Yu Qian's level of cross talk is obvious to all. It is estimated that no one else in the world can be won so well by Degang Guo. But we also found a particularly interesting thing, that is, Brother Qian seems to have never played Allegro on the stage. Crosstalk originated from street performances. Playing bamboo board is to attract the audience's basic skills. Then why does Brother Qian never play Allegro? Is it because Brother Qian can't play Allegro well?

Over the years, Yu Qian not only presented a gift to Degang Guo on the stage, but also sang a pop song when he returned to the stage at most. "Fake Monk" and "Nothing" are his forte, because Brother Qian's identity is unknown, and he is the vice chairman of Beijing Rock Association. Brother Qian lives in a compound with Cui Jian, so it goes without saying the rock level. However, Qian Ge himself said that good actors should not steal the limelight too much, so Qian Ge rarely steals the limelight. During the performance, he basically didn't say anything except "I haven't heard of it, don't come here, fuck you".

Then why doesn't Brother Qian play Allegro? According to people familiar with the matter, Qian Ge's crosstalk master is Mr. Shi Fukuan and Allegro master is Mr. Gao Fengshan. But here's the problem. Shi Fukuan learned Allegro from Mr. Gao Fengshan, which means that Brother Qian is equal to his master in Allegro. Crosstalk circle is an industry that pays most attention to and respects teachers. Therefore, Brother Qian has never played Allegro since he became a teacher, out of respect for his master Shi Fukuan.

Throughout Deyun Society, Brother Qian and Degang Guo have always been good examples of mentoring and respecting teachers. Brother Qian doesn't have to tell his master. In Deyun Society, what is the significance of respecting teachers and stressing morality? Master, stand up. Your apprentice can't sit still. When Sir Zhong Zhang Lei Yun listened to Degang Guo, Degang Guo stood up to demonstrate, and Zhang Yun and Lei Qiang had to stand up and listen with their bodies. Perhaps it is precisely because the whole Deyun Society respects teachers and values the road so much that ancestors enjoy food so much.

There is a clear distinction between students and apprentices in the phonology world. No one is apprenticed to the teacher, but no matter how much they learn, they are still students. Students just learn with them. Without the teacher, they don't care about their seniority. The most typical example is Zhao Peiru, whose master is Jiao Shouhai, but he often studied with Jiao Dehai in Jiaojia. You can't say that he was the same generation as his master Jiao Shouhai as soon as he came on stage to talk cross talk.