According to the contents of several episodes currently broadcast, the TV series "Clear the Field" should belong to the costume drama launched on the genuine video platform, and its quality is not high. Its low quality is not only a lack of story, but also a vague positioning of its own drama. TV plays only tell stories from the perspective of scripts, but they don't see what they want. In fact, as long as the works of TV series have a clear definition in style and are created and filmed according to the positioning requirements, they will not look ugly. Now the plot is clear and the type is vague. First of all, talk about the sweet pet in this costume drama. In the part of marketing copy, it is mentioned that this is a lovely pet play. I don't know if many film and television dramas are interpreting the concept of sweet pet recently, so many costume dramas are trying to develop in this direction. We might as well go back to the original data. What kind of TV series is a sweet pet? In short, this is a TV series that conforms to the princess dream of female audience, especially the TV series in which the hero destroys the heroine without principle.
The premiere of Qing Dynasty starring Liu Xueyi Wang Ziwei was not sweet enough. What do you think of the lack of story? This kind of drama needs a story with the same content, which is to help female audiences realize their dreams through the story. Realize the dream that female audience can't realize in daily life. Although this kind of dream is the main content favored by the hero, it is not the only content. While women are full of this kind of love, they also need other spiritual satisfaction. For example, some sweet pet dramas actually have the shadow of workplace dramas. The heroine not only gains unprincipled love, but also gains a career. Looking back, it seems that I misunderstood Sweet Pet. Especially on the issue of dreaming, there is a lack of satisfaction with the beautiful dreams of female listeners. This TV series treats all kinds of vulgar hugs and kisses as sweet pets. This is obviously an outdated consciousness. In the first episode of the play, the hero and heroine had several inexplicable hugs and close contact. In fact, the content of this substance is not really a sweet pet at present, but it has been greasy and vulgar for at least 20 years.
The biggest concept consciousness of sweet pet lies in hazy feeling rather than physical contact. Many of our ignorant screenwriters believe that it is necessary to make a sweet pet drama. It is enough for the hero to hug and kiss the heroine. As we all know, these intimate contacts will never bring a real atmosphere. The real sweet pet is caused by the plot tension of the script itself, which is the sweet overtone of the bridge. From this point of view, the so-called sweet pet in the open space is not good enough. Secondly, tell the story of this TV series. In fact, no matter what kind of script it is, whether it is a sweet pet or a costume, the most important thing must be the attribute of the story. The TV series is full of sugar and spoilers, but without effective story content, the whole TV series will collapse immediately. There are many similar negative examples. Personally, I think it can also be considered as a relatively failed TV drama case. The play tells stories and lacks basic scriptwriting skills.
The so-called storytelling skills of TV series usually include the principle of clear plot main line, the principle of coordination of big plot and small plot, the principle of interesting personality of Little Jordan and so on. In these respects, the liquidation is in a state of complete loss. We might as well analyze them one by one. Let's talk about the main plot line first. In the original novel, the story is straightforward, and the heroine takes her son to get revenge. In the adapted TV series, it is obvious that crosstalk has disappeared. The heroine and son, what they really want, have been broadcast many times, but they have not yet established a clear understanding. This is the scariest thing. TV plays should not only consider sprinkling sugar and sweet pets, but also consider the behavioral motives of their characters and the ultimate goal of the plot. Let the characters act according to these purposes. In the early Qing dynasty, the heroine lacked the most basic purpose. Therefore, it gives the audience a feeling of headless flies and hammers.
Let me talk about the big picture and the small picture. A clear TV series with a story, that is, the plot of each episode needs to establish multiple effective plots. The so-called plot is the content system of short stories. The system needs to effectively connect dozens to twelve small plots. Under the premise that the narrative main line of Qing Dynasty is vague, the big plot is relatively vague and the narrative is slow, so there is no effective big plot to attract the audience. Finally, I will discuss the artificial design of the small bridge section. Entering the small bridge section is the basic requirement. Of course, this is also superficial. The reason why the entrance and exit design is needed is to make the plot clear and coherent, forming a cohesive effect. In this basic requirement of screenwriter, it is not satisfied. The old screenwriter thinks that the screenwriter may need more professional screenwriter knowledge. At the same time, in order to make the bridge look good, an effective protagonist is needed. In the Qing dynasty, the roles of male and female protagonists were unattractive and lacked a sense of design. Then in a specific bridge, their CP consciousness is weak, and conflicts also arise. Generally speaking, there are many problems in clearing the TV series. Nowadays, with the maturity of the TV market, Luo Qing and other TV dramas are still popular. But it seems worth mentioning.