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He used to be a playboy, but later he became very devoted.

I think the fundamental reason is not the love of Shangyu books, but the death of Lu Su.

Maybe many people don't think so, and I really can't have strong testimony. I thought Nana Ogawa might be born happy, so I quickly turned grief into sorrow after Lu Su's death (I thought Nana Ogawa was really annoying here because he fell in love with Yu Shu for a moment), but Nana Ogawa will take good care of Liu Bang and Lv Gong's family in the future. I think it's because of his commitment to Lu Su (on the other hand, Nana Ogawa doesn't love Lu Su, and it's hard to repay Lu Su with his own body consciously, but he fulfilled his promise).

But as the questioner said, "Nana Ogawa, an original positive character, was reversed" (in fact, "original positive" sounds awkward to me. A playboy is positive there, but in the Qin dynasty, let's just say that his advanced ideas are more pioneering. Yes, but not "because Yi Xiaochuan died for the life of a woman and others, who cares? When a woman is away, she has to take care of everything" (I think it is understandable that he only saved Yu Shu with Cui Wenzi's antidote, but it is also understandable that he wants to save others. That's a foolish show-off. Giving up Yu Shu for the people all over the world shows its rational side. After all, you can choose whether the whole world is lighter or the happiness of two people. )

"Yu Shu is a woman who cheated on her husband. As a result, two people who had an affair fell in love for a while." I want to refute their sorrow mercilessly, so that a series of possible tragedies later were caused by the system and ignorance of that era. Yu Shu was Qin Shihuang's woman? Ridiculous! That's ridiculous! That is the "appeasement strategy" under pressure. At that time, people thought that Yu Shu's affair was excusable. Now people live in such an era of democracy and independence and do not feel sympathy for their fate. It is too subjective and narrow-minded to say "two people who have been in love for a while"

As for the final "Xiang Shaolong will kowtow to Yi Xiaochuan", according to the mythical plot and Huang Yi's novel, it is really a joke. Xiang Shaolong is Xiang Yu's father, Nana Ogawa is Xiang Yu's sworn brother, and Nana Ogawa kowtows to him. As for whether the myth surpassed the Qin Dynasty, I think that "classics can only be imitated and can never be surpassed". From my personal point of view, I feel that under my one-sided understanding, many aspects, especially the ending, are really unbearable (in fact, it has been relieved now).

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Back in Yi Xiaochuan, everyone thought that Nana Ogawa was pretending to be a split personality. I think it is mainly (1); There is only one problem in the story: (2); Nana Ogawa itself has a big shortcoming. The shortcoming of this playboy is self-centeredness, which is called selfishness. It wasn't obvious at first, but this shortcoming was magnified by love. What impressed me most was Nana Ogawa's handling of the relationship with abortion. What makes me hate the role of Nana Ogawa is that Qin Huang sticks to his guns and accuses abortion. That guy was dumb for 50 sticks and hit more than half without saying a word! Son, I see helplessness in your helpless eyes, but your XX can't plead! Maybe your intercession will make Qin Shihuang suspicious, and maybe it will implicate Yu Shu. I blame you for shielding you two when I can't think of it (although it's still for the sake of high status, you should at least think so). Alas, this episode is the last time I can't stand Nana Ogawa. Lu Su, maybe you can't shirk it, but now you can't say that you sacrificed for the great love between Yu Shu and me?

Back to the point (1); Story plot problem

I think there are indeed many loopholes in the story design of myth writers as the questioner said. Compared with Mr. Wang's Qin Xun Ji, it is not as rigorous as the latter. The biggest problem is also a problem that many people have been struggling with.

That is, the emotional clues and plots of Lu Su and Nana Ogawa to Yushu and Nana Ogawa have become too fast to adapt.

Perhaps the problem is obvious. The director and screenwriter misinterpreted the audience's fragile psychological endurance.

But isn't myth the four classic novels that don't have so many fans? Dream of Red Mansions? It is impossible for a redology scholar to write the Red Chamber almost perfectly.

What about us? We are not "theologians". There is no need to study so deeply.

But that is to say, after reading the expression of feelings, there are complaints, complaints and hatred. Maybe there will be something similar to "XX Crossing Biography" and "XX One-way Ticket to Qin for Life" in the future. Imagine that there will be another group of people who will sneer at this. Then some people will regard "Searching for Qin" and "Myth" as classics.

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