Use a box of matches (not too many matches) to shorten one of them (equivalent to the width of the matchbox). Put this short match horizontally in the matchbox so that it can't stop other matches from falling.
Now, the preparatory work has been completed. First, show others the matches inside, but don't show others the horizontal matches. Then you draw an area on the table and say I want to make the gravity of this place disappear. Then put the box of matches face down and pull out the box inside, so that the matches will not fall. But you slowly move the matches to other areas. At this time, you only need to gently pinch the width of the matchbox before and after, and the matches will naturally fall off.
Coincidence of 1.
There is a piece of paper and a pencil on the desk. The performer went to the table, turned out his clothes pocket for the audience to see, proved that there was nothing in the pocket, and then turned it back. The performer picked up a pencil and wrote a number on the paper (not for the audience to see). After writing, he put the note in his pocket. The performer said to the audience, "You can say a number now. I have predicted this figure, which was written on the note just now. Ok, now just think of a number and say it. " After the audience quoted a number, the performer took out a note from his pocket and showed the audience the number written on it. It's really a number quoted by the audience. What's going on here? Can performers really predict?
Specific operation:
The performer puts a pencil lead about 1 cm in the corner of the table in advance (because it is small, the audience will not find it). Of course, you can also hide pencil lead in other places as you like. When the performer picks up a pencil and writes numbers on the paper, he should pretend to be writing, but nothing was written at that time. After writing the note, put it in your pocket. When the audience reported the numbers, the performer secretly picked up the pencil lead on the table. Then put your hand into your pocket and use pencil lead to quickly write down the number quoted by the audience on the note (for the convenience of writing, when asking the audience to quote numbers, you can limit the number quoted to between 0 and 9). At this time, the performer takes out a piece of paper for the audience to see (when the audience sees the paper, the performer can throw away pencil lead), and the audience will feel very incredible. Good performance, this is a very wonderful little magic!
2. The banknotes turned white.
Preparation: banknote 10, blank paper 10.
Mode of performance: The performer puts a white note between the 9th and 10 bills in advance. At the beginning of the performance, the performers were holding 10 banknotes. Then take out a few positive and negative notes from the fan-shaped notes, and take the opportunity to move the 10 note to the bottom, with a pile of white paper below. Then, tidy up the stack of bills, punch the stack of bills with your right fist, and then spread the fan. Strange! The original pile of money has turned into white paper. Then pretend to take out some paper, so that you can cover the banknotes with the confession paper, and it looks as if all the banknotes have turned into white paper.
Note: The paper money and white paper used for performance should be new and strong.
Psychic magic
Prepare two books of the same type (such as business education) and let two audiences come up to check them. Then let an audience turn to which page at will, and then you tell him which page is on the left or which page is on the right, and then let another audience turn to the page that the first audience said, so that he can remember the first word on that page, and then the magician writes down that word.
Decryption: In fact, the contents of these two books are exactly the same, except that the magician changed the cover of the book. When the magician asks the first audience whether it is the left page or the right page, the magician can just see the first word in a big way, and it is ok if you do some mysterious actions when guessing words. Note: These two books must be of the same type.
Coins go through the throat:
The magician first prepared a coin for the audience to check, and then asked the audience to make a mark. Then he said I ate it from my mouth and it came from the back of my neck. As a result, the coin was put in his mouth, and then the audience saw that there was nothing in his hand and took it out from the back of his neck.
Secret: Actually, the magician is saying, "I'm going to put it in my mouth and take it out from behind my neck. This is what he put behind his neck. But you must pretend to hold the coin. The next step is to play tricks, submit to humiliation, and show uncomfortable appearance. The longer you do this, the better, that is, let the audience forget what you just did and take it out from behind your neck.
Poker flies in
Manifestation phenomenon:
The magician held two cards in his left hand, and the audience looked back and forth, indicating that there were only two cards. Then put away the two cards, hold them in front of your eyes, breathe in the cards and say, "Poker flies, poker flies." Separate the cards again. At this time, the magician has seven cards in his hand.
The magician put away the cards again, saying that the cards were scattered and there were only two left.
Repetition is fun.
Performance skills:
The magician holds two playing cards in his hand, and the last one is pasted with five cards with oblique angles (as shown in Figure 2). When the magician confessed the cards in his hand, the cards with diagonal edges fell. Poker will turn when it is folded and blown. If you open it again, of course, it will become seven cards (actually, two cards and five cards with oblique edges). Because the audience is far away and can't see the diagonal edge, it is considered to be a flying card. When it is folded again, the magician only needs to turn the poker around and spread it out, and the extra poker will "fly away" again.
