"A Dream of Red Mansions" appears as a "writing about children", which is due to the author's concern about the political environment at that time. Therefore, the many women represented in the book who represent different personalities and types are based on the fact that their images are based on real life. After tailoring and refining, the personalities, details, etc. of the prototype characters are integrated into the novel's image. , perhaps not necessarily limited to women. Among the girls in the Grand View Garden, Shi Xiangyun is the one who most clearly displays the spirit of makeup as a man. Her parents died when she was young and she was raised by her uncle. Her aunt did not treat her well. Therefore, her life experience is somewhat similar to Lin Daiyu. But she was outspoken, cheerful, naughty, and not very forward-looking. She even dared to lie down on the bluestone bench in the garden and fall asleep after getting drunk. She and Baoyu are also considered good friends. Sometimes they are affectionate and sometimes angry when they are together, but after all, they are open-minded and "never have their children's private affairs in their hearts." However, on the other hand, she does not have the rebellious spirit of Lin Daiyu, and is influenced by Xue Baochai to a certain extent. In Shi Xiangyun, in addition to her unique personality, we can also see the bold and unrestrained characteristics of certain literati who were praised in the feudal era.

Shi Xiangyun’s misfortune mainly occurred after the 80th chapter. According to this piece of music and the fragmentary information provided in the commentary of Zhi Yanzhai, Shi Xiangyun later married Wei Ruolan, a chivalrous aristocratic son, and his married life was relatively happy. But the good times did not last long, and soon the couple separated, leaving her lonely and haggard. As for the legend that in some sequels, Baochai died early, Baoyu became a soldier beating the watch, Shi Xiangyun became a beggar, and finally married Baoyu. It seems that this is not in line with Cao Xueqin's original writing plan, and is the third appendix. The eleventh chapter "came about because of the return of the Qilin and the white-headed double stars". In fact, the "white-headed double stars" refers to Wei Ruolan and Shi Xiangyun who lived separate lives until they were old, because Shi Xiangyun's golden unicorn is similar to Xue Baochai's golden lock, and they both serve as evidence of marriage. As Zhi Pi said: "Later The qilin worn by Ruolan Shepu in dozens of chapters is exactly the qilin. The outline is hidden in this chapter. The so-called grass snake gray line is thousands of miles away. "So, how is the "outline" used? This time, the golden unicorn written about the lost treasure of jade (he originally wanted to give it to Xiangyun because he also had one) happened to be picked up by Xiangyun, while Xiangyun's maid was talking with the lady about "male and female" and "yin and yang". Reason, saying: "Yin and Yang can be separated!" These details imply that this object will be related to Xiangyun's marriage in the future. At first glance, this does indeed look like "Fu" Xiangyun has a "destiny" with Baoyu, and it is also consistent with the theory of "marriage between gold and jade". Daiyu was also suspicious of this and said some sarcastic words to Baoyu. In fact, Baoyu only unintentionally acted as a middleman, just like the "destiny" between Xiren and Jiang Yuhan was through the exchange of each other's sweat towels through his belt. On this point, Zhi Pi made it very clear: "The marriage between gold and jade has been decided, and a golden unicorn is written, which is the law of intercourse. Why is it confusing for me? So mei'er calls it 'qingqing'." (The last chapter of "Qing" The comment on Daiyu in "Bang" means 'a person who uses affection for passionate people')" In order to make the main color distinct in painting, another color is used to set it off, which is called the "intermediate color method". Xiangyun's marriage is a foil to Baochai's marriage: one is married because of the golden lock, the other is married because of the golden unicorn; one seems lucky to be Baochai's second wife, but her husband is a monk and she is a widow; the other is "worthy of a talented and handsome man", who It is said that "the clouds dispersed in Gaotang and the water dried up in the Xiangjiang River". In the end, he stayed alone in an empty house. "Double Star" is another name for Altair and Vega (see "Jiao Lin Daguan Ji"), so Qixi Festival is also called Double Star Festival (later changed to Double Lotus Festival). In short, "White-headed Twin Stars" means that after Xiangyun and Wei Ruolan got married, they soon divorced for some unknown reason and became the Cowherd and the Weaver Girl. This just serves as a foil for Baochai's "gold and jade marriage". "Good Song Notes": "What do you mean when the fat is thick and the powder is fragrant, how come the temples are frosted again?" Zhi Piji also mentioned Baochai and Xiangyun, saying that he was referring to the two of them. It can be seen that the people who thought that Xiangyun would marry Baoyu in the future because of looking back were just like Daiyu who was "confused" by Baoyu when he accepted the golden unicorn. It was also due to misunderstanding.

