According to ancient records, in the first 14 year of Lu Aigong's rule, his uncle Sun Shi went hunting in the west. Today, he got a monster in Jiaxiang, which looks like a deer. People in China don't know. Asked Confucius, Confucius said, "Ye Lin!" Confucius thought Kirin was an auspicious animal. The name "Jiaxiang" came from this. I like to use the word "Xiang" to name the names here, such as "Ren Tongxiang". Ren Tongxiang's adaptation of A Hundred Birds at the Phoenix is a peaceful song.
Xuan Zibin, an associate researcher at Jiaxiang Cultural Center, once taught in Suona Art School. Speaking of "A Hundred Birds at the Phoenix", he showed deep affection. He insisted that the theme of "A hundred birds pay homage to the phoenix" came from Shandong Bangzi. Regarding the origin of "A Hundred Birds Toward the Phoenix", no matter "Bangzi Theory" or "Luozi Theory", there is no denying the influence of traditional Chinese opera.
In the past, "Hundred Birds Toward the Phoenix" was called "Hundred Birds Singing" among the people, and spread in northern Anhui, northern Jiangsu, southern Shandong, eastern Henan and other places. "The earliest" Hundred Birds Toward the Phoenix "was relatively rough, mainly imitating birdsong, even adding the cries of dogs, cats and pigs, and sometimes mixed with the sound of hens laying eggs and children crying. There are many ears (free channels), and each team plays differently. "
Two folk masters played an important role in the "finalization" process of "A Hundred Birds in the Phoenix", one was Liu, a suona artist in northern Anhui. Liu, formerly known as Liu, began to study at the age of 8. /kloc-when he was 0/5 years old, he fought with several non-governmental organizations in Fengyang and became famous in one fell swoop. Since then, he changed his name to Liu, which means making a blockbuster in Fengyang. Liu's main activities are in Bengbu, Fengyang and Dingyuan, where Sizhou Opera is circulating, so opera music occupies a large proportion in Liu's performance. Liu performed the first "operation" on Bainiao in Phoenix. He changed the shortcomings of loose structure and no climax of the original song, making it more like a work.
"When I arrived in Ren Tongxiang, the soundtrack of" Hundred Birds Facing the Phoenix "was basically finalized." Xuan Zibin said that Ren Tongxiang further compressed the song's birdsong, deleted the cock's crow, and designed the cadenza with a special long tone technique of circulating ventilation, which expanded the end of Allegro and made the whole song end in a warm and jubilant atmosphere. Adapted and performed by Ren Tongxiang, "A Hundred Birds at the Phoenix" has won many gold and silver awards in music festivals at home and abroad. Since then, Birds of the Phoenix Society has been adapted into a concerto for flute, pipa, piano and symphony.
Spring returns to the earth, everything recovers, flowers come into view, the phoenix spreads its wings, and birds sing and dance ... This is the scene presented in Birds in the Phoenix.