Mathematical guessing card
Demo:
The performer handed a deck of cards to the audience, then turned around and asked the audience to follow his password.
1. Put three piles of cards on the table, and the number of cards in each pile should be equal (assuming 15 cards), but don't tell the performers.
2. Take four cards from the second pile and put them in 1 pile.
3. Take 8 cards from the third pile and put them in 1 pile.
4. Count how many cards are left in the second pile (1 1 in this example), and take the same number of cards from 1 pile and put them in the third pile.
5. Take five cards from the second pile and put them in 1 pile.
The performer turned around and said, "Take away the second and third stacks, so there are still 2 1 cards in the1stack, right?" The audience counted it, and it was 2 1.
Secret:
This is a magic designed by using the principle of identity transformation in mathematics. Be sure to remember: first, the number of cards at the beginning of each pile must be equal. The second time is the third time to take an equal number of cards from the 1 heap. In this example, the mathematical formula is 4*2+8+5=2 1.
Comments and suggestions:
This is a magic completely performed by mathematical laws, and the audience in this magic should be more "honest". If he doesn't do exactly what you say, your last move will fail. However, the most puzzling thing about this kind of magic is that the audience completely controls the cards. And it is very interactive. Of course, not all the audience are such "honest people". To deal with them, we need to use some "forced card" magic.
Discoloration of heaven and earth
Performance method:
The performer folded the cards into a fan, so that the audience could see clearly that there were red cards and black cards inside, and at the same time explained the reverse side. The performer drew a few more pictures, so that everyone could see the front and back clearly. Then, he folded the stack of cards and waved it up and down a few times. After re-unfolding, the stack of cards turned black.
The secret of magic:
1. Take red cards and black cards above 10 to perform;
2. Tear off half of some black cards vertically from the middle. Then tear off half of all red cards and stick the torn half cards together to become two-color cards;
3. Stack the special cards separately. When performing, when the cards are displayed in a fan shape, there are naturally red and black. After waving the cards, the cards turn over and turn black after unfolding;
Remember that all the cards drawn to the audience must be black cards that have not been manipulated.
Recognize the card in the bag
Take any five cards, face up, and put them on the table. The performer stepped back to let the audience recognize a card. Count silently from right to left. Remember the name of the card. The performer put away five cards and put them in his pocket. Then leave a card in the bag, take out four cards and put them on the table, with the cards facing up. Then he asked the audience what cards he recognized. After the audience answered, the performer said, I have put that card in my bag for a long time. So he took it out and put it on the table, with the card facing up, which is exactly what the audience knew.
Method:
1. Before the performance, put the other four cards in the loan.
2. When the performer takes back the five cards on the table, he should take them back from right to left in sequence (Figure 1).
3. After putting five cards in the pocket with four cards, take out the other four cards hidden in the pocket in advance and put them on the table, with the backs of the cards facing up (the audience mistakenly thinks that this is four of the five cards).
4. Then the performer counts the cards in the bag according to what the audience said, and draws this card out for the audience to see, which is the audience's approval.
There are five cards on the table and four cards in the bag, which can be performed many times in a row without revealing any clues.
There is a piece of paper and a pencil on the desk. The performer went to the table, turned out his clothes pocket for the audience to see, proved that there was nothing in the pocket, and then turned it back. The performer picked up a pencil and wrote a number on the paper (not to be seen by the audience). After writing, he put the note in his pocket. The performer said to the audience, "You can say a number now. I have predicted this figure, which was written on the note just now. Ok, now just think of a number and say it. " After the audience quoted a number, the performer took out a note from his pocket and showed the audience the number written on it. It's really a number quoted by the audience. What's going on here? Can performers really predict?
Specific operation:
The performer puts a pencil lead about 1 cm in the corner of the table in advance (because it is small, the audience will not find it). Of course, you can also hide pencil lead in other places as you like. When the performer picks up a pencil and writes numbers on the paper, he should pretend to be writing, but nothing was written at that time. After writing the note, put it in your pocket. When the audience reported the numbers, the performer secretly picked up the pencil lead on the table. Then put your hand into your pocket and use pencil lead to quickly write down the number quoted by the audience on the note (for the convenience of writing, when asking the audience to quote numbers, you can limit the number quoted to between 0 and 9). At this time, the performer takes out a piece of paper for the audience to see (when the audience sees the paper, the performer can throw away pencil lead), and the audience will feel very incredible. Good performance, this is a very wonderful little magic!
