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How to evaluate Tang Yan's TV series The Woman Growing on the Bread Tree?
A TV series full of literary complex is also planted in the desert of literature and art.

The protagonist is really too old, and it's a bit against my will to play young people.

Bosco Wong is very handsome, but he is still a little reluctant to play a college student. The fine lines around his eyes have betrayed his vicissitudes.

But Fang Lin is a gifted scholar. After watching several episodes, I feel that the whole person should be more introverted and extroverted. He was hurt by his parents, so he used bohemian to cover up his fears. His external bad is desperate, he can't let go, but Bosco Wong is just playing.

Cheng Yun is a product of the fantasy of literary youth, not a character. She has the plug-in characteristics of the female host, and she met a noble person as soon as she came up. She has a young woman's affectation, and every expression and sentence in love involves her infinite love thinking. Is there really such a plump person in reality? Love is love, and not love is not love. If you leave, you leave. Don't call back when you turn it off. Isn't that simple?

The wrong actor and the wrong interpretation of the role made a bad film.