As an audio-visual art, film and television art is not only a picture and dialogue, but also a very important film and television language. So, how to use blank space in film and television art?

Abstract: The traditional culture of China has a profound influence on the artistic aesthetics of film and television art. Leave blank? Take this as a breakthrough point to analyze the creation of film and television art? Leave blank? The application of technique and its artistic expression are discussed with examples of specific film and television works. Leave blank? Ideographic effect in film and television art.

Keywords: film and television art; ? Leave blank? ; Virtual and real

Thousands of years of historical and cultural accumulation in China gave birth to China's profound traditional aesthetics. Leave blank? Is the artistic technique of Lao Zi and Zhuangzi? Virtual reality theory? As the theoretical source, philosophy inherits and continues the charm of ancient oriental philosophy in today's film and television art creation. Traditional aesthetic concepts such as implicit beauty, artistic conception beauty, verve beauty and the coexistence of reality and falsehood, which are unique in China's aesthetics, are constantly colliding and merging with western aesthetic concepts in the image age when consumer culture prevails.

Western film and television works, such as Hollywood blockbusters and American dramas, have a great influence on the field of film and television art in China. How to find the foothold of China's film and television art in the trend of globalization? China's long-standing traditional culture is the origin of establishing the aesthetics of national film and television. Originated from the traditional culture of China? Leave blank? The application of artistic techniques in China film and television art and the unique ideographic effect of national film and television aesthetics provide some reference for the national development of China film and television art.

Under the trend of globalization, in the face of the fierce western film and television art works and what is preached behind them? Cultural hegemony? It is imperative to explore the road of national film and television art with China characteristics, which requires that in the specific film and television art creation? Embody the national emotional way in art and explore the national artistic tradition? Draw the essence from the traditional culture of China for thousands of years, and create China film and television art with unique oriental discourse.

First, in the film and television picture? Leave blank?

French film theorist Marda said in film language:? Picture is the basic element of film language. ? Picture is the basic element of film and television art, and also the core bearing object to convey its aesthetic connotation. A director's aesthetic pursuit and work style are mainly reflected through film and television pictures. Leave blank? If these technologies are reasonably applied to film and television pictures, so that film and television art can draw strength from the essence of China traditional culture and endow pictures with higher aesthetic value, more and better film and television works can be created.

Pictures in film and television works? Leave blank? , mainly using lens, composition, light and shadow, color and other film and television languages to achieve. Pictures? Leave blank? Does it mean that the director did it on purpose in the camera? Blank? It can be a scene with blurred lens focus, or a scene or thing that is in a secondary position in the visual impact of the audience, such as the sky, desert, Woods, Gobi and so on. ? Blanking around the main body can make the main object of the picture clear and prominent, produce strong visual appeal, and make the composition more vivid and concise. The change of blank relationship can also make the picture dense, virtual and real, and play a role in regulating the rhythm of the image. ?

In the film Hero by the fifth generation director Zhang Yimou, the remnant sword and the nameless are on the lake in Jiuzhaigou. A battle of ideas? The director chose a calm lake surrounded by heavy mountains as their shooting venue, so that the background could be purified as much as possible to achieve? Take reality as reality? Purpose. The sword fight between broken arrow and the unknown is like a clever landscape painting. The blurred background further strengthens the sword fighting actions of the two protagonists, while the quiet atmosphere reflects the fierce competition unfolding in the mind. Pictures? Leave blank? In film and television works, the form of empty lens is the most common.

What is an empty lens? The explanation given by the film art dictionary is:? An empty shot, also called a scene shot, is a shot with no characters in the picture. Because of the characteristics of movies, it plays an important role in providing visual image information on the screen. Scenes that can complement but not replace actors (including people and animals). It is one of the important means for directors to clarify ideological content, tell stories and express emotions. It also plays a unique role in the transformation of screen time and space and the adjustment of film rhythm. ? As a window of emotional release in film and television works, empty shots are often placed in the emotional release period at the beginning of the film or after the climax to cater to the audience's psychology, so that the audience can have a transitional stage of emotional release after high tension, so that the audience can be in this period. Leave blank? A deeper understanding of the plot and ideological connotation.

Of course, in China's film and television works, the empty lens also has a unique oriental meaning, that is? Implicit? . In our traditional culture? Implicit? Aesthetics determines the pictures in some film and television works. Leave blank? It has an implicit ideographic function. For example, in Red Sorghum directed by Zhang Yimou, Gong Li plays the role? My grandmother? And Jiang Wen? My grandfather? The scene of mating in sorghum field, with? Sorghum swaying in the wind? Empty lens to implicitly express the plot, there is such a'? Leave blank? Dealing with it neither hinders the audience's understanding of the story, but also conforms to the orientals? Implicit? The aesthetic concept of.

Second, in film and television music? Leave blank?