Capture smoke in the air
The performer went to the stage, grabbed a cigarette in the air, then held it in his hand, put it back in his hat, and grabbed another cigarette, and so on several times in a row. What's wrong with cigarettes?
Explanation: It turns out that the performer wears a semicircular iron ring similar to a gold ring with a small tip on the middle finger of his right hand. When the hand is bent, the cigarette appears, and when the hand is straight, the cigarette disappears. In fact, cigarettes are one of them. Pay attention to the audience's angle when performing.
Third, needle balloons.
Needle balloon: the performer explains a big balloon to the audience, and then takes out a steel needle to pass through. Strangely, the balloon didn't break.
Note: before the performance, stick the two ends of the balloon with rubber, and the steel needle will not break when it is aimed at the rubber. Don't try.
Six, two cards become five.
The actor took out two cards in a deck, and when the cards turned their backs to the audience, they said there was no entrainment. When his hands were shaking, he explained five playing cards 1, 2, 3, 4, 5 to the audience. How can it become five at once? The actor shook again and turned into two playing cards.
Note: Originally, only two cards were used, and the other three different ideas were cut and pasted on a corner. When the actor shakes, he changes direction and adjusts his head. The trick depends on skill and natural turning to get good results.
Seven, empty bags filled with eggs
The performer picked up a black velveteen bag from the colorful stage. In order to prove that it was empty, the actor turned it over and kept squeezing it out of the bag. Then he did a magic trick. An egg was squeezed out of the corner, and a dozen eggs were born one after another.
Description: On the back of this flannel bag, there is actually a strip-shaped interlayer tied on it. This mezzanine is sealed on the left and opened in a flannel bag on the right. More than a dozen eggs are packed in it. In order to lose weight, only one of ten eggs is real, and the rest are fake or eggshells.
Eight, cup bottom pumping handkerchief
The actor explained a glass teacup to the audience, and poured the water into it without leaking. The actor poured the water out and dried it, put it in a silk cup, sealed the cup with his left hand, and immediately pulled the silk towel out of the cup with his right hand.
Note: When the original mechanism made props, a small hole was drilled near the bottom of the cup, the size was about 1 cent. When pouring water, press it with your left hand, and the water will certainly not leak. When drawing a silk scarf, it will be drawn out from the small hole.
Nine, flying matches
After explaining an empty box of matches to the audience, the performer opened a box full of matches with a magic gesture and a shake of his hand.
Description: It turns out that this match is made of two cores and a half drawers. Push it up again, and it will be a full bag.
Ten, reduce paper tearing
After the performer confessed a long piece of paper, it was torn into pieces, and it was still restored to a piece of paper in one breath, which surprised the audience.
Note: Make preparations before the performance, roll another piece of paper on the corner, tear off the confession one, hold the ball in your hand and put the other one down.
XI. Cups in the air
After the performer explains two empty glasses, he explains them with a piece of glass, and then puts them on the glass with a handkerchief. The audience was very excited to see them upside down.
Note: When explaining props, the key problem was the handkerchief. Put a concave iron piece on both sides, and the cup will not fall because it holds the letters with your fingers.
Twelve, flying smoke is not seen
The performer lit a cigarette, took a sip, suddenly put it in his hand and disappeared in an instant.
Description: Put a rubber band in the sleeve, a pencil box on your head, and put cigarettes in the sleeve. When the hand is released, the cigarette will retract.
Thirteen, burn paper into money
After the performer confessed a blank sheet of paper, he lit it with a match and instantly turned it into a Zhang Yiyuan bill.
Note: fold one yuan in advance and put it behind the match. The match is on fire, push it into your hand, and there will be a dollar soon.
Fourteen, poker phone
After the performer explains with a deck of playing cards, let the audience draw one or two cards and put them in their ears. It's really weird.
Note: this card is straight flush, up and down or disorderly. You will know the drawn card at the bottom of the card.
Fifteen, the word A is changed to "3"
After explaining a red square A to the audience, the performer took a breath and turned it into a red square "3". What's the point?
Note: It turns out that a letter has a "3" affixed to its corner, and the corner is removed with the first thumb.
Sixteen, constantly cutting the rope
After the performer explained a yuan rope, he told the audience to cut it on the spot and shouted one, two and three, then immediately connected it and applauded.
Caption: This tape is also a leader who was cut off by a finger at the other end of the door, and a leader who lost his hand.
