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Thoughts after watching the movie "The Battle of the God of Cookery"

Fan 1: Nicholas Tse loves to cook. Many people should know by now.

The third season of the variety show "12 Flavors of Flavors" obviously did not satisfy Nicholas Tse, so he simply continued his 360-degree demonstration of chef style throughout the movie.

In fact, the "food" theme of this movie can be considered novel at the moment.

But the problem is that throughout the entire film, there is a feeling that as long as Nicholas Tse is a good cook, nothing else matters.

Therefore, I feel that discussing too many other topics is a bit redundant.

The story tells the story of Gao Tianci, the protagonist played by Nicholas Tse. When he was a child, on a rainy night with high winds and dark moonlight, his father suddenly decided to leave the family. Before leaving, he left a sentence like: This profession is the loneliest and most painful, but if you choose it, you will be happy.

Want to keep going? The motto.

That posture was too easy for people to mistake him for joining the underworld or becoming a killer, so Gao Tianci had always had a serious psychological shadow over his father's departure.

On the other hand, the protagonist's biggest rival, when he received the "Michelin Star" honor and was about to manage a high-end international hotel, suddenly shouted "I want to pursue a higher ideal" and resolutely left everything he had.

Unexpectedly, the painting style changed and this man did not travel around the world in search of the true meaning of cooking as people imagined.

But he followed an unqualified boss and competed with the small restaurant run by Gao Tianci in a folk street for business, parking space, and ingredients. This great dream really didn't go according to the routine.

Most of Gao Tianci's next film revolves around these two.

The highlight of the film is the various cooking showdowns, and Nicholas Tse also shows off his knife skills and ideas in various ways.

But as mentioned at the beginning, the core of this movie is that as long as Nicholas Tse is a good cook, everything else doesn't matter, so everything is very casual.

Anyone who has watched something related to the cooking competition should know that each cooking showdown will have the same main ingredient as the theme.

Because only by deciding on a theme can we determine the outcome from the sources of ingredients, matching them with other ingredients, stimulating nutritional ingredients, knife skills, and presentation.

But maybe the screenwriter really didn’t have that spare time, and the entire film was a very casual peak showdown without any competition system to speak of.

The result is that a group of so-called world-class food judges decided that the high-tech molecular gastronomy method for cooking oysters was defeated by the innovative Mapo Tofu as a cold dish.

Fortunately, Gao Tianci was quite dedicated in trying to please the judges. Every time he cooked, he would either use a huge pot or get a big stone grinder to make fresh tofu.

But unfortunately, the judges got tired of watching it in the end, and they eliminated Gao Tianci in the finals on the grounds that he was not dressed as handsomely as his opponent.

How could the protagonist bear such a big blow? It turned out that the opponent was also very strong. When he saw how casual the judges were, in order to express his dissatisfaction, he simply gave up his sense of taste even more casually to create the last chance for Gao Tianci.

As a result, Gao Tianci ended up having a BOSS battle with his father, who had become the God of Cookery.

But perhaps because of the unserious competition system in the previous stage, the protagonist decided to take revenge on the judges. In the final competition, he cooked a bowl of noodles and fed it directly to his father. As a result, his father ate a new life after eating the fragrant noodles, but the judges on the sidelines couldn't even taste it.

I didn't even smell it.

As the happiness slowly rose after revenge, the protagonist left the stage gracefully.

A story that can be explained in a few hundred words was finally presented in 90 minutes, so it can be expected that most of the time has nothing to do with storytelling at all.

However, it can be felt that this movie still wants to explore in-depth topics related to "food", and Ge You has become the actor who is most closely related to the "food" theme in the film.

However, the screenwriter's power is really limited, and neither the story nor the events have reached the level of a genre film.

The last scene is a kind of collective New Year greetings for the actors. The ending of the film can also reveal that the positioning of the film itself is not too complicated.

If you just watch it as a Lunar New Year movie, "The Lost God" is already considered sincere, but if you leave it out of the Lunar New Year movie, this type of movie really still has too much room for improvement.

Fengwei Jianghu: Battle with the God of Cookery - Fan 2 Injecting love and family affection into a gastronomic competition is no longer a fantasy in "The Battle with the God of Cookery". However, in such a movie that already has Zhu Yu to learn from, the abrupt and abrupt turn

By envisioning high-end internationalization, the story was unable to capture the warmth and atmosphere. The seemingly international event felt even more false and exaggerated, leaving people at a loss as to what to do.

In fact, for Ye Weimin, making food movies has been quite a challenge after the success of Tsui Hark's "The Man-Han Banquet" and Stephen Chow's "The God of Cookery". When he was filming "The God of Cookery", in addition to relying on technology to make the food delicious

It seems to be within reach, and there is not much redeeming feature. The whole movie is like an ever-escalating level-breaking game. Almost all the new tricks are used along the way. In order to make the movie look high-end,

, a Michelin-starred Chinese-Korean mixed-race chef who has won the praise of European princesses has become the opponent of the male protagonist Tianci played by Nicholas Tse. It is this kind of plot conflict that is deliberately elevated and highlighted that makes the movie full of exaggerated embarrassment.