"Vineyard Poetry Society", founded in July 1962, was initiated by Wen Xiaocun and Wang Zaijun. The main colleagues were: Li Rongchuan, Chen Minhua, Lan Jun, Li Peizheng, Guding, Sima Qingshan, Song Houying, Wen Suhui, Jin Zhu, and Min Yin. Vineyard Poetry Journal was published, with Wen Xiaocun as the first editor-in-chief. The current president is Jin Zhu, the editor-in-chief is Tai Ke, and the publisher is Lai Yicheng. The Vineyard Poetry Journal has been published 151 times since its inception and has never been interrupted, making it one of the few poetry journals in Taiwan that has never been interrupted. The name "Vineyard" symbolizes transparency, perfection, maturity, freshness, and clarity. The poetry society was born in the tide of opposition to the westernization and obscurity of modernist poetry. As soon as it was born, the editor-in-chief put forward a "bright, healthy and Chinese poetry line" to compete with the modernist poems, and the editorials "On Obscurity and Brightness" and "On Poetry and Brightness" were published in the eighth and ninth issues of the journal consecutively. In the 31st issue, the editorial "Building Chinese Style Poetry" was published. It expounded on the authenticity, nationalization, Chineseization and popularization of poetry. The journal wrote: "All poets loyal to China should turn their gaze on the poetry world of Europe and America back to China's own land ...... Let our new poems put down unshakable deep roots in the land of China to express the qualities of modern thought and modern life under the inculcation of our traditional Chinese culture, in order to build China's new poetry." The journal is clearly calling out that Taiwanese poets and poems should quickly return to the direction of Chinese poetry. Wen Xiaocun, longtime president and editor-in-chief of the Vineyard Poetry Society, was born in 1928, originally from Yanshi County, Henan Province, and graduated from Taiwan Normal University. He is the proposer and implementer of the "bright, healthy, Chinese poetry line". He has repeatedly argued for, shouted for, and actively promoted this idea. He wrote in the preface of his book of poems "Water, Blue, Mountain, and Green", "For many years I have insisted that modern poetry should follow the path of healthy, clear, and Chinese poetry, hoping to keep Chinese poets awake amidst the treacherous and changing shadows of Western poetry." And he has always insisted on practicing this proposition of his in his own poetry creation.