17. Song Wu Gang.
The performer used a handkerchief to make an audience put their hands into a belt, and the belt was untied at 1, 2, 3, but the hands couldn't help it. Strange!
Explanation: The performer jumped out of the wristband with two fingers and slid down without moving.
Eighteen, color matching towels
The performer explained that a box was full of matches and two of them were lit, so that the audience could see that it was called 1, 2, 3. The matches are gone, so I took out three red and green silk scarves.
Note: In fact, that row of matches is fake, and they are all stuck on the silk corners, so two real matches were burned, and a whole package was missing.
Nineteen. Cut and repair handkerchiefs
The performer took out a white handkerchief from his pocket, then took a pair of small scissors, cut a piece in the middle of the white handkerchief, put the cut rag back in the middle of the handkerchief, and shook it to make a complete handkerchief. The audience was really surprised to see it!
Note: A white handkerchief makes no difference. The organ has a small white handkerchief on its hand, but it actually cuts a small handkerchief. It is also necessary to be skilled and master the angle so that people with handkerchiefs on their fingers can't find performers.
Twenty, rice turns into rice fragrance.
The performer took out one or two meters and asked two spectators to pull a piece of cloth on the stage. The performer kept shaking the rice on the cloth. After a few minutes, the rice turned into popcorn and was ready to eat.
Description: In fact, the rice flower has been prepared for a long time, and it is packed in a small dustpan and can only be performed with props. By shaking hands, Mi Hua becomes lighter.
Prophecy card
Effect: Let the audience randomly pick a card from a deck of cards facing down and watch it put at the bottom of the card. After cutting the cards twice, tell him, "Now your cards are face up." Then sure enough, a card has been turned upside down, but the audience said it was not his card. You said of course not, because this is a prophecy card (such as four hearts), and then four cards from the bottom, which is the card chosen by the audience.
Teaching: Before the performance, turn a card face up and insert the penultimate card. The smaller the number, the better. Be careful not to cut the card too many times, and don't confuse the location of the prediction card and the target card. That's it, after your friend's surprise. But you know, you can only perform once, and no matter how much he asks you, you won't perform. Unless you want to tell him how to perform.
How to do magic with 10 ordinary playing cards?
The performer took out ten playing cards and let the audience cut them at will. Then the performer puts the cards behind his back and draws five decks of cards one by one from the cards that the audience has cut without looking at them. This magic trick is simple but effective, and needs no practice. You can try it if you are interested.
Decryption: Actually, this magic trick is very simple. Find five cards of the same color from a deck in advance. For example, a pair of A, a pair of 2, a pair of 3, a pair of 4 and a pair of 5. Arranged in two rows in sequence, namely A, 2, 3, 4, 5, A, 2, 3, 4, 5. Cut cards for the audience after the arrangement. The spectator can cut the cards at any time until he thinks the cards are cut in the wrong order. (Note: When cutting the card, you must never cut the card from the middle. Only two cards can be switched up and down, and several cards can be switched. When you put the cards behind your back, the first five cards are washed and divided into two pieces, and all the cards are washed. Then draw two cards at a time and you're done! In fact, the key to this magic trick is that no matter how many times the audience cuts the cards, the order of the cards will not be chaotic! !
Performance effect: The performer holds 6 cards, please make sure they are 3 red and 3 black. He held six red and black cards in his hand, and then changed from the bottom card to the top card one by one. At the same time, let the audience see that the colors and order of the cards are always staggered. Finally, the magician opened the poker in his hand, and the audience found that the six cards had become a group of clearly arranged and orderly cards, first three red cards, then three black cards, as if they were waiting in line!
Performance method:
1) spread out the six cards in your hand for the audience to see clearly. There is nothing special about their order and color. Then put the card on your left hand.
2) After the audience sees the card (e.g. Box A), you put the card face down, say "The first card is red" and pull it out with your right hand and put it on the top of the stack.
3) Then draw the second card with your right hand and open it for the audience. This is a black card. You say, "The second card is black", and then turn it into a face-down card and put it on the top card.
4) Turn the left hand card over again, let the audience see that the bottom card is red, and say "The third card is red". Then immediately put the card face down, move the card with your left hand, and draw out the second card below with your right hand and put it directly on top of the card. The audience thought it was a red card, but actually they moved a black card to the top card.
5) This time I said "the fourth card is black", but don't turn the card over to the audience, just put the red card below on the top card.
6) Keep the cards down, draw the current red card and say, "The fifth card is red." Then put it on the top card.