Shi Xiangyun is a character created by Cao Xueqin with a poetic and artistic style. As soon as the reader closes his eyes, this character appears alive: dressed in men's clothing, talking and laughing; he is suave and informal; he is keen in poetry and talented; he speaks "biting his tongue" and calls the "second brother" the "loving brother" "...This is a romantic and lovable character.

Shi Xiangyun has a bright mind, and his actions are not just holding a pipa and raising his hands. Shi Xiangyun's broad-mindedness is not a kind of aloofness, but a kind of worldliness.

Eat big chunks of meat when you feel like it, fight with your fists and thumbs when you get carried away, occasionally dress up as a man, be free and easy during the day, and look high in spirit when you look around, but men also have to be self-conscious. In the Grand View Garden, Shi Xiangyun's life experience was rich and noble. Although he was no longer rich due to his family's decline, he did not pretend to be an aristocrat. She not only ignores the distinction between men and women, but also ignores the distinction between men and women. She interacts with others with her true nature and no utilitarian heart.

As a woman, Shi Xiangyun has the open-mindedness and open-mindedness of a man. She is not burdened by the skin of her daughter. In the thirty-one chapters of the distinction between yin and yang, Cui Lun's endless chatter and Shi Xiangyun's step-by-step answers filled the relationship between master and servant with an atmosphere of equality like sisters, teacher and student. But Shi Xiangyun's profound and simple thinking is not like those women who shed tears at the sight of the wind and feel sad for the moon. When she passed by our field of vision like the spring breeze, people were intoxicated by her grace and completely forgot about her Lushan appearance. .

In "A Dream of Red Mansions", we seem to have never seen Xiangyun really worried. He is always laughing and joking, full of interest and enthusiasm for life. Regarding her character traits, the author not only gave hints in the music of Judgment and Dream of Red Mansions, but also made poetic paintings many times. When she first appeared, the author showed her character traits of "talking loudly, laughing" and "biting her tongue", and said that she was involved in the love entanglement between Bao, Dai and Chai. Her arrival made Daiyu jealous and she quarreled with Baoyu. Early the next morning, Baoyu went to see Daiyu and Xiangyun: only his two sisters were still lying in quilts. The Daiyu was tightly wrapped in an apricot red silk quilt, and she closed her eyes peacefully. Xiangyun had a handful of black hair resting on the side of her pillow; a peach red silk quilt only covered her chest, with her curved snow-white arms hanging out of the quilt, with two gold bracelets clearly visible on it. When Baoyu saw it, he sighed: "I'm still not honest when I sleep..."

Through the description of the two people's sleeping states, they show two completely different personalities, and combine Daiyu's precision in doing things with Xiangyun's bigness. And it creates a sharp contrast.

In the Grand View Garden, Shi Xiangyun's life experience was both rich and noble. Although he was no longer rich due to the decline of his family, he did not pretend to be an aristocrat. She not only ignores the distinction between men and women, but also interacts with others with her true character and no utilitarian heart. This is very different from Baochai and Daiyu. Although Baochai understands the general situation and is good at giving small favors, the importance of human affairs is clearly layered in her actions; although Daiyu is regarded as a rebel in feudal society, the hierarchy of feudal society is still high in her heart. It is clear that the young lady will never be equal to the maid. It is Daiyu's nature to be lonely and arrogant.

