Sensible bean officer shouted:
"Mom, mom, in the southwest,
A vast continent, a long treasure ship.
Mom, mom, go to the southwest ...
You live in a sweet place and you spend money in a bitter place.
Mom, mom, southwest ... "
Blood-red sky, blood-red sun and blood-red sorghum fields ... symbolize revolutionary resistance and the red color of life, and fully express reverence for national vitality. Jiu-Er's death transformed into a national spirit, which inspired the latter to bravely fight against foreign invaders.
The Jiu-Er model made him an anti-Japanese hero, and also transformed Yu Zhanao from a bandit to a national hero. This also shows that powerful women all have a big pattern, making their husbands and themselves. Jiu-Er's death was worth it! !
Extended data
Characters in Red Sorghum;
1. Jiu-Er
Jiu-Er, a young girl, is beautiful and clever, but her fate is very bumpy. My father likes smoking and gambling, which drives my mother to the wall. Zhang Junjie, a childhood friend, tried to run away with her, but was pitied by her family and sent to the bandit's lair. ...
In addition, she complained to the county magistrate in the street and made a sweet oath with her first lover. Zhou Xun's aura made the image of a shrewd and decisive "fierce woman" come to the fore.
2. Zhu
Zhu, played by Yu Rongguang, is quite a "drama snatcher". Gaomi County Order, adapted from the real historical figure Cao Mengjiu, was threatened by bandits as soon as he arrived in the county seat, and the tit-for-tat scene was quite domineering.
In the play, his "three fires" of fighting bandits, solving crimes and banning gambling and drug abuse not only gave the audience a glimpse of the people's livelihood in Shandong in the 1930 s, but also vaguely made people see the shadow of "Let the bullets fly" that year.
3. Yu Zhanao
Yu Zhanao is both a bandit leader and an anti-Japanese hero. He is a figure with unique personality and national spirit. He is a tough guy with rough, violent, primitive sense of justice and passion for life.
Yu Zhanao is a typical figure who combines goodness, evil, beauty and ugliness. His image is a successful display of the Chinese national spirit in the history of contemporary literature.