As an audio-visual art, music is not only a picture and dialogue, but also a very important film language, which plays an irreplaceable role in rendering atmosphere and setting off emotions. One of the most common mistakes in the use of music is abuse, which makes the film and television works untimely full of soundtracks, which not only does not play a icing on the cake, but destroys the presentation effect of the whole work. So, in film and television music? Leave blank? This is very important. Reasonable application of music in film and television works of art? Leave blank? Techniques can often produce unexpected artistic effects, and music can also become an important modeling symbol, even an important means for directors to express their personal style. For example, in the work In the Mood for Love directed by Wong Kar-wai, due to the director's reasonable grasp of the time and opportunity of music, music has become a secondary narrative line to match the emotional development of the characters.

Theme music "Yumeji? They first appeared after Heyun began to realize that their partner was having an affair. The deep tone of the viola was rendered in the film with their faint sadness. Su Lizhen, wearing a cheongsam and carrying a thermos bottle, gracefully walked through the narrow corridor to the Wonton Beach. The clouds met at the corner of the corridor, each with his own worries nodded and turned to leave, and the music gradually slowed down and disappeared with the intersection of the two. The same melancholy, the same music, keeps the emotional bond of harmony together.

This theme music appears repeatedly and appropriately in the film, and with the director's deliberate slow-motion language, the audience has become accustomed to this music? Missing? When watching the normal narrative clues unfold and the theme music begins, it enters the emotional narrative in a conditioned way. ? Through music? Leave blank? Controlled picture paragraphs often provide an aura in rhythm, which can better reflect the charm of the rhythm of the film, form a unique audio-visual effect and form a unique style of the film. ? Wong Kar-wai's approach to music emphasizes intensity and frequency? Music rendering? Take music for example? Leave blank? Compare the rationality of normal narrative clues and pass? Leave blank? Guide the audience to form an inertial aesthetic trend in the psychological space.

Third, in the narrative structure? Leave blank?

Narrative structure is the main framework for film and television works to unfold stories. Leave blank? The application of skills in it is mainly manifested in two aspects: one is to break the traditional linear narrative structure and create suspense through the lack of important plot clues; The second is to set an open ending, so that the narrative ending of the whole film is a vague plot, leaving the audience more room for thinking and personalized reading.

The traditional linear narrative structure is widely used in China's early film and television works, but this kind of adoption? Leave blank? The means of creating suspense is widely used in modern film and television works. For example, The Sun Also Rises directed by Jiang Wen is divided into four parts. What is the theme of each part? Fascinated by guns? The story is narrated in sections, but not according to common sense. There are some plots in the plot presentation of each story? Leave blank? Audiences store these in movies? Leave blank? In the following narrative, we are constantly looking for a reasonable explanation to fill it.

Until the fourth paragraph? Dream? Presentation is not only the end of the film, but also the beginning of the narrative. When everything is lost. A jigsaw puzzle After being discovered, the director gave the audience the right to present a complete story and let the audience construct a complete story. And this narrative structure? Leave blank? The use of techniques is different from the previous methods of setting suspense and uncovering suspense, and the four sections are connected in large sections. Leave blank? And the story between each paragraph? Leave blank? It gives the audience more imagination and initiative in reading. Everyone reads different stories because? Leave blank? what's up Virtual? It is a vast world where the audience's imagination gallops.

Did Jiang Wen stop here? Real? The presentation of the story makes? Leave blank? This place is more meaningful. What is the most commonly used narrative structure? Leave blank? The presentation is an open ending. American screenwriter Robert? Mackey defines an open ending as? If a story climax leaves one or two unanswered questions and some unsatisfied emotions, it is called an open ending? .

For example, in Xiaogang Feng's movie The Banquet, who stabbed the sword played by Zhang Ziyi at the end? China's family ethics TV series "Chinese Divorce" finally faces a divorce agreement. How will Jianping Song choose? Sign or not? Whether it is a movie or a TV series, the setting of an open ending does not mean that the story has completely stopped or the plot has yet to be determined. On the contrary, it is an open ending. Leave blank? Can carry more endings, because life is like this. Real life is always more dramatic than drama? . Open ending, like this? Leave blank? The way keeps the drama to the end, and also allows the audience to understand the true meaning from different interpretations of the drama again.

References:

[1] Zheng. Analysis of the Living Background of China Films after China's Entry into WTO [J]. Film Art, 2000 (2): 8.

[2] Marcel? Marda. Film language [M]. Translated by He Zhengan. China Film Publishing House, 2006: 1.

[3] Yin Jie. Research on the blank space art of China's film and television dramas [M]. Beijing: Communication University of China, 2009: 6.

[4] Xu Nanming et al. Dictionary of Film Art [M]. China Film Publishing House, 1986: 2 1 1.

[5] violence. Film music creation and? Leave blank? [J]。 Film literature, 2011(8):126.

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