When Cao Xueqin creates the image of beautiful women, he never writes the characters as flawless and flawless; instead, he often writes them as beautiful jade with slight flaws. Such as Daiyu's weakness, Baochai's fever, Yuanyang's freckles, etc. These "minor flaws" not only do not affect the beauty of the characters, but instead add features and make the characters more distinctive. This aesthetic dialectic was also used when shaping the image of Shi Xiangyun. Not only did he make this beautiful girl have a "tongue-biting" defect, but he also allowed her to be tainted with some romantic and suave masculine styles in her caressing. She always liked men's clothes. Once it snowed heavily, she dressed up in a different way: wearing a big coat that was burned inside and out, a big orangutan Zhaojun suit on her head, and a big squirrel collar around her head. Daiyu laughed at her and said, "Look, Sun Xingzhe is here. He is holding a snow coat and deliberately pretending to be a little slut." Everyone also laughed and said, "But he only likes to dress up like a slut." Xiao Xiao's appearance turns out to be more beautiful than his daughter's." She, Baoyu, Ping'er and others were cooking deer meat. Daiyu laughed at them, and Xiangyun retorted: "What do you know: 'It's a real celebrity who comes from Fengliu'... We are eating so much now, but we come back with a beautiful heart." It is to write poems. , she would also recite the poem "Sitting on the edge of the shady fence, hugging her knees and chanting in the cold fragrance", as if she regarded herself as a recluse. The beauty and charm mixed with some romance and suaveness make the image of Shi Xiangyun even more charming.

When Cao Xueqin created the image of Shi Xiangyun, she also showed her enthusiasm, boldness and outspokenness. She is a very talkative person, a "talkative person", and shows enthusiasm for people and things. Xiangling wanted to learn poetry; she didn't dare to instigate Baochai and asked Xiangyun for advice. She "became more and more happy and started talking day and night." For this reason, Baochai criticized her for "not keeping her duty"; Girls' home". She is the same on the outside, outspoken and unguarded in her words. Once while watching a play, Sister Feng pointed at a little boy on the stage and said, "This kid is dressed up like the same person." Everyone knew who Sister Feng was referring to, and they were afraid of offending others, but they refused to say it, but Xiangyun said bluntly: Said: "I know, like Sister Lin.

" This offended Daiyu and also caused a conflict with Baoyu. Once, she persuaded Baoyu to take the "economic path of official career" and made Baoyu issue an "expulsion order". Some people say that this shows the strong feudal consciousness of Xiangyun. In fact, This is not the case, but it just shows that she is naive and naive. Later, she went to Jia's house and lived with Baochai. She was influenced by him, but the words she persuaded Baoyu were by no means Xiangyun's own thoughts, but just parroting. That's all.

The author also shows Xiangyun's extraordinary talent and agility in poetic thinking. She came the most often, and showed her chic and spontaneous style. She came late, and when others had almost exhausted her meaning, she composed two songs in a row, which were novel and unique, and had other meanings. When Lu Xueting was writing poems, she was inspired to write poems after eating venison and drinking wine. There were many and good poems, and Xue Baoqin, Baochai, and Daiyu appeared. *Zhan Xiangyun’s situation. Everyone laughed and said, “This is all the result of that piece of venison. "Chapter 62 "Han Xiangyun sleeps drunkenly in the peony garden", which is a hymn of youth and a movement of life. It is written with full ink and ink, and it is very lively, and Shi Xiangyun is the most active member among them. Everyone makes fists Guessing coins, drinking and composing poems, shouting three and four, shouting seven and eight, the whole court was filled with red and green flowers, and jade and beads were shaking, but when the banquet was over, Xiangyun suddenly disappeared:

As he was talking, he saw a little girl walking over with a smile and said, "Look, girl, Miss Yun was drunk and wanted to cool off, so she fell asleep on a bluestone bench behind Shanzi Stone. "When everyone heard about it, they all laughed and said, "Quickly, stop making noise. "After saying that, when they all came to look, they saw Xiangyun lying on a stone stool in a remote part of the mountain. He was dreaming deeply of the fragrance of his karma. Peony flowers flew all around him, and his head and lapels were covered with red fragrance. The fan in his hand was in the air. The ground was also half buried by fallen flowers, and a group of bees and butterflies were noisily surrounding him. He wrapped a bag of peony petals in a shark handkerchief and put it on his pillow. Everyone looked at it and laughed, and they rushed to support Xiang. In his mouth, Yun was still talking about drinking orders in his sleep, and muttered: "The fragrance of the spring is refreshing... I'm helping you return home drunk, it's a good time to meet relatives and friends..."

