Many people say that Ann's Dugu Prajna is the only attraction, while Hu Bingqing's Dugu Galo, although the heroine, has been robbed of the limelight. Although the main story of the hero and heroine is rather old-fashioned, I like this couple very much. Because although men are outside the house and women are inside, they still support each other. This is the real equality between men and women. It's not that Prajna's women are strong and men are weak, and it's not that Mantuo's inner court fights. If they put aside their special identities, they are just an ordinary family that has preserved themselves in troubled times.
Dugu Mantuo in this play is the worst woman in the play. In everyone's opinion, she has no love and affection in her heart. She can give up all her relatives and friends, even her daughter, for herself. But in fact, her heart is extremely contradictory. On the one hand, she is bent on the respect of others. On the other hand, her heart is still very soft. She chased her away in Galo's carriage. When her elder sister died, she was actually very sad, which shows that she still has these sisters in her heart.
Anyway, the day when Grandmaster Prajnaparamita got off the production line was the time when I abandoned the drama. This is the big lady!