7) Next, turn the left hand card over so that the audience can see that the card is black. Said, "The sixth one is black." Say that finish immediately turn the card over and move it again.
8) Finally, you move the cards from your left hand to your right hand one by one, which is misleading. In fact, the magic has been completed, which can make the audience forget the position of the card just now and attract their attention to this irrelevant step.
9) Finally, you put all the cards behind your right hand, and you said, "The cards you just saw are red and black, and now I want to separate them." At the same time, you hit the card with your left hand. Finally, I opened the cards and found that the red and black playing cards had been automatically arranged according to the clear red and black.
1/
This is a magic that uses mathematical knowledge, and it ends with a very mysterious effect: the magician takes out a deck of cards, big and small, and asks three spectators to draw 1 card, and puts the remaining cards on the table in three stacks, A, B and C, holding another stack in his hand. Let the first spectator remember his playing cards and put them on the A stack, then the second spectator takes any cards from the B stack and puts his own cards on the remaining B stack, and then the third spectator takes some cards from the C stack and puts his own cards on the B stack. Then the magician puts the stack in his hand on the C stack. After the magician put the three stacks of cards C, B and A in turn, he took some cards from the top of the stack and put them below. Then the magician began to deal cards face up, face down in turn, put a stack of cards face up and a stack of cards face down, pick up the stack with cards face down and repeat the deal. Finally, there are three cards left in his hand. The first card is the third card, the second card is the second card, and the last card belongs to the third audience.
Magic Secret: First of all, the magician asked the audience to take out the king and the king's 52 cards, then draw out three cards and put them on the table for three stacks: A stack 10, B stack 15, C stack 15, leaving nine cards in the magician's hand. Let the first, second and third spectators put away the cards, then collect the cards of C, B and A in turn, and then take four cards from the top of the whole deck and put them at the bottom (which can be hidden from the audience), and then deal the cards according to the above method. The last three cards are for three spectators.
2/
The magician took out four straights (spades 1: A2345, hearts 2: A2345, clubs 3: A2345 and diamonds 4: A2345) and put them together one by one. Then the magician blew on the card and asked the audience to cut the card. After the audience cuts the cards, let the audience deal.
Five cards were dealt in the first line, five cards in the second line, five cards in the third line and five cards in the fourth line. The magician turned out four cards in the first vertical row, which turned out to be four aces, and the second vertical row turned over, which turned out to be four 2s. The third vertical row was also opened, and the result was four threes. The fourth vertical row has also opened, and it turned out to be four fours. The fifth vertical row was also opened, and the result was four fives. The audience can only applaud.
Interpretation: In fact, there is no secret. Just follow the above. Let the audience cut the cards: let the audience put half of the cards on the edge of the table, and then put the remaining half on the half that was removed before, and repeat it several times. Otherwise, the magic will fail.
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I have a lot of magic here. It's simple. I'll give you:
I'll teach you a few simple ones first, and finally there are many websites I recommend to you!
I hope you like it, thank you ~
Coincidence of 1.
There is a piece of paper and a pencil on the desk. The performer went to the table, turned out his clothes pocket for the audience to see, proved that there was nothing in the pocket, and then turned it back. The performer picked up a pencil and wrote a number on the paper (not to be seen by the audience). After writing, he put the note in his pocket. The performer said to the audience, "You can say a number now. I have predicted this figure, which was written on the note just now. Ok, now just think of a number and say it. " After the audience quoted a number, the performer took out a note from his pocket and showed the audience the number written on it. It's really a number quoted by the audience. What's going on here? Can performers really predict?
Specific operation:
The performer puts a pencil lead about 1 cm in the corner of the table in advance (because it is small, the audience will not find it). Of course, you can also hide pencil lead in other places as you like. When the performer picks up a pencil and writes numbers on the paper, he should pretend to be writing, but nothing was written at that time. After writing the note, put it in your pocket. When the audience reported the numbers, the performer secretly picked up the pencil lead on the table. Then put your hand into your pocket and use pencil lead to quickly write down the number quoted by the audience on the note (for the convenience of writing, when asking the audience to quote numbers, you can limit the number quoted to between 0 and 9). At this time, the performer takes out a piece of paper for the audience to see (when the audience sees the paper, the performer can throw away pencil lead), and the audience will feel very incredible. Good performance, this is a very wonderful little magic!
2. The banknotes turned white.
Preparation: banknote 10, blank paper 10.