This is a painting, this is a poem, this is Who wouldn't be attracted by the poetic and picturesque Shi Xiangyun?

However, such a beautiful flower withered in the end, and he was so drunk that he fell into a deep sleep. The days finally passed away in the swaying shadow of falling flowers. Although there are still different opinions about Xiangyun's ending, it cannot be denied that Xiangyun's appearance has always been as quiet as a few flying clouds, and her departure has been promised in dreams. There is a lot of warmth but no trace. Wang Bo's "The falling clouds and the solitary swans fly together, the autumn water is the same color as the sky" is probably most suitable for Xiangyun's clear and distant, flying and careless. Harmony should be Shi Xiangyun's eternal image.

Zhang Ailing said Shi Xiangyun

The most basic and popular way to appreciate the Dream of Red Mansions is to prefer a certain girl in the book, just like a beauty pageant. Xiangyun has the highest voice. Maybe some people think that modern people like lively girls, and the physically and mentally sick Daiyu is out of date. In fact, Xiangyun is probably the most popular one since the Dream of Red Mansions. The strange thing is that Du Xiangyun has no face in the description, except for the four words "slowly rising in the shade of peony" and "a snow-white arm" outside the bed (Chapter 21) She seems not to be beautiful except for her eyes and fair skin. Her figure is "wasp-waisted, ape-backed, and crane-shaped." She is extremely tall and slim, and her legs are not very attractive to the Chinese people. There are two lines of poetry that make it clearest: "The smallest and lightest among the crowd, how can you truly understand love? " (Volume 4 of Dong Kang's "Shu Bo Yong Tan" is titled "Three Beautiful Pictures of Qionglou" by people from Yuhu Mountain painting Baochai, Daiyu and Xiangyun. See page 929 of "New Evidence of the Dream of Red Mansions" by Zhou Ruchang.) She is childish. , a bit naive, and therefore more innocent. In contrast, Baochai, who is "touching even if he is ruthless", becomes affectionate when he visits Baoyu when he is injured, which shows that he does not show it at ordinary times. /p>

The previous quote from Dong Kang's seven-character poem, the couplet is as follows: Even if love comes from time to time (Yun stuttered when he was young, he called his second brother his beloved brother), but the last sentence will bite his tongue again. Called "big tongue" - mistaken for stuttering, and this problem usually persists after adulthood. The next sentence is also incorrect. Daiyu is not jealous, and her eating is reasonable.

Chapter 22: Daiyu and Baoyu were angry, but Baoyu didn't argue, "Turn around and go back to the room." Annotation at the bottom of the sentence: "What does your eyebrows have to do with you? Baoyu said this time, what does it have to do with me?" Although he hasn't left yet, his heart has already understood..." When Xiren returned to the room, he mentioned that Baochai wanted to return the meal. "Baoyu sneered and said, 'If he doesn't return it yet, who cares? '" Annotation: "...this related language is still in recent times and is related to the language of Mei'er. Not mentioned above, it is ultimately stored in the heart, but is vented on Baochai. Those who have a good reputation are just frowning. Now they still have this mentality. How about those who are not familiar with each other? Isn't it inappropriate to speak frankly? ..." Baoyu and Baochai have never got along with each other. Daiyu is jealous of her mostly because she is so popular, and there is talk of a golden marriage between jade and gold. Xiangyun, on the other hand, Baoyu does have feelings for her. But Xiangyun has feelings for Daiyu. The mood was sour, as if she and Baoyu had lived with Jia's mother in the past, and she had a childish jealousy over her new siblings.

