book era, including Sanpei Shirato, the king of drama and painting, Shigeru Mizuki, the king of monsters, and Yoshiharu Tsuge, the uncrowned king. Sanpei Shirato was undoubtedly a superstar in the comic book era. His long comic book "Ninja Martial Arts Account" (Ninja Martial Arts Account) was once made into a film of the same name by New Wave film director Nagisa??shima, and Miyazaki Hayao also mentioned this work and expressed Sanpei Shirato's influence on him. And early Hirohiko Araki also considered himself a Sanpei Shirato school.

Closer to home, the painters and paper Zhiju (illustrators) who are famous for drawing historical dramas in the drama painting era are: Sanpei Shirato, GosekiKojima, Ito Yanzao and Hirata Hiroshi. Long ago, I wrote two articles "Wolf with Belt" series 3: a Lang Ke "GosekiKojima" walking between black and white ink and wash

One of the series 4 was inexplicably locked. In order to prevent my articles from being locked up again, I will copy my articles to WeChat official account's "Wolf with Belt" with the same name. In the future, some young people with sensitive topics will also be published on it, and those who are interested can stay in it.

Sanpei Shirato, formerly known as Okamoto Den, whose father was also a painter, later honed his painter in Zhizhi. He was good at the manga of samurai ninja heroes with historical themes. With the sensory stimulation of the bloody fighting scenes, he was the first in the manga magazine Spike, which was well known by the world. Sanpei Shirato made Spike the best manga magazine at that time, and once surpassed the representative of Chiben manga. In this way, "Japanese comics" began to be reborn under the pull of two carriages: "Red Book" and "Drama Painting"! Beginning in 1959, Sanyo Society, which was newly founded in Nagai, began the publication of Ninja Wuyun Account. By 1962, * * * had published 17 volumes, which was unprecedented at that time. At that time, the assistant was renamed GosekiKojima in 1957 by borrowing the comic book "L Secret \ Demon Arc bothers me.".

Bai Tu's ninja cartoons, regardless of the possibility of actual existence or not, are characterized by their scientific appearance and reasonable explanations and diagrams, but they are definitely different from cartoons full of absurd skills and ninja skills. Osamu Tezuka said that since the appearance of Baitu, the young man began to have the same requirements for realism, ideology and ideology as the drama.

The representative works include: Ninja Martial Arts Account, Kami Yi Biography, Ninja Yantaro, Myth Series Collection, Sanpei Shirato Different Colors Collection, etc.

Hirozo Ito (194-24) is known as the painter of Showa God. Characterized by breathtaking demon beauty and sharp strokes that release murderous look, men's paintings are very beautiful and feminine, which was deeply influenced by Hua Lun's later unity. Hao Ito, the originator of the mountain with a knife, has a knife and a heart. There are not many works in circulation in the market, and we can only glimpse the leopard through his collection of paintings.

Hiroshi Hirata was born in 1937. At first glance, the painting style and wild lines of his works are scrawled in many places in the dynamic state, and the painting style in the static state is exquisite and very contemporary. The painting style is between Ito Yanzao and GosekiKojima. Known as the God of Drama of the Times, his representative works include: Biography of Samoyeds, Imperial Trial of Suruga City, Imperial Gold, Zuotou City, Thirty-six Plans of Kuroda, and Sad History of Japan, etc. Moreover, the number of calligraphy segments of the old gentleman is also very high. He himself said that he has been practicing calligraphy diligently for more than 3 years, and his favorite is Su Dongpo's Huangzhou Cold Food Post. Many prefaces and dialogues in the works are arranged by themselves, and some titles of Dahe dramas are inscribed.

In p>1958, Hiroshi Hirata, who was 21 years old, met a senior who had become a cartoonist in middle school. Under Amway, he learned about drawing cartoons as a way to earn money to support his family. That night, he drew a 16-page manuscript all night, entitled "Love and hate will kill the sword". After the manuscript was sent to the Japanese Pill Library of the then drama and painting publishing house, it was published in the fifth issue of its short comic book "The Magic Elephant" and received favorable comments. Subsequently, Hiroshi Hirata began his 6-year drama and painting career.

