After reading a book, everyone must have a new understanding and view of life, and it is necessary to go back and write a review. Have you figured out how to write your review? The following is my review of Red Sorghum Family, welcome to share.
After reading Red Sorghum Family 1 The first time I read Mo Yan's book was when I was in the third year of high school. At that time, there was a very bad atmosphere around me, and there was a great pressure, which inevitably made me feel a lot of new feelings when reading Mo Yan's book.
The formation of my personality is closely related to Mr. Lu Xun. In fact, I didn't have much interest in writers like Mo Yan or Wang Zengqi at the beginning, but when I arrived at a specific time node in a certain environment, it was like a profound fate, and I suddenly saw each other's cheeks.
At that time, I read a collection of essays by Mo Yan, that is, the Singing Wall. Mo Yan wrote a lot of new things in his own book, which made people feel * * * after reading it. There is a very obvious memory of hunger in Mo Yan's books, which is closely related to the environment that existed when he was a child. According to him, there were many natural disasters in his hometown when he was a child.
Coupled with the unique touch of some times, Mo Yan's books are filled with a delicious meal. Confucius said that "eating color is also".
That kind of cake with red dates has become Mo Yan's very profound description of female breasts. This undisguised description from Shandong people still has a strong personal or regional characteristics. Red Sorghum Family is Mo Yan's earlier work, and when we read it, we suddenly realized that there is an imprint of the times in it.
If it is placed in today's environment, Red Sorghum Family may not be popular. However, in such a western literature, with the related western material products appearing among Mo Yan's generation of authors, a wonderful chemical reaction appeared.
Marquez's magical realism was applied to Mo Yan's own books. However, the magical realism in Red Sorghum Family is not actually a derivative of Marquez. According to Mo Yan's own words, in fact, many western literary works began to flood into China after he wrote this book.
The Red Sorghum Family still has its own unique characteristics in the current background. It's more pioneering to realize all these things. Nowadays, there are many novels that appear in the market, both explicit and narrative. However, after all, it is because the nine-headed bird like Mo Yan has expanded this cage.
In the novel, the discussion about human nature has never stopped. When we understand these numerous contents, there must be some self-voices.
This is the overall situation, bright red sorghum, the color of harvest.
After reading "Red Sorghum Family", I read Mr. Mo Yan's works for the first time, and felt that his books were really incredible. Whether it was a magnificent description or a profound plot, people were amazed. In particular, he combined the historical background and folk stories at that time with the contemporary social reality, so that readers could see both history and reality, and people were sometimes immersed in the beauty of memories and sometimes had to face the cruelty of life. His book is really profound, and you have to read it several times to realize the logic and truth.
As the winner of Nobel Prize in Literature, Mo Yan's writing style is as smooth as flowing water. The description in the book is full of color. Through the text, I seem to see the endless blood-like red sorghum and the village like an island under the blue sky. At the same time, I seem to smell the intoxicating aroma of three miles red; I heard the incessant gunfire on the ink river bridge. I sigh over and over again that this book is wonderful, and Mo Yan's literary skills are very impressive. In Mo Yan's works, the words have become vivid, and I feel like I'm enjoying the painting, not reading.
In addition to gorgeous descriptions like clouds, there are vivid and simple dialogues between characters. Concise and clear, and there is no lack of common people's tone of voice, but it rarely appears in books. Mo Yan's brushwork is very sharp. He analyzes human nature and ethics, so this book is "bloody". Like a skinned person, the internal organs, bones and blood vessels are clearly visible.
I also like the characters he describes. He writes in the tone of his grandchildren. I really want to write stories about his grandparents. Jiu-Er, Yu Zhanao, Dou Guan, Lian Er, Lohan, bandits, officials, invaders, the invaded ... all kinds of characters enrich the core of this book. Among them, I like Jiu-Er best. Although she is a rural woman wrapped in feet, she is extremely stubborn, provocative, free and easy, discerning right from wrong, generous and calm, which is a rare image of women in society at that time, giving people a feeling that "my life is up to me." For this character, Mo Yan also implied a criticism of the dire situation of women at that time.
Finally, it is the content and core spirit of this book. If the characters inject vitality into this book, the historical background adds depth to this book. The core of this book is the word "country", and there are many descriptions in the anti-Japanese part. The description of war in this book can only be described in one word: being there. We have never experienced a war, but when reading his book, we really feel that we are standing on the battlefield, facing the bullets, and we are very nervous. The anti-Japanese armed forces led by Yu Zhanao have the most appearances, and they are also a very tenacious force. Yu Zhanao, the author's grandfather, is a typical representative of Shandong men, a tough guy with hot blood. He fought to defend his country on the battlefield, but he also had deep tenderness. If he were resourceful again, he would have a little cultural embellishment. The spirit of red sorghum should be passed down all the time, as Mo Yan finally wrote.
This book shows different aspects of cultural spirit. If you look at these aspects from different angles, it can be said that it is too profound, as if you have seen all kinds of life, good and evil, ugly and beautiful.