Chapter 57 Hunan. Yun wanted to defend Xing Xiuyan, but Daiyu laughed at her: "Why are you pretending to be Jing Ke and Nie Zheng? "Among these people, Xiangyun is the closest model to a chivalrous woman, and a chivalrous woman must be ruthless, at least not in love, otherwise she will wander the world alone. What if she becomes passionate? If she is in love, it is also passive, leaving the man in the active role. The status is also more satisfying. The chivalrous woman is either ignorant of the style or "a bitch is ruthless", so "the origin of the chivalrous woman's prostitution"

It turns out that before Daiyu came, Xiangyun lived in Jia's house when she was a child. Living in a room with Baoyu and Jia Mu - the description of Xiangyun's appearance when introducing Xiangyun - has been deleted, including Xiangyun Xiren's night talk in Nuange - Chapter 31 is recounted in the conversation between the two - - Xiang Yun's "not ashamed words" at that time - related to marriage, because it was brought up when Xiren congratulated her on their engagement; it was also related to the deep friendship between the two of them in the past, because Xiang Yun then said: "You still said that? , we were so good at that time..." "If you are not ashamed", of course Xiangyun said that he hopes to marry the same husband as Xiren and can be together forever. The fulfillment of the prophecy contains strong irony, just like the three characters in many myths The wishes come true one by one, but the gains outweigh the losses, which makes people laugh and cry.

The golden unicorn in Chapter 31 made Daiyu suspicious. This is the Dharma of interdimensional form. How can I be confused by it? "Zhou Ruchang believed that this chapter "because the unicorn is covering the white-headed twin stars" refers to Baoyu's final old age with Xiangyun. He explained this comment like this: The commentator said that this is sufficient evidence that Qilin has nothing to do with Baoyu. However, this comment only says that What's more, for "Wood and Stone", "Gold and Jade" has been determined. If Qilin's public case is far behind "Jin and Jade", it does not constitute any contradiction with "Wood and Stone", so it is criticized. The author's meaning is that he should only care about Jinyu and no longer care about Qilin.

——Page 924 of "New Evidence of the Dream of Red Mansions" This is of course an excuse. How could Daiyu not care about Baoyu. Who is his future lifelong partner, let alone a talented woman whom he is familiar with, even if their union has to go through some twists and turns?

But many people have always believed that the "White-headed Double Star" will look back. Refers to Baoyu Xiangyun. Therefore, Zhi Pi also commented on the last verse: "The unicorn worn by Ruolan in Shepu in the later dozens of episodes is exactly the same unicorn. The outline lies in this chapter, and the so-called gray line of grass and snakes is thousands of miles away, which means that this omen should be on Wei Ruolan.

Wei Ruolan only appears once in the eighty chapters, in the tenth chapter The story of Qin Keqing comes from the "Feng Yue Bao Jian" in the four chapters of Qin's funeral. It was Wei Ruolan who included the funeral in this book, but he added it later.

As soon as Fengyue Baojian was included in this book, the book became too unreal. The booklet and song of Taixu Illusion predict that Xiangyun will soon be widowed: "Open your eyes to see the slanting light, and the water of Xiangjiang River will pass away, and Chu Yun will fly away." "I am worthy of a talented and beautiful man... In the end, the clouds dispersed in Gaotang and the Xiangjiang River dried up." "It was already "slanting light", the sun was setting, and "for a long time", it was obvious that she had not remarried. If Wei Ruolan did not exist at that time, then she would still marry Baoyu - the "talented and handsome man" would not be An unknown person. But there has never been a theory of Baoyu dying early, and Qu Wenming said that if Jinyu's marriage was successful, if Baochai died early after marriage, Baoyu would also die early after marrying Xiangyun, so the three heroes and heroines would all die early. As soon as "Fengyue Baojian" moved here, he added a short-lived Wei Ruolan as Xiangyun's spouse. From then on, Xiangyun's fate was to be an early widow and not be able to grow old with anyone. "White-headed Double Star" is obviously a return to his early life. , hence the conflict.

There was no Wei Ruolan this time, but it was already the 31st chapter. "Because the unicorn hid the white-headed twin stars" of course refers to the Baoyu Xiangyun in this chapter.