Mode of performance: The performer puts a white note between the 9th and 10 bills in advance. At the beginning of the performance, the performers were holding 10 banknotes. Then take out a few positive and negative notes from the fan-shaped notes, and take the opportunity to move the 10 note to the bottom, with a pile of white paper below. Then, tidy up the stack of bills, punch the stack of bills with your right fist, and then spread the fan. Strange! The original pile of money has turned into white paper. Then pretend to take out some paper, so that you can cover the banknotes with the confession paper, and it looks as if all the banknotes have turned into white paper.
Note: The paper money and white paper used for performance should be new and strong.
3. The newspaper is tenable
It's amazing that the performer pours water into the funnel made of newspaper. How can newspapers contain water? But he still solemnly folded the bottom of the newspaper funnel to prevent water from coming out; The audience waited to see if the water flowed from under the newspaper. Unexpectedly, the performer suddenly threw the newspaper into the air, held it down and unfolded it. There is not a drop of water, and the newspaper is completely dry. Then roll up the newspaper and pour water from it into the cup. As a prop, you need two ordinary daily necessities: a large glass with a handle and a newspaper. In addition, an auxiliary prop is needed-a transparent plastic container with a diameter of 3 ~ 4 cm and a height of 15 cm, and an ear on it. During the performance, the glass is placed on the table and the plastic container is hung behind the glass (from the audience's point of view). Now roll the newspaper into a funnel, pick up the cup in your right hand, and lift the funnel-shaped newspaper behind the cup from bottom to top in your left hand, so that the plastic container behind the cup is hung in the newspaper. The water in the cup can be poured into the plastic bag in the funnel-shaped newspaper. When the water is almost poured, lift the hand holding the newspaper from bottom to top, let the glass hang the transparent plastic container, and then put down the glass. In order to enhance the performance effect, the performer deliberately pretended to hold the newspaper carefully, which meant not to let the water shake out, but suddenly he threw the newspaper into the air or simply threw it at the audience. Then roll the newspaper into a funnel shape and pour the water back into the cup from the newspaper-first put the plastic container hanging on the glass into the funnel-shaped newspaper, then pour the water from the plastic container into the forest, hang the empty plastic container in the same way, put the cup away, and then spread the newspaper to the audience.
4. Jumping competition
If you meet a group of friends by chance, you can tell them that you have just discovered a wonderful pulse detection method. So, you take out two ordinary wooden matches from your pocket and put one of them in the palm of your left hand, which shows that it can be regarded as a pulse counter. Then, put the second match under the first match and let it be used as a pulse generator during the whole demonstration. When your friend carefully observes that counter, he will naturally find that it is jumping up and down according to a certain rhythm, as if recording your heartbeat. Suddenly, your heartbeat lost its normal rhythm, and finally, it stopped beating with a nearly silent song. Next, you give the matches to your friends, let them check them carefully, and then let them have a try. Obviously, although they try their best to "glow" as happily as you do, the result is only to see two matches lying quietly in their palms "sleeping". You'd better use big wooden matches when performing this program. It is precisely because the requirements for props are not high, so you can borrow such matches as props anytime and anywhere. In fact, the real secret of executing this program lies in the hidden mechanism of matching pulse generator.
Performance method
1. As shown in the figure, the first match was climbed by the left hand as a pulse counter. Adjust the position of the match so that it is close to the root of your finger and its head is facing yourself.
2. Hold the second match, the pulse generator, with the thumb and forefinger of the right hand, and press the nail of the middle finger tightly on the back of the match, as shown in Figure 2.
If you put a little pressure on the match with the fingernail of your middle finger, or let the match slide very slowly on the fingernail, then the match will inevitably produce a series of imperceptible pulses.
4. Put the generator match under the counter match, as shown in the figure. According to the method specified in the third step, let the nails of the middle finger of the right hand rub the matches smartly, so that the matches in the right hand will inevitably cause a series of vibrations in the left hand.
Comments and suggestions
Although this is only a small impromptu magic show, it can also achieve attractive and good results if it is operated properly. When performing this program, you'd better use that kind of big wooden match, which has the advantage of better visual effect and more convenient performance. Please remember this, unless you rub the match with the nail of your middle finger, the match as a counter will not move at all. There is another topic during the performance. You can tell the audience that you have learned how to use magic to make matches magnetic. Put the first match (pulse generator) on your sleeve or tablecloth several times, and you can be sure that when you approach the second match (counter) with the first match, the latter will start to shake slightly, as if some magical force is pushing it constantly in the dark!