What are the methods and skills of character poster design? 1. Let the copy embellish the characters. Sometimes, a picture of a character with good composition, good light and shadow, and outstanding personality can simply add a font with corresponding personality to set off the atmosphere.
Come out, there is no need to add too many complex and complicated modifications.
Processing movie stills into the form of old photos is enough to attract attention.
The characters in the picture themselves occupy the main page of the picture. Choosing appropriate text layout will make the whole picture look very coordinated.
2. Strengthening of points, lines and surfaces. Some people may say that if the picture itself is good-looking, it will be a plus, but reality is so skinny. Many times the character pictures provided by Party A do not have such a strong visual impact.
,At this time we can adopt the second method.
This processing method is different from the first one in that there are some more dots, lines or wire frames on the poster.
First of all, a good poster has its own prominent center point, among which elements such as size, color, shape, depth of field, etc. are all very prominent and eye-catching. On the basis of the original atmosphere, geometric elements of points, lines and planes are added.
It can distinguish the size and strength of the font without weakening the main image of the character, which will make people remember it deeply.
3. "Illustration" on the characters. If the characters themselves do not have a strong creative effect, you can consider using illustrations or graffiti to expand the emotion and power of the picture, and the characters will not be weakened because the background is too complex.
Adding graffiti directly to the character's body or face is also a good effect choice.
4. Integration of characters and text For designers, "the characters should be bigger" is a familiar requirement. However, when applied to character posters, in order to ensure that the characters are not weakened, you can try to integrate them with the title copy.
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The combination of moving characters and thick and powerful text makes the superposition of characters and text more visually impactful.
Characters become a transition to text, which can not only expand the scope of copywriting display but also enrich the picture.
The text no longer exists alone, but as an element and the character picture are integrated with each other.
5. Collage cutting of multiple characters. Like movies and TV series, where multiple characters appear at the same time, character poster design can choose the collage cutting method, which can also be used to distinguish the characteristics of different characters.
But while dividing, it is necessary to ensure that the tone of the entire poster is consistent with the atmosphere of the movie.
In addition to neat segmentation, collage combination is also a very good way to express the character's personality. By repeating collage and adding some other elements or patterns, the poster can be more creative and three-dimensional.
Analysis of points, lines and surfaces in graphic design Analysis of points, lines and surfaces in graphic design In the field of graphic design, points, lines and surfaces have their unique visual effects and aesthetic values. As a visual language, they are combined in a certain way
, convey specific connotations and information to people.
Below is the analysis of points, lines and planes in graphic design that I shared. Let’s take a look at it together.
1. Point In geometry, a point only has a position and no area. However, in the eyes of graphic designers, a text, a symbol, or a smaller unit graphic is called a point. That is to say, all small shapes in the work can be regarded as points.
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These points have changes in shape, direction, size, and position, and different arrangements and combinations will give people different psychological reactions.
A point can best form the visual center. In graphic design, we can summarize the parts that need to be emphasized into a point, and people's eyes will eventually condense on this part.
When the point is located in the center of the picture, the spatial relationship with the picture appears harmonious and stable; when it is located above the center, there will be a sense of instability, forming a top-down visual flow; when it is positioned lower, the picture will have a sense of stability, but it is easy to
It is ignored by people; when it is located in the upper two-thirds of the picture, it is most likely to attract people's observation and attention; when the point is located at the edge of the picture, it changes the static balance relationship of the picture and creates a sense of tension.
Two points, if there are two points in the picture, a visual tension will be formed between the two points, and the human vision will jump back and forth between the two points, forming a sense of jumping and flickering.
When there is a difference in size between two points, the vision will move from large to small points, resulting in a movement trend.
There is such a mobile phone print advertisement: On the screen, a big dog stares at a small mobile phone. Since the cohesion of the small dots is stronger than that of the large dots, people's eyes finally fall on the small mobile phone.
A successful advertising slogan: "Smaller than me, more popular than me!" immediately made people remember the characteristics of this mobile phone.
The combination and arrangement of numerous points, the repetition, equal size, and equidistant arrangement of points give people a sense of clarity, order, and comfort.
However, absolute neatness can easily appear dull and monotonous. We can make the picture lively through composition forms such as gradient, approximation, and specificity.
When smaller dots are regularly arranged in a certain shape, a surface will be formed. The different sizes of the dots will create a sense of spatial depth. The gathering and dispersion of dots will cause diversification of energy and tension, making the picture very interesting.
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