I hope we can recall the classics through some old works. At the same time, books are the best way to open our eyes and improve ourselves. They are friends who can't speak. Many songs are old classics, and there are many out-of-print good books and works in comics that are unknown. If we don't search for them and keep those priceless artistic treasures in hidden corners, no one will really care about them. If many of our new generations don't know them at all, or have never seen these good works in their lives, what a pity. The woman who asks for a black-and-white cartoon sometimes takes Tatsu Yamashiro that should be Riman

Black Rock Shooter, Crown of Sin, and absolute double-edged, latosolic red pupil. After the decline of mankind, how to draw a Japanese knife with a dragon on its face

How to draw a Japanese Tatsu Yamashiro? Japanese manga knife painting! Tatsu Yamashiro, as a weapon to appear in off the charts in the cartoon illustration cartoon game, is cool and handsome, which is our impression of Tatsu Yamashiro. As a painter, a weapon with such a high appearance rate can't be painted? It doesn't make sense. So how did Japanese Tatsu Yamashiro draw it? So today, let's take a look at how to draw Tatsu Yamashiro in comics! (The material is referenced from Shinken Lecture)

The game Samurai Zero

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Tatsu Yamashiro, also known as Oriental Dao, Japanese Dao and Japanese Tatsu Yamashiro, originated from Huanshou Dao and tangdao in ancient China. It is a representative weapon developed by Japan according to its actual situation for many years. In terms of types, Tatsu Yamashiro is divided into Taitai Dao, Taitai Dao, Taitai Dao, Threatening Difference and so on according to its size and shape, which is well known to the people of the earth because of the export of Japanese cultural industries in the world after World War II. Of course, this is not to teach you the texture and types of drawing Tatsu Yamashiro, because in Japanese cartoons, Tatsu Yamashiro usually draws very simply, and there are not so many details to show. We mainly talk about the posture of characters with knives.

1. The sword is in front of people

In order to make the posture of holding the sword handsome, we usually draw the sword in front of people to highlight its sense of existence.

However, even painting a sword in front of a person is skillful. Let's look at a set of comparisons. Which do you think is more handsome, A or B?

By comparison, it can be seen that although all people are holding swords, the movements of people's heads, the posture of hands holding swords and the posture of their bodies all make B look more dynamic and cool. If you simply draw a man with a sword, just press a. But if you want to make the characters look more handsome, you might as well refer to B's painting.

2. Exaggerated use of perspective

Look at the following two perspective views, which one do you think is more realistic?

I believe most people can see that the picture on the right is more realistic, and the knife on the left is going to poke us in the face, which is very unscientific. But! Change the question. Which picture do you think is more attractive? 9% of people should answer the left picture.

Yes, we know that the perspective of the picture on the left is too exaggerated, but this painting can highlight the weapon and make the whole picture more attractive. In contrast, the picture on the right that reflects reality is plain. (Pay attention to the background of the picture on the left, which plays a prominent role.) This tells us that art can sometimes transcend reality in pursuit of aesthetic feeling.

is there nothing to worry about except posture? Not really.

Let's take picture A as an example.

We just changed the posture of human body to make the whole picture more dynamic and cool. Is there anything else you can do without changing your posture? Yes, introduce other elements. When people are still, introducing other elements of movement can also create a cool feeling, as shown in the following figure:

People's posture has not changed, but the whole picture comes to life immediately after painting moving objects such as clothes, hair and leaves. In this case, even if the figure's posture is not as good as B's, it looks cool and calm because of other sundries.

There are still many sword-holding postures. Let me introduce some common ones to you:

The exaggerated perspective is used to match the background, which makes the blade look big and the visual effect is outstanding.

gives people a sense of readiness.

just like the posture of a chair crutch, the reflection of the blade makes it impossible to ignore the sharpness of the blade. It is a gesture that Shangshu, the minister of punishments, likes recently.

it's similar to the first pose, but it's more exaggerated, and the tip of the knife is stuck in the face.

how to draw the Japanese Tatsu Yamashiro? Japanese manga knife painting! That's the main content about how to draw Japanese Tatsu Yamashiro today, so the analysis of the drawing method of the cartoon characters holding a knife in this issue is here. Have you learned it? I